Review: This Song Will Save Your Life

This Song Will Save Your Life

Author: Leila Sales
Pages: 288
Publisher: Farrar, Straus and Giroux (BYR)
Publication Date: September 17, 2013
Read: September 11-12, 2013
Source: ARC from publisher

Description from Goodreads:
Making friends has never been Elise Dembowski’s strong suit. All throughout her life, she’s been the butt of every joke and the outsider in every conversation. When a final attempt at popularity fails, Elise nearly gives up. Then she stumbles upon a warehouse party where she meets Vicky, a girl in a band who accepts her; Char, a cute, yet mysterious disc jockey; Pippa, a carefree spirit from England; and most importantly, a love for DJing.

Told in a refreshingly genuine and laugh-out-loud funny voice, THIS SONG WILL SAVE YOUR LIFE is an exuberant novel about identity, friendship, and the power of music to bring people together.

First Sentence: "You think it's so easy to change yourself."

Review:

Just the other day on Twitter, I mentioned the fact that I couldn't really think of any YA heroines whose high school experience in any way recalled my own, and along comes This Song Will Save Your Life. For this reason, This Song was a really personal read for me, one that I found immensely moving, comforting, and beautiful. As a teenager, I wish Leila Sales' book had already been out, because it would have immensely helped and comforted my teenage self.

In the opening chapter of This Song Will Save Your Life, the reader meets Elise Dembowski, an incredibly unhappy but brilliant girl. Elise does not struggle academically and has a loving family; her divorced parents have worked out a great system, and do the best they can for her. However, Elise has never fit in with the other kids at school, and she's sick of being friendless and lonely. Being a girl who generally can accomplish anything she sets her mind to, she spends the whole summer learning how to be cool and just like the other kids. However, the first day of sophomore year does not go as planned and Elise decides to skip the second half of the day and commit suicide, all hope lost. And, I promise, this really is all in the first chapter.

Now, this may seem melodramatic to you, but all of this resonated with me so incredibly strongly. I see so much of myself in Elise Dembowski: her bitterness and desperation, her thoughts that maybe it won't be better and that it would be best to end it all. In my case, I never seriously contemplated suicide, but I did think about it, imagining everyone fraught with guilt and sadness that they never appreciated me in life. Like Elise, I really didn't have friends and could not understand why everyone was either antagonistic to me or completely ignored me. In her, I see what I also later learned about myself: the fact that part of the reason people avoided me was my own attitude, one I hardly realized I had. Though I was not actively bullied like Elise (at least in high school), everything she felt and experienced was so close to my own life in that period.

From there, Elise's experience no longer mirrors my own, but continues to be emotionally resonant and touching. This Song Will Save Your Life really is a story of a girl finding herself and discovering her passions. She's learning to accept who she is and how much happier life is when you stop judging yourself by the rules of society, and do and be what makes you happy. Accepting society's definition of yourself is so easy to do; learning to reject this is a crucial life lesson. I myself learned that in college and I have been so much more satisfied with life since, because I could finally quit chasing after things I don't actually want just because society says I should want them.

Unlike so much YA fiction, This Song Will Save Your Life focuses much more on family and friendship than on romance. I love Elise's family so much. Sales depicts a healthy example of both divorce and remarriage. Both her single father and her mother, remarried with two more children, love her and take good care of her. Elise's family situation is healthy, and, even when Elise misbehaves, they support her and really do encourage her in her pursuits. Even Elise's little siblings are adorable, and her relations with her younger sister Alex broke my heart.

With regards to friendship, Sales presents a realistic portrayal of high school dynamics. There's the stereotypical mean girl and brutish jocks, as well as the outcasts. However, Sales goes beyond the stereotypes and shows the ways that people can surprise you if you let them. Again, Elise's journey highlights the way that she pushes people away without realizing she's doing so, all the time desperately wishing for someone to like her.

Finally, the romance, which me being the person I am, I can't not talk about. Elise differs so greatly from the average YA heroine. There's not an instaloving bone in her body. She clearly distinguishes between lust and love. When a guy does something questionable, she will call him on it, being the forthright person she is. For once, I understand the motivations and logic of a YA heroine in her reactions with guys. All I'll say is that the romance was handled perfectly, precisely the way I hoped, and entirely in an atypical way for young adult novels.

This Song Will Save Your Life is a book that I could see saving lives. I sincerely hope that young people who are friendless and desperate, who do not understand why no one likes them, find this book and know that they're not alone. It will get better, maybe not as soon as it did for Elise, but, out there in the world, there are kindred spirits and, if you hold on, you'll find them.

Rating: 5/5

Favorite Quote: "Sometimes people think they know you. They know a few facts about you, and they piece you together in a way that makes sense to them. And if you don't know yourself very well, you might even believe that they are right. But the truth is, that isn't you. That isn't you at all."

Don't Take My Word for It:
Birth of a New Witch's word: "took far too long for a book just 288 pages long" - 2.5 stars
The Social Potato's word: "painful (in a good way)" - 4 stars
Lili's Reflections' word: "It took me to the highest of highs and the lowest of lows." - 5 stars

Review: A Spark Unseen Blog Hop, Day 3

A Spark Unseen
The Dark Unwinding, Book 2

Author: Sharon Cameron
Pages: 352
Publisher: Scholastic Press
Publication Date: September 24, 2013
Read: September 9
Source: ARC from publisher for Book Vortex's blog tour

Description from Goodreads:
The thrilling sequel to Sharon Cameron's blockbuster gothic steampunk romance, THE DARK UNWINDING, will captivate readers anew with mystery and intrigue aplenty.

When Katharine Tulman wakes in the middle of the night and accidentally foils a kidnapping attempt on her uncle, she realizes Stranwyne Keep is no longer safe for Uncle Tully and his genius inventions. She flees to Paris, where she hopes to remain undetected and also find the mysterious and handsome Lane, who is suspected to be dead.

But the search for Lane is not easy, and Katharine soon finds herself embroiled in a labyrinth of political intrigue. And with unexpected enemies and allies at every turn, Katharine will have to figure out whom she can trust--if anyone--to protect her uncle from danger once and for all.

Filled with deadly twists, whispering romance, and heart-stopping suspense, this sequel to THE DARK UNWINDING whisks readers off on another thrilling adventure.

Previous Book in Series:
The Dark Unwinding

First Sentence: "I opened my eyes, the air in my bedchamber pulsing with the kind of silence that only comes in the wake of sound — a sound that never should have been there."

Review:

The Dark Unwinding enchanted and delighted me, so, upon the news that there would in fact be a sequel, I was thrilled, even though such surprise sequels generally result in angry Twitter rants. Of course, sequels to books that were closed enough that you didn't know there would be one can be a tricky business. Though I didn't enjoy A Spark Unseen as much as its predecessor, I'm still happy to have read it and would, if a third pops up, read that one too without a doubt.

In The Dark Unwinding, I fell in love with the characters that call Stranwyne Keep home, and they are just as wonderful in A Spark Unseen. Katherine Tulman very much takes center stage this time, because Lane's missing and Uncle Tully is incapacitated because reasons for much of the book. Though I did miss them, Katherine is a magnificent heroine. She's incredibly strong emotionally and intellectually, and I completely love her for the way she stands up to people. Also, she may be the inheritor of an estate, but she doesn't think herself better than anyone else because of an accident of birth and fortune. At one point, her maid, Mary, rings a bell for her to come and she does, shocking a visitor, but that's the sort of person Katherine is.

