Review: The Tragedy Paper

The Tragedy Paper

Author: Elizabeth LaBan
Pages: 312
Publisher: Knopf Books for Young Readers
Source: YA Books Central for Review

Description from Goodreads:
Tim Macbeth is a 17-year-old albino and a recent transfer to the prestigious Irving School, where the motto is, “Enter here to be and find a friend.” Tim does not expect to find a friend; all he really wants to do is escape his senior year unnoticed. Despite his efforts to blend into the background, he finds himself falling for the quintessential “it” girl, Vanessa Sheller, girlfriend of Irving’s most popular boy. To Tim’s surprise, Vanessa is into him, too, and she can kiss her social status goodbye if anyone finds out. Tim and Vanessa enter into a clandestine relationship, but looming over them is the Tragedy Paper, Irving’s version of a senior year thesis, assigned by the school’s least forgiving teacher.

The story unfolds from two alternating viewpoints: Tim, the tragic, love-struck figure, and Duncan, a current senior, who uncovers the truth behind Tim and Vanessa’s story and will consequently produce the greatest Tragedy Paper in Irving’s history.

First Sentence: "As Duncan walked through the stone archway leading into the senior dorm, he had two things on his mind: what 'treasure' had been left behind for him and his Tragedy Paper."

Review:

LaBan's The Tragedy Paper is contemplative and academic, sure to appeal to readers looking for a meatier, slower-paced read. It's a strange sort of book, though one that certainly has some good company. Though I didn't exactly fly through The Tragedy Paper or become caught up in the characters, I really enjoyed reading it, curious to find out what had happened during the previous year at the Irving School.

There's a whole subset of young adult fiction about boarding schools. Something about them calls to the imagination, I guess: the freedom or how elite they seem, perhaps. The Irving School has an illustrious history, complex traditions, and the requisite quirky professor needed to help guide the main character to enlightenment in the style of Dead Poets' Society. The Irving School holds more appeal for me than many of the boarding school settings I've read (that don't have magic), from the archway to the custom of departing seniors leaving treasure behind for the student next to receive their dorm room.

Duncan, ostensibly the main character of the piece, really only serves as a frame story, which is rather daring. The treasure left for Duncan is a stack of CDs, upon which Tim Macbeth has recorded the story of his tragic semester at Irving School. We really actually learn very little about Duncan throughout The Tragedy Paper, since he spends most of his time either listening to Tim's story or thinking about Tim's story. While ordinarily, I might find this framing device frustrating and unnecessary, I like it here because the way that Duncan becomes caught up in Tim's tale the same way I become entangled in a wonderful novel. I thought it was a wonderful sort of metaphor for the process of reading, becoming caught up in the journey of someone else and growing as a result of it, though you have actually been a passive observer.

Tim Macbeth, like all tragic heroes, suffers from a fatal flaw: being too uncomfortable with himself as a result of his albinism. All his life, Tim has been stared at, feared, or pitied because he was born without the pigmentation most people have. He has never been particularly close to anyone outside of his family and resists connection with anyone new, sure that they will only ever see him as an albino, not as a deeper person. Of course, the person most obsessed with his albinism is Tim himself.

From the beginning, it's clear that something awful happened during Tim's one semester (the second semester of his senior year) at Irving School. There's a girl, of course, beautiful and perfect and maybe even interested in him, but, unfortunately, she also has a boyfriend, the most popular guy in school. There were some echoes of Looking for Alaska in this, I think. The mystery of the harrowing event at the end of the year kept me rapt, but was a bit of a letdown when I finally got there, mostly because of the allusion to a literary work I didn't much care for in the first place.

The Tragedy Paper will appear to a certain niche of reader, those who prefer high concept to action. At no point did I feel bored and LaBan sustained my curiosity about the mystery all the way through. LaBan's debut is impressive, and I will likely be reading more of her work in the future.

Rating: 3.5/5

Favorite Quote: "'I'm not going to give up,' she said. 'If you don't come, I guess I'll just go alone. You know that book If You Give a Moose a Muffin? Well, in this case, If You Give a Girl a Pancake in a Snowstorm . . . I am unstoppable.'"

Review: An Uncommon Education

An Uncommon Education

Author: Elizabeth Percer
Pages: 352
Publisher: Harper Perennial
Source: Publisher for review

Description from Goodreads:
For fans of "Prep," "Dead Poets Society," and "Special Topics in Calamity Physics "comes an elegant and remarkably insightful coming-of-age debut, in which a young woman's serendipitous discovery of her college's underground Shakespeare Society leads to an unforgettable series of transformations. When Naomi finds herself among "the Shakes" at Wellesley, she finally lets herself embrace the passionate inner self she's always kept locked away. But when a sudden scandal unfolds, she will be forced to learn the limits of the relationships that have