One of the highlights of A Spark Unseen turns out to be Mrs. Hardcastle. Initially, she's this nosy, untrustworthy busybody. Over the course of the book, though, she begins showing hidden depths. I mention this fairly minor character to highlight an aspect of Cameron's characterization that I love: people are not dismissed as stereotypes. Uncle Tully could have been dismissed, as he is by many, as a nutcase, but he's respected and loved by the people of Stranwyne Keep. He's brilliant if you stand by to see that, and I like the way Cameron gives depth even to more minor characters.

Now, I do warn that a very minor spoiler is ahead, so you can duck out now if you wish. One of the big plot points is that Lane, Katherine's love interest, has been gone for a year and a half, and is now presumed dead. Katherine heads to Paris to search for him, and, inevitably finds him. A heroine finding her love interest alive in this sort of book is to me not a spoiler, but whatever. Anyway, my very favorite part of the book is when Katherine takes Lane to task for not contacting her and for trying to push her away for her own good. She monologues at him for a couple of pages, and it is a thing of beauty. More heroines need to act this way when their boys start making decisions for them. You tell him, girl!

However, much as I love the characters, I did struggle a bit with A Spark Unseen. I feel like the plot of The Dark Unwinding was more character-focused with an almost magical realism feel to Uncle Tully's toys. A Spark Unseen goes much more heavy on the historical and the political. Sadly, I'm not as interested in the political machinations as I am in the interactions of the colorful cast. For readers who are more plot-focused, I'm sure A Spark Unseen will be your favorite of the two novels. There are also some intriguing twists for those who like those best.

Though not my favorite of the series, A Spark Unseen does contain the magic that made The Dark Unwinding a favorite. As ever, I eagerly anticipate whatever Sharon Cameron writes next.

Rating: 3.5/5

Favorite Quote: "'And I suppose,' I said quietly, 'that you thought the loss of my good name would be too much for me. Would have me flying to pieces and make my life unlivable. Well, thank you so much for making that decision for me, Mr. Moreau. It was obviously my good name I was searching every hospital in Paris for!'"

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Review: Counting by 7s

Counting by 7s

Author: Holly Goldberg Sloan
Pages: 384
Publisher: Dial
Publication Date: August 29, 2013
Read: August 20-22, 2013
Source: ARC from BEA

Description from Goodreads:
In the tradition of Out of My Mind, Wonder, and Mockingbird, this is an intensely moving middle grade novel about being an outsider, coping with loss, and discovering the true meaning of family.

Willow Chance is a twelve-year-old genius, obsessed with nature and diagnosing medical conditions, who finds it comforting to count by 7s. It has never been easy for her to connect with anyone other than her adoptive parents, but that hasn’t kept her from leading a quietly happy life . . . until now.

Suddenly Willow’s world is tragically changed when her parents both die in a car crash, leaving her alone in a baffling world. The triumph of this book is that it is not a tragedy. This extraordinarily odd, but extraordinarily endearing, girl manages to push through her grief. Her journey to find a fascinatingly diverse and fully believable surrogate family is a joy and a revelation to read.

First Sentence: "We sit together outside the Fosters Freeze at a sea-green, metal picnic table."

Review:

Gah, the adorableness of this book. Middle grades can be so good, because they give that focus on family so often wanting from YA, and I just love the family of colorful characters brought together here. Counting by 7s is an enchanting middle grade novel with a lot of heart.

One of my favorite stories to see in fiction, aside from a slow burn hate to love relationship is that of a family forming out of people who aren't necessarily related. Sure, a lot of people love their birth families, but just because you're not related to someone it doesn't preclude them being your family. The connections between people, what makes a familial bond, has very little to do with blood, and more to do with supporting and motivating one another. This message is one that I find so important.

Willow Chance is, as the blurb says, a genius. She's smart to the degree that she has difficulty interacting with other people, because she cannot fathom why they do not find the intricacies of gardening or language or multiples of seven fascinating. Middle school proves a torture, because no one wants to hang out with the weird girl who's dressed like a janitor (to blend in with nature, you see). To make matters worse, she aces a test and is accused of cheating. Because of that, she's sent to counseling with the worst counselor ever: Dell Duke.

What Dell discovers is that Willow is not a cheater or a troublemaker, because he gives her SAT tests and she aces them all. He also watches her learn Vietnamese over the course of a couple of weeks. The girl's brilliant. Dell becomes a bit obsessed, in a professional way not a creepy way, with Willow and feels the odd urge to try to help. Then both of her parents (not her biological ones either) die, leaving her at the mercy of the foster system again.

Spontaneously, another family, the son of which is also forced to go to counseling with Dell, adopts Willow and they form this strange little family. The book is just so touching. They all are made better by their relationship, even though there are so many hardships. There's a lot of diversity and self-improvement and emotion. Over the course of the book, I came to care for all of them, even Dell, which I did not expect.

There are a lot of middle grade books about genius children or at least much smarter than average children. To be frank, these are my favorite ones, because I like children that act more maturely. Though Willow's well-read and clever, her character definitely does read convincingly like a twelve-year-old. The narrative voice is fabulous and convincing. Willow just jumps right off the page and into your head.

However, much as I love the narrative voice and the emotions, the writing did leave me wanting. The problem is that, while I love the way Willow's perspective is done, we don't just get her perspective. A drifting third person limited interrupts. That could be fine, except for the fact that the third person perspective reads EXACTLY LIKE WILLOW'S. Also, Willow's perspective in the first chapter has a sort of talking to the audience flair, so the third person sections really don't fit with that sort of style.

A touchingly emotional middle grade, Counting by 7s is one that I recommend rather highly. I'll definitely be looking to try more of Sloan's work, even if I wasn't entirely pleased with the perspectives in this work.

Rating: 4/5

Favorite Quote:

"It said I was 'highly gifted.'
     Are people 'lowly gifted'?
    Or 'medium gifted'?
    Or just 'gifted'? It's possible that all labels are curses. Unless they are on cleaning products.
     Because in my opinion its not really a great idea to see people as one thing.
     Every person has lots of ingredients to make them into what is always a one-of-a-kind creation."

Sadie Hawkins Sunday Review #29: Quintana of Charyn

Quintana of Charyn
Lumatere Chronicles, Book 3

Author: Melina Marchetta
Pages: 516
Publisher: Candlewick Press
Read: August 13-18, 2013
Source: Finished copy from publisher for review
Recommended by: Steph of Cuddlebuggery and Lynn

Description from Goodreads:
The climactic conclusion of Printz Award winner Melina Marchetta’s epic fantasy trilogy!

Separated from the girl he loves and has sworn to protect, Froi and his companions travel through Charyn searching for Quintana and building an army that will secure her unborn child’s right to rule. While in the valley between two kingdoms, Quintana of Charyn and Isaboe of Lumatere come face-to-face in a showdown that will result in heartbreak for one and power for the other. The complex tangle of bloodlines, politics, and love introduced in Finnikin of the Rock and Froi of the Exiles coalesce into an engrossing climax in this final volume.

Previous Books in Series:
1: Finnikin of the Rock
2: Froi of the Exiles

First Sentence: "There's a babe in my belly that whispers the valley, Froi."

Review:
This series is over. MY BODY IS NOT READY. I just want to live forever with these characters. Is that wrong? Sometimes reading is a painful hobby. I get so close to and so emotionally tied to the happiness of fictional characters, but then their books end and I emerge, blinking and lonely, into the real world. They leave me slightly changed, but are none the different for my love of them. Quintana of Charyn did not quite surpass Froi of the Exiles for me, but it is still an immensely satisfying read that I will surely revisit someday.

As ever, Melina Marchetta excels at world building. The whole of this world is so real to me, and I have such an understanding of their prejudices and customs. Those are, I think, what Marchetta does to really make the communities seem so real. There are always the stereotypes of whatever group, and they have their truth, but underneath there's so much more. For example, the Lumaterans are a much more physically affectionate culture. Happy occasions are shared with the whole of the community, like the scene with the proposal at the end of Finnikin of the Rock and another, similar scene in Quintana of Charyn. Of course, even within the Lumaterans, the people of the Rock aren't quite like those of the Mont, and, oh, Marchetta does this all beautifully.

In Quintana of Charyn, Marchetta really delves into the political situation in Charyn. With the death of the king, Charyn was thrown into chaos as various factions attempted to take control. The whole country is on the verge of a massive civil war. Neighboring Lumatere fears that such a war could overflow into their borders, especially since they already have a tense relationship with the Charynite exiles living in the Lumateran valley between the two countries. Political sounds boring, but it's not because battles and relationships in jeopardy.

For me, though, it's all about the characters. They're so beloved of me, this whole large cast of flawed, beautiful, grumpy people. Watching them find love and acceptance, move past the curses of their people, has meant so much. To speak to why I love each one of them would make this review of a length utterly unacceptable, so let me just hug them all in my head and proclaim that I would read as many books about these people as I could.

Though I loved this one nearly as much as Froi of the Exiles, I do have two issues with Quintana of Charyn. The first is a reiteration of my reason for not finding Froi of the Exiles quite perfect. Marchetta has created well-drawn, lovable characters, but I think her own love for them has kept her from making the book as dark as it would need to be for perfection. Everything wraps up a bit too conveniently.

The other issue is a change to the writing style in Quintana of Charyn. Where the rest of the series was entirely in roving third person limited, Marchetta makes the odd choice of adding in first person for Quintana. While Quintana's narration is hauntingly beautiful, written in a sort of savage poetry, I do not understand this decision. Perhaps if Quintana has ALWAYS been in first, but to add this, and for so few sections, in the final book in the series, makes absolutely no sense to me, and was really unsettling as a reader.

Quintana of Charyn is a solid conclusion to the Lumatere Chronicles, even if it does leave me wanting more because Marchetta probably couldn't write enough about these characters for me to tire of them. The final installment will not leave fans disappointed.

Rating: 4.5/5

Favorite Quote: "'I determine my own worth. If I had to rely on others, I'd have lain down and died waiting.'"

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Up Next:

The next Sadie Hawkins Sunday book will be The Grass Dancer by Susan Power, which was recommended by Ann Kristin. It was...an experience. Come back later to find out what kind of experience.

Want to tell me what to read? Fill out the following form with a suggestion! For more details, check this post.

Audiobook Review: The Off Season

The Off Season
Dairy Queen, Book 2

Author: Catherine Gilbert Murdock
Narrator: Natalie Moore
Duration: 6 hrs
Publisher: Listening Library
Read: July 2-7, 2013
Source: Library

Description from Goodreads:
Life is looking up for D.J. Schwenk. She's made it to eleventh grade, finally. After a rocky summer, she's reconnecting with her best friend, Amber. She's got kind of a thing going with Brian Nelson. Plus there's the fact she's playing for the Red Bend High School football team as probably the first girl linebacker in northern Wisconsin.

But then the season, which began so well, starts to go suddenly, horribly wrong. As autumn progresses, D.J. struggles to understand what's happening with football, Brian, Amber, and most of all her family. And as her life turns completely upside down, she discovers she's a lot stronger than she—or anyone—ever thought.

This hilarious, heartbreaking, and ultimately triumphant sequel to the acclaimed novel Dairy Queen takes D.J. and all the Schwenks from Labor Day to a Thanksgiving football game that you will never forget.

Review:

The Off Season differs quite a bit from Dairy Queen. Where in Dairy Queen, the focus is all on DJ, she is, in some ways, not the central character in The Off Season, playing a more supportive role: sister and daughter. Though I think I was perhaps a bit less interested in the plot of The Off Season than in Dairy Queen or Front Center, which I've already started, I'm also hugely impressed by the content and daring in the subject matter.

Murdock takes some risks with the second book in the series, no question. Right at the very beginning, after the first book in the series was all about D.J. managing to join the boys' football team, she quits. She has reasons, good ones, but it's still anticlimactic after all the build up. However, it's such a mature choice, because, if she didn't stop playing, a minor injury might become a bigger deal and prevent her from playing basketball, which is pretty much her only shot at a scholarship and college. Though it's sad to see her give up on her football, seeing D.J. be so mature and face up so bravely to the judgment of her classmates is inspiring.

The real story here, though, isn't about D.J., though she's central to it and crucial to the way things unfold. Her oldest brother, Win, is injured in a football game, one the whole family was watching live. Injuries happen in football all the time, but this one is life-changing: Win's spinal cord snapped. He will never walk again, and that's just one thing among many that he'll never be able to do again. His dreams have been crushed, and he had a real shot at pro ball. Even with intense physical therapy, he'll probably not regain much use of his body. The Off Season is about Win's injury and the way the Schwenk family pulls together to help him.

D.J. basically puts her whole life on hold to help Win, because no one else in her family can take the time off, since her mother badly injured her back, her father needed to help his wife, her other older brother has football and college, and her younger brother is in middle school. That is so much pressure to put on one teen girl. Win, unsurprisingly, does not take the injury well. D.J. doesn't know what to do with her taciturn brother, but she turns out to be just the right person to help him, with her slow, quiet, determined Schwenk ways. There is so, so much strength in D.J., and she just does not see it yet, but I'm getting ahead of myself since that's what book three is obviously going to be about. Anyway, Murdock tackles Win's injury in this really powerful, emotional way, and goes into a lot of details about the hospital and physical therapy, and that is just so unique in YA fiction.

The romance remains on the back burner, and goes pretty much exactly where I predicted. Brian Nelson's a great guy in some respects, but much to caught up in the expectations of others. Basically, D.J. did not need all of that crap to deal with while she was trying to get her brother back on his feet. That's life, though, isn't it. In fact, that's what's so great about this series: how real D.J. feels and the whole cast.

I'm continuing to be really impressed with Murdock's Dairy Queen series. The audiobooks are fabulous, accent and all, and I'm already about a quarter of the way through the final book, which I both do and do not want to finish, because I already think it will be my favorite.

Rating: 4/5

Review: The Year of Shadows

The Year of Shadows

Author: Claire Legrand
Pages: 416
Publisher: Simon & Schuster Books for Young Readers
Publication Date: August 27, 2013
Read: August 11-14, 2013
Source: ARC from YA Books Central

Description from Goodreads:
Olivia Stellatella is having a rough year.

Her mother left, her neglectful father -- the maestro of a failing orchestra -- has moved her and her grandmother into his dark, broken-down concert hall to save money, and her only friend is Igor, an ornery stray cat.

Just when she thinks life couldn’t get any weirder, she meets four ghosts who haunt the hall. They need Olivia’s help -- if the hall is torn down, they’ll be stuck as ghosts forever, never able to move on.

Olivia has to do the impossible for her shadowy new friends: Save the concert hall. But helping the dead has powerful consequences for the living . . . and soon it’s not just the concert hall that needs saving.

First Sentence: "The year the ghosts came started like this."

Review:

First up, the disclaimer: yes, I know Claire Legrand and she's awesome, but that did not influence my opinion of the book in any way. Yadda, yadda, yadda. Though I've had Claire's debut novel, The Cavendish Home for Boys and Girls for over a year now, I've not managed to work it into my schedule, so I'm glad I've finally gotten to try her writing. Also, I'm pleased to say that I like her writing. Hurrah! Claire Legrand has written a beautiful, occasionally creepy story about a grumpy young girl who learns how to open up her heart and enjoy life again.

My second favorite aspect of The Year of Shadows is definitely the heroine. Olivia Stellatella is a delight, but which I mean she is a seriously grouchy, cynical kid. She may be young, but her life has been hard and it's getting more difficult by the time. First, her mom abandoned her, then her dad got completely caught up in trying to save the orchestra for which he conducts, and now her family (Olivia, The Maestro (Dad, though she never calls him that because he made mom leave), and Nonnie (grandma)) has moved into the concert hall, living in two little rooms and making do with the makeshift kitchen. Olivia hates that she's had to move here, worries that they won't have enough food to eat, and shops at the thrift shop. Even worse, she knows that, if the orchestra's ticket sales do not improve, it's done after this season, meaning they'll be even worse off because of The Economy. In other words, if this were a movie, Olivia would be played by either a young Winona Ryder or Christina Ricci.

Actually, that comparison is pretty accurate too. Much as I try to resist going too crazy with comparing books to other books or movies, I can't resist this time. There are a lot of parallels to Casper but with some of the creepiness of Beetlejuice, but, of course, with some magic totally unique to Legrand's vision. The ghosts are by turns horrifying and friendly. The shades pretty much reside in Creeptown, USA and Legrand's Limbo is haunting.

Now, let's go back. Remember how I mentioned that Olivia was my second favorite? Well, my favorite is Igor. He's this cat who adopts Olivia, though she might tell you it happened the other way round. Olivia fancies that he speaks to her, and imagines that his voice sounds very like Cary Grant. Igor's such a cat, with his helpful suggestions like this one: "I know what will make you feel better. Petting me. Better yet, asking for permission to pet me" (211). How can anyone not love a cat that just might talk like Cary Grant? Also, I credit Igor with getting the kids through everything and teaching Olivia how to love. He convinces her to give people another shot and nudges her in the right direction with his knowing cat ways.

Another aspect I adore is the music. In Claire Legrand's bio, it says that she "was a musician until she couldn't stop thinking about the stories in her head." Her love of music really shines in The Year of Shadows. Her descriptions of letting music wash over you are lyrical and moving. The dynamics of the band too are so apt, especially the depiction of the trumpet player. It's wonderful when authors can work in some of their real life passions, because that emotion seeps into those sections in a way that really shows.

The ghost story element is well done, especially for the intended audience. With each ghost, there's a little miniature story arc full of action and adventure, followed by a scavenger hunt of sorts, and what kid will not be all over that? I did have some minor quibbles with the way some of the logic worked, but, for the most part, I was able to sit back and enjoy the story.

Themes of family and friendship are also highly prevalent in The Year of Shadows. Though I think a lot of the right notes are struck here, I don't think they're held quite long enough or played with enough emotion. Legrand does a nice job establishing the friendship with Henry and Olivia, but their lunch table friend Joan comes and goes as is convenient in the story. Similarly, Henry never comes to any sort of realization about his bullying friend, though it seemed like that would be one of the impending plot points. With family too, resolutions seemed a bit too smooth and sudden, with the awkward moments skipped or glossed over. This might be a plus for younger readers, but I was hoping for those emotional wallops. Also, we're sort of left hanging on what's going to happen to Olivia next, and I'm wondering if she's going to be okay.

Claire Legrand's sophomore novel features lovely writing, both sassy and creepy ghosts, and a heartwarming tale of learning to let people in. The Year of Shadows is an excellent read for middle grade readers and for older readers who enjoy new twists on ghost mythologies.

Rating: 3.5/5

Favorite Quote: "The things that make you the most you can do that. When everything else is zoomy and hazy and doesn't make sense, you at least have that. Your hobbies. Your dreams. You at least have your sketches, or your trumpet-playing, or your homework in its neat, color-coded folders labeled HENRY PAGE, SEVENTH GRADER."

Review: Two Boys Kissing

Two Boys Kissing

Author: David Levithan
Pages: 208
Publisher: Knopf Books for Young Readers
Publication Date: August 27, 2013
Read: August 10-11, 2013
Source: ARC from publisher

Description from Goodreads:
New York Times bestselling author David Levithan tells the based-on-true-events story of Harry and Craig, two 17-year-olds who are about to take part in a 32-hour marathon of kissing to set a new Guinness World Record—all of which is narrated by a Greek Chorus of the generation of gay men lost to AIDS.

While the two increasingly dehydrated and sleep-deprived boys are locking lips, they become a focal point in the lives of other teen boys dealing with languishing long-term relationships, coming out, navigating gender identity, and falling deeper into the digital rabbit hole of gay hookup sites—all while the kissing former couple tries to figure out their own feelings for each other.

This follow-up to the bestselling Every Day showcases David's trademark sharp-witted, warm-hearted tales of teenage love, and serves as a perfect thematic bookend to David's YA debut and breakthrough, Boy Meets Boy, which celebrates its 10th anniversary in 2013.

First Sentence: "You can't know what it is like for us now—you will always be one step behind."

Review:

After several disappointments with David Levithan's works written with Rachel Cohn and Andrea Cremer, I'd built up some healthy skepticism about whether his writing really worked for me. With Two Boys Kissing, I now know that he's an author I definitely need to be reading, and am no longer concerned about the collection of his books I already own. Two Boys Kissing is beautiful, a statement about what matters and what it's like to be a gay boy or man.

David Levithan's writing is pretentious, of that I have no doubt. It certainly will not appeal to a lot of readers, who will be annoyed by that, and I don't know how it will play with teen readers, but I love it. The writing in Two Boys Kissing is complex and beautiful and simple. There were so many beautiful quotes that are heartbreaking or inspiring or funny. Plus, I'm personally not bothered by pretentious writing so long as it fits the narrative style and it's perfect for Two Boys Kissing.

The narrators of Two Boys Kissing are, in fact, none of the boys involved in the plot of the story. In fact, they are all dead. In what the blurb aptly describes as a "Greek Chorus," gay men from times before, specifically a generation dead from AIDS watches the boys live out their lives and marvels at how times have changed. At first, I was immensely skeptical of this writing style, but I actually ended up being a huge fan of the way this played out. Though a bit distancing from the actual teen characters and their issues, I found myself highly connected to this chorus of dead men, choking up in every one of their little asides, either from sadness or the inspiring beauty of their words.

By having this chorus of men narrate, Levithan was able to do two things: universalize the experience of being a gay man into more than just what the eight boys specifically focused on have experienced and indicate how much progress has already been made in the acceptance of homosexuality. Certainly total acceptance remains in the future, but the chorus marvels at the fact that two boys can kiss in front of their high school for over a day and receive largely positive feedback. Being gay is no longer as closeted as it used to be.

Another aspect of Two Boys Kissing that I loved was the diversity of the characters, both ethnically and situationally. Characters, both main and minor, come from different racial backgrounds, and that's just a fact and not a defining characteristic. Levithan also portrays with the eight gay teens eight different experiences of being a young gay in America. There are the two boys kissing, broken up and trying to figure out how to become friends. There's a couple in a healthy relationship, accepted by both sets of parents. There's a potential couple in the making, one of the boys who is partway through his gender change from female to male. There's a boy who was badly beaten for his sexual identity, determined to support his best friends in their record-breaking kiss. Finally, there's a boy who fears no one will ever love him who trolls the internet for connection, pretending to be whatever someone wants on a gay dating website. Two Boys Kissing really focuses on capturing the whole range of experience and does so well.

My complaints are very minor. First off, and this could be very serious for some, Two Boys Kissing is definitely preachy. However, I support the messages herein and didn't mind the preaching. Still, it's worth noting that Levithan isn't setting a scene before the reader and leaving them to draw conclusions; he also sets out the conclusions he wants the reader to draw. The other thing, and this is really nitpicky, is that Levithan really loves the term "screwing," and uses it a lot. It really just seemed really out of place and overused, since I feel like it's slang that I don't hear all that much anymore.

I loved Two Boys Kissing. Levithan has written a gorgeous novel with a unique perspective and really delved into the issues of being a gay male. I highly recommend it for anyone interested in GLBT fiction.

Rating: 4.5/5

Favorite Quotes:

"They should be going to sleep, but good company is the enemy of sleep. We remember this feeling so acutely—the desire to linger away the hours with someone else, talking or holding or even just watching a movie. In those moments, the clock seems arbitrary, since you are setting your understanding of time to another, more personal measure."

"'They beat the shit out of me,' he told people, soon after. 'But you know what? I didn't need that shit inside of me. I'm glad it's gone.'"

"There are millions of kisses to be seen, millions of kisses only a click away. We are not talking about sex. We are talking about seeing two boys who love one another kiss one another. That has so much more power than sex. And even as it becomes commonplace, the power is still there. Every time two boys kiss, it opens up the world a little bit more."

Review: If You Could Be Mine

If You Could Be Mine

Author: Sara Farizan
Pages: 256
Publisher: Algonquin Young Readers
Publication Date: August 20, 2013
Read: August 7-8, 2013
Source: ARC from BEA

Description from Goodreads:
In this stunning debut, a young Iranian American writer pulls back the curtain on one of the most hidden corners of a much-talked-about culture.

Seventeen-year-old Sahar has been in love with her best friend, Nasrin, since they were six. They’ve shared stolen kisses and romantic promises. But Iran is a dangerous place for two girls in love—Sahar and Nasrin could be beaten, imprisoned, even executed if their relationship came to light.

So they carry on in secret—until Nasrin’s parents announce that they’ve arranged for her marriage. Nasrin tries to persuade Sahar that they can go on as they have been, only now with new comforts provided by the decent, well-to-do doctor Nasrin will marry. But Sahar dreams of loving Nasrin exclusively—and openly.

Then Sahar discovers what seems like the perfect solution. In Iran, homosexuality may be a crime, but to be a man trapped in a woman’s body is seen as nature’s mistake, and sex reassignment is legal and accessible. As a man, Sahar could be the one to marry Nasrin. Sahar will never be able to love the one she wants, in the body she wants to be loved in, without risking her life. Is saving her love worth sacrificing her true self?

First Sentence: "Nasrin pulled my hair when I told her I didn't want to play with her dolls."

Review:

If You Could Be Mine falls into two much-needed categories of YA: GLBT and non-white. As such, I really wanted to read it, and I'm glad I did. Farizan's debut has a fresh narrative voice, one that has a very non-western feel, while still being open and clear. Set in Iran, Farizan tackles first love, being different, friendship, and homosexuality with honesty and heart.

The plot of If You Could Be Mine, while not melodramatic or action-packed, is enthralling. I, for one, love being able to take a journey to another culture in my reading, something that I don't get to do enough. In my experience, a lot of the non-western novels I've read (generally aimed at adults) tend to be unremittingly depressing, but Farizan retains lighter moments and keeps the tone fairly bright while still capturing the restraints that Iranian society puts onto Sahar and Nasrin.

Sahar has loved Nasrin for over ten years, and wanted to marry her. Soon Sahar will be heading off to university, assuming she passes her exams, and Nasrin, who Sahar always hoped would wait for her, is marrying a young doctor. Feeling both betrayed and determined, Sahar would do anything to keep Nasrin with her, beautiful Nasrin who makes Sahar feel more special and confident just by returning her affection. Being homosexual is in Iran a serious crime, one punishable by death, but, for Nasrin, Sahar would risk anything; Nasrin is more practical and more used to a comfortable life.

Since Nasrin cannot be convinced to call the wedding off just for love of Sahar, other plans have to be made. Through her gay cousin Ali, Sahar meets a bunch of gay and transgender people living in Iran. Now, oddly, Iran embraces transgender people and even helps finance the gender reassignment surgeries. In this, Sahar sees hope. By changing who she is can she have everything that she wants? The fact that Sahar would alter herself this way when she has always felt like a woman, all of that for a girl, is startling and terrifying. The harsh laws of society make gender reassignment seem like the only solution to be able to remain with the person Sahar loves.

Farizan does all of this very well, because she keeps the book non-preachy. There's not really a sense of judgment. At most, there's disappointment in those who do not try for what they want, but that feeling of disappointment is aimed more at the unforgiving society than the people themselves. While everyone doesn't come out in a good light, perhaps none really do, no one is demonized either.

I think what held me back from loving and really connecting with If You Could Be Mine was Sahar. I sympathize with Sahar and her narrative voice fits her, but she's a bit...empty. Sahar's young and hasn't really developed to much of a self yet, having always been all about keeping Nasrin happy. She doesn't have an incredibly strong personality, and her desperate need to be with Nasrin, despite the fact that Nasrin had gotten engaged without telling her, was something which I really could not relate to in the least.

An impressive debut, If You Could Be Mine tackles tough and unique subject matter with openness and a lack of judgment. Those looking for more YA set in other cultures and/or glbt YA must get their hands on this one.

Rating: 3.5/5

Favorite Quote: "Maman died five years ago of a heart attack. Her smoking probably didn't help. I told her to stop. She just smiled sweetly and told me not to worry so much. That's what we do. Smile and not worry so much. Riot in the street? Smile and don't worry so much. See the swinging bodies in the square? Smile and don't worry so much. Can't be with the person you love because it's against the law? Smile, damn it."

Review + Giveaway: Rogue

Rogue
Croak, Book 3

Author: Gina Damico
Pages: 384
Publisher: Graphia
Publication Date: September 10, 2013
Read: August 3, 2013
Source: ARC from publisher

Description from Goodreads:
Lex is a teenage Grim Reaper with the power to Damn souls, and it’s getting out of control. She’s a fugitive, on the run from the maniacal new mayor of Croak and the townspeople who want to see her pay the price for her misdeeds. Uncle Mort rounds up the Junior Grims to flee Croak once again, but this time they’re joined by Grotton, the most powerful Grim of all time. Their new mission is clear: Fix his mistakes, or the Afterlife will cease to exist, along with all the souls in it.　

The gang heads for Necropolis, the labyrinth-like capital city of the Grimsphere. There, they discover that the Grimsphere needs a reboot. To do that, the portals to the Afterlife must be destroyed…but even that may not be enough to fix the damage. Things go from bad to worse, and when at last the fate of the Afterlife and all the souls of the Damned hang in the balance, it falls to Lex and her friends to make one final, impossible choice.

Prior Books in Series:
1: Croak
2: Scorch

First Sentence: "Grotton wondered, for a brief moment, if there were a special circle of hell reserved for someone like him, or if Dante would have to cobble together an entirely new one."

Review:

This review will be spoiler-free for the series.

Dear blog readers, today I shall exhort you to begin reading Gina Damico's Croak series, assuming you haven't already. If you stop by here often, then you probably know that I'm pretty stingy with my 5 star ratings, giving them out only in cases where a book has made me an emotional mess, sucked me in so much I forget the real world, AND been, from my limited perspective, unimpeachable in quality. Most series go out with more of a whimper than a bang, but, in this case, the finale is the strongest book in the series, which is why I am going to fangirl as hard as I can, and encourage all of you with good senses of humor to read this as soon as possible.

From Croak onward, Gina Damico has excelled at humor and narrative voice. She writes a mixture of black comedy and straight up silliness that I find positively enchanting. The sort of people who enjoy television shows like Dead Like Me and Pushing Daisies simply MUST read this series. Her style has a really unique flair. She chooses really weird terms or phrasing at times, but somehow they're completely perfect for the moment. A good example is her creativity in coming up with swear words. Ordinarily, I find invented swear words in novels irritating, rather than amusing or clever, but Damico's are perfection and likely to enter my actual vocabulary. Here are some examples: "shitballs," "everdeathing," and "douchecrate." While probably not to everyone's tastes, if those make you giggle, it's a sign that Damico's writing is meant for you.

However, there's more than just humor in this series. Though Croak is, so far as my memory can recall, largely a darkly comic fluffy book, with a bit of intensity right at the end, both Scorch and Rogue have far more serious moments. In Scorch, they weren't quite as well balanced and that ended up being my least favorite in the series. By Rogue, Damico's got it down, handling serious moments with proper seriousness, making me want to cry, and then lightening the mood on the next page so that I'm grinning like an idiot. It's a bit of an emotional roller coaster, with much of the comedy being of the sort to help keep them moving in the face of overwhelming odds.

The characters all sparkle with wit, vivacity and uniqueness. I love each and every one of them, basically, though Mort is my special favorite and going on my book boyfriend list. Gina Damico writes banter between characters like no one else. All of the grim reapers in their little group make fun of one another constantly, but there is real love underneath that, so completely evident through it all. Even better, Damico doesn't neglect the supporting cast at all. In fact, by book three, there almost isn't a supporting cast because they're all so important to the plot and accomplishing what must be done. There's an ending for all of the characters you've come to love, whether happy or sad, and it's not just about Lex and Driggs, who I do ship something fierce by the way.

Since I'm not going to delve into any spoilers for the series, I'll keep this high level and relatively brief (for me anyway). The last thing I need to say is that Damico has guts. She steps outside of traditional YA lines and takes big risks. The stakes are high and she kills a lot of characters, with rather a Whedonesque flair. She gets the utmost respect from me for that. The series also abounds with twists, some of which I called and some which totally blindsided me, all combining to make a wholly engrossing and emotional reading experience.

Gina Damico's Croak series is officially ranked among my favorite books ever, and rereads in the future will be essential. As of this writing, Damico has another book deal for a book called Hellhole about a devil, and I'm already wondering who I have to do what to in order to be able to read that ASAP. So, friends, if you have a similar taste in humor, then you want this in your life. Trust me. If you don't trust me, why are you here?

Rating: 5/5

Favorite Quote: "'My undercarriage is a national treasure.'"

Giveaway:
Because I love this series so damn much, I'm giving away all of the books or however many you need to complete your collection. Winner's choice as to which books in the series you want, so that you can complete your collection or get it started!

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Review: The Meme Plague

The Meme Plague
Memento Nora, Book 3

Author: Angie Smibert
Pages: Not sure - that information isn't on GR or Amazon, and I read a Kindle copy
Publisher: Marshall Cavendish
Publication Date: August 13, 2013
Read: August 8-10, 2013
Source: ARC via NetGalley

Description from Goodreads:
It begins with the name JONAS W. on the side of a cardboard coffin—right before the funeral procession blows up. Then it’s the whisper in the back of Micah’s head: Your father betrayed his country. You can’t always trust your own brain. Not when you have one of the mayor’s mandatory chips in your skull. Micah knows that the chip developed by TFC (the corporation that runs the Therapeutic Forgetting Clinics) does more than just erase unpleasant memories—it implants new ones. The MemeCast warns citizens to “fight the hack.”

Micah and his friends have each lost something—a parent, a relationship, a home, maybe even their own identities as they remembered them to be. But together, they can make sure some things are never forgotten.

Election Day is coming, and Mayor Mignon is set to be elected to Congress. It’s time to build a new electronic frontier, one that’s not controlled by the mayor and his cronies. It’s time to get out the vote and shake up the system. It’s time to finally say enough.

Previous Books in Series:
1: Memento Nora
2: The Forgetting Curve

First Sentence: "Okay, citizens."

Review:

As a dystopian series, The Meme Plague has enough going for it to outweigh the weaknesses. Most importantly, this series is not a romance novel masquerading as genre fiction, instead focusing on world building and issues very closely linked to the evils of the current political system in a far too close and possible future. I've enjoyed the whole of the trilogy, as quick reads that break from some of the common YA tropes.

For those who are unfamiliar with this series, here's a quick overview of the dystopian world of the Memento Nora trilogy. TFC, a corporation with strong ties to the government, runs clinics that help people forget their problems. Psychiatrists and pills are no longer needed to deal with traumatic events or emotions. PTSD no longer need affect soldiers, because these clinics can erase those memories, leaving the memory empty of the events that were disturbing the psyche. In Memento Nora, a group of kids came to suspect that TFC may not be on the up and up, instead using the clinics to control the population.

What endears this series to me most is the inclusion of both diverse and GLBT characters. In both cases, they are included without pomp and circumstance. Being a lesbian or being Asian/black/hispanic does not define these characters, but is merely one aspect about them. So rarely does this happen in young adult fiction and it thrills me any time I find that. Often, these characters end up being token or stereotypes or such a deal is made about them that it ends up stressing that they're weird when they're not. Angie Smibert does a great job making the cast of the trilogy as diverse as the world I'm used to living in.

The series has an entertaining, fast-paced plot. There are explosions, kissing, concerts of rebellion, legal battles, skateboarding, and attempts to overthrow the political system. All of the books are quite short, and I think this is an excellent series for reluctant readers interested in dystopian fiction but overwhelmed by the general offerings, which tend to be closer to 400 pages. In The Meme Plague especially, I was reminded of a less complex Little Brother, so it really could be a nice transition into the genre for younger or reluctant readers. The Meme Plague also brings the series to a satisfying conclusion, closed enough but also left open in a sort of traditional dystopian way.

Where the series has been and continues to be weak for me is in the characters. They're fun and entertaining, but there's a large cast and I have trouble telling their narrative voices apart. Told in first person from five perspectives (I think), if I didn't pay attention to the opening of each chapter which listed who the narrator was, I ended up having to flip back to do so. Still, I was able to remember each cast member and how they were all connected without too much trouble, even though I scarcely remembered the previous books, so that was nice.

All told, I recommend the Memento Nora trilogy highly to younger readers looking to transition to young adult fiction or reluctant readers in search of good, shorter dystopian novels.

Rating: 3/5

Favorite Quote: "Still, pizza would have made me more of a believer. Or less of a cranky agnostic."

Sadie Hawkins Sunday Review #25: Covet

Covet

Author: Tracey Garvis Graves
Pages: 320
Publisher: Dutton Adult
Read: July 23-30, 2013
Source: ARC from publisher at BEA
Recommended by: Blythe of Finding Bliss in Books

Description from Goodreads:
What if the life you wanted, and the woman you fell in love with, belonged to someone else?

Chris and Claire Canton’s marriage is on life support. Downsized during the recession and out of work for a year, Chris copes by retreating to a dark place where no one can reach him, not even Claire. When he’s offered a position that will keep him away from home four nights a week, he dismisses Claire’s concern that time apart could be the one thing their fragile union can’t weather. Their suburban life may look idyllic on the outside, but Claire has never felt so disconnected from Chris, or so lonely.

Local police officer Daniel Rush used to have it all, but now he goes home to an empty house every night. He pulls Claire over during a routine traffic stop, and they run into each other again at the 4th of July parade. When Claire is hired to do some graphic design work for the police department, her friendship with Daniel grows, and soon they’re spending hours together.

Claire loves the way Daniel makes her feel, and the way his face lights up when she walks into the room. Daniel knows that Claire’s marital status means their relationship will never be anything other than platonic. But it doesn’t take long before Claire and Daniel are in way over their heads, and skating close to the line that Claire has sworn she’ll never cross.

First Sentence: "I'm on my way home from dropping off the kids at school when he pulls me over."

Review:
Though I was curious enough about Tracey Garvis Graves to lug Covet back from BEA, I certainly felt a healthy dose of skepticism about whether her writing would really be for me. The blurb of the book only exacerbated my hesitance, because it hints at a torrid affair and melodrama. While on the surface, the blurb is true, it's also misleading. Covet does deeply examine infidelity, but it's understated and realistic, and never once angered me, despite infidelity being a huge no no for me.

The first thing that impressed me was Graves' writing. She really excels at writing people, full and vibrant and realistic. She focuses on Claire's family, and really captures Claire perfectly. You can feel Claire's every emotion and sense how much she cares about her family. There are myriad little details that really make the house therein seem like a home and everyone within it a believable person. Covet is very domestic and very family-oriented.

Claire loves her husband deeply, but things have not been the same between them since her husband lost his job a year ago. A golden boy, life always came easy to Chris, and he never expected to be job hunting for months. During that process, money gets tight, Claire becomes their sole earner with her freelance graphic design, and Chris has to go on antidepressants. Though Chris now finally has a new job, circumstances have not improved between them, as this job requires him to be on the road for weeks at a time. Claire and Chris barely speak and the gulf between them doesn't seem to be shrinking.

At about the same time Chris is beginning his new job, Claire meets Daniel Rush, a cop, when he pulls her over to inform her that her taillight is out. They meet again coincidentally and he helps her get a speed limit sign put in on her street to keep people from speeding. After that, he helps get her some freelance work for the police station. From this foundation, they form a friendship, mostly trying to hide their mutual attraction.

I'll tell you right now that there is no torrid affair, but everything's not necessarily innocent either. Graves really explores infidelity, what it means, and why it happens. Claire, lonely, seeks out companionship when its offered, but she doesn't immediately abandon her senses either. She's very aware of her situation and careful not to cross the line. Though my opinions on cheating are pretty well set, Graves really made me look at infidelity in a new light and from a different angle. I'm not saying I think it's okay now or anything, but I understand why Claire behaves the way she does.

There were some elements that I wish had been flushed out better. Julia's got some close female friends, and I would have liked to see a bit more of them. One has a philandering husband, another a drinking problem, and the third a husband with a gambling addiction. Their interactions are all about their men or children, and it would have been nice to see the women get to show a different side.

Covet's told from multiple perspectives, which is decently well done, but not perfect. Daniel and Chris have very short chapters, two pages or less generally, whereas Claire's are more expansive. I would have liked to see that a bit more even, but I suspect keeping the male POVs terse was a way to make them sound less like Claire. The POVs weren't especially unique, but I had no problems keeping them apart either.

Tracey Garvis Graves' portrayal of family life and investigation of a relationship on the rocks in Covet had me eager to read more. Covet's a very character-focused read with most of the drama taking place in Claire's head, rather than in a bed.

Rating: 4/5

Favorite Quote: "I'd much rather be here in this hotel room in Denver, employed, than be without a job. Actually, I'd rather be employed and at home with my family, but it didn't work out that way."

---

Up Next:

The next Sadie Hawkins Sunday book will be Froi of the Exiles by Melina Marchetta. That series was recommended by Steph and Lynn! Obviously, I'm excited about this because it's supposedly the best and the series. Also, spoiler, I'm reading it now and it's awesome. So yeah. Check back next week for that and another SHS post as well.

Want to tell me what to read? Fill out the following form with a suggestion! For more details, check this post.

Review + Giveaway: The Husband's Secret

The Husband's Secret

Author: Liane Moriarty
Pages: 416
Publisher: Amy Einhorn Books
Publication Date: July 30, 2013
Read: July 23-28, 2013
Source: ARC from publisher at BEA

Description from Goodreads:
At the heart of The Husband’s Secret is a letter that’s not meant to be read

My darling Cecilia, if you’re reading this, then I’ve died. . . .

Imagine that your husband wrote you a letter, to be opened after his death. Imagine, too, that the letter contains his deepest, darkest secret—something with the potential to destroy not just the life you built together, but the lives of others as well. Imagine, then, that you stumble across that letter while your husband is still very much alive. . . . Cecilia Fitzpatrick has achieved it all—she’s an incredibly successful businesswoman, a pillar of her small community, and a devoted wife and mother. Her life is as orderly and spotless as her home. But that letter is about to change everything, and not just for her: Rachel and Tess barely know Cecilia—or each other—but they too are about to feel the earth-shattering repercussions of her husband’s secret.

Acclaimed author Liane Moriarty has written a gripping, thought-provoking novel about how well it is really possible to know our spouses—and, ultimately, ourselves.

First Sentence: "It was all because of the Berlin Wall."

Review:

To say that I was surprised by the quality and beauty of The Husband's Secret would be an understatement. In fact, I almost didn't pick Moriarty's novel up at BEA, but did so at the behest of a publicist, one whose name I wish I'd noted so that I could thank her. My hesitance to read The Husband's Secret stemmed from the cover (which bears an unfortunate resemblance to that of Black City) and the blurb (which makes the novel sound like a stereotypical novel about infidelity). If either of these reasons are holding you back, do not let them as The Husband's Secret is women's fiction at its finest.

The basic premise, the one that the blurb points to, is a sort of retelling of Pandora's box, a woman's life transfigured when she opens something she perhaps oughtn't. On a basic level, this is true. Cecilia Fitzpatrick does find a letter addressed to her to be opened on the event of her husband John-Paul's death. She calls him to ask about it, and he makes her promise not to open it. She agrees, but secrets it away curious. When John-Paul comes home early from his business trip and ventures in the middle of the night into the attic, which he avoids due to claustrophobia, to claim the letter, Cecilia pulls it from its hiding place and reads. From this moment, a certain chaos does enter the world, and lives and marriages are tested.

What the blurb only barely hints at is that this story is not just about Cecilia. Tess and Rachel are but a footnote of the blurb, but they have equal share in the story of The Husband's Secret. Though initially not tied together seemingly in any way, the lives of the three weave together inexorably as the pages pass. The story is a dark one, moving and gorgeously-written.

Though the subject matter may be a bit melodramatic, I found the story endlessly compelling and it almost made me cry, which is the equivalent of saying most readers will want to keep a box of tissues handy; I am not one who cries easily. Despite the scale of the drama within, The Husband's Secret actually feels quite down to earth, thanks to the personalities of these three women who inhabit its pages. Rachel, Tess, and Cecilia are all good women, whose lives have been thrown off kilter by personal tragedies, past or present.

Cecilia does it all. She's a brilliant wife, mother, homemaker, and brings in a hefty income doing Tupperware parties. She appears to other women, like Rachel and Tess, as one of those women who has everything together, and who has been blessed in life. Cecilia's three daughters are bright and affectionate. She and her husband love one another deeply, and have, until very recently, always had a very satisfying sex life. Opening the later, though, must change everything, one way or another. And, no, the letter's not about a secret affair.

Tess, like Cecilia, is a woman of vast achievement. She's a successful account manager for the advertising company she runs with her husband, Will, and cousin (also best friend) Felicity. Her son, Liam, is the source of some concern, as he is being bullied at school, but otherwise life is happy. One day, out of the blue, Will and Felicity sit her down to explain that they've fallen in love. Tess, questioning both of her relationships, leaves their home in Melbourne and takes Liam to Sydney, where they stay with her mother and he can attend a school his bully does not attend. In this break from her day-to-day life, Tess has space to evaluate what role Felicity has always played in her life and what she wants her life to be from here on out.

Rachel, a grandmother, has been a largely unhappy woman ever since her daughter Janie was murdered, strangled to death and left in a park, the murderer never located and brought to justice. She's always suspected Connor Whitby, but has no proof. Her one small joy in life, her grandson, will soon be wrested from her, as her son, Rob, and daughter-in-law, Lauren, are moving to New York City. With this announcement, Rachel descends even more heavily into her desire for closure in Janie's case.

All three women are likable and sympathetic, even when they make choices that aren't necessarily good ones. They face moral dilemmas with no good solution, and just try to muddle through. The Husband's Secret really considers whether choices should be made to protect the children or because they are morally right. Though I can't say that I'm necessarily in agreement with the way that each storyline wrapped up, each woman is so well-characterized that the routes they take do make sense.

Powerful, heart-wrenching literary fiction with a focus on women, The Husband's Secret is a lavish novel. Bear the warning of the Pandora comparison in mind, for the the tale is not a happy one. Liane Moriarty's writing and characterization have convinced me to add the rest of her adult novels to my to-read list. I can only hope I find them as moving and well done as this one.

Rating: 4.5/5

Favorite Quote: "Marriage was a form of insanity; love hovering on the edge of aggravation."

Giveaway:
In my continuing quest to share my very favorite reads with readers across the world, I'm offering an international giveaway for a hardback of The Husband's Secret. The book will be shipped via The Book Depository, so as long as they ship to your country, you can win!
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Review: The Mirrored World

The Mirrored World

Author: Debra Dean
Pages: 256
Publisher: Harper
Read: July 21
Source: Finished copy from publisher via TLC Books Tours

Description from Goodreads:
The bestselling author of The Madonnas of Leningrad returns with a breathtaking novel of love, madness, and devotion set against the extravagant royal court of eighteenth-century St. Petersburg.

Born to a Russian family of lower nobility, Xenia, an eccentric dreamer who cares little for social conventions, falls in love with Andrei, a charismatic soldier and singer in the Empress's Imperial choir. Though husband and wife adore each other, their happiness is overshadowed by the absurd demands of life at the royal court and by Xenia's growing obsession with having a child—a desperate need that is at last fulfilled with the birth of her daughter. But then a tragic vision comes true, and a shattered Xenia descends into grief, undergoing a profound transformation that alters the course of her life. Turning away from family and friends, she begins giving all her money and possessions to the poor. Then, one day, she mysteriously vanishes.

Years later, dressed in the tatters of her husband's military uniform and answering only to his name, Xenia is discovered tending the paupers of St. Petersburg's slums. Revered as a soothsayer and a blessed healer to the downtrodden, she is feared by the royal court and its new Empress, Catherine, who perceives her deeds as a rebuke to their lavish excesses. In this evocative and elegantly written tale, Dean reimagines the intriguing life of Xenia of St. Petersburg, a patron saint of her city and one of Russia's most mysterious and beloved holy figures. This is an exploration of the blessings of loyal friendship, the limits of reason, and the true costs of loving deeply.

First Sentence: "Yes, this was her house many years ago, when she was still Xenia."

Review:

I suspect this shall be one of those reviews that sounds like I didn't like the book, but I did for the most part, so make note of that. Debra Dean writes beautifully, and I never found my attention waning from The Mirrored World. However, the story really lacked any sort of emotional impact or connection, largely because of the over-brisk pacing and dull main character.

Let me start, however, with what kept The Mirrored World a positive read for me. For one thing, I am hugely into anything about Russia or the Soviet Union, thus my interest in Dean's novel. There's something about Russia I find so captivating, and I suspect that has to do with the wide divide between the serfs and the upper classes. The pomposity of the events and the exhibitionism of the tsars and tsarinas is astounding. Dean delves into the excesses of the reins of Elizabeth, Peter III, and Catherine the Great. Throughout are such historical goodies as a party where Elizabeth ordered everyone to crossdress or the way she married off people for her own entertainment. I was definitely in it for the historical pageantry, and that was enough to get me through.

Unfortunately, the pace moves so quickly through time that much of history is glossed over, like watching decades of Russian history pass by from a bullet train. The Mirrored World clocks in at just over 200 pages, and it could have been much longer. In those pages, Dean takes Dasha from a child to an old woman, which gives you a sense of how quickly the pace goes. Brevity may be the soul of wit, but this novel is not a humorous one and meaning was obscured in the rush to the finish.

Dasha, however, is the biggest obstacle. She has almost no personality, and is more an observer of the people around her than anything. Of course, the people around her are interesting, but I kept expecting their to be a purpose to her, for her to learn something or do something in the course of the narrative, but she only ever reflected the values of those around her, particularly Xenia, though for a while she reflects her eunuch husband, who was definitely my favorite character.

More than anything, The Mirrored World is a tale of Dasha mirroring Xenia's life. She follows the lively Xenia everywhere, going to live with Xenia and her husband after the marriage. When Xenia tells Dasha to wed Gaspari, Dasha does. As Xenia becomes a holy fool, Dasha turns more and more to charity, even with the prospect of bankrupting herself in the process, as Xenia did before her. Their dynamic baffled me, and is perhaps a bit alien to our culture.

While a prettily-written novel, The Mirrored World failed to captivate me, skimming on the surface of history, rather than really diving in to where the feelings and the meaning reside. I liked it, but couldn't help comparing it to another book I enjoyed more set in the exact same time period, The Winter Palace by Eva Stachniak. By no means will this experience with Debra Dean be my last, but I do hope for a bit more from The Madonnas of Leningrad.

Rating: 2.5/5

Favorite Quote: "Whatever we know as children, this is the world, eaten whole and without question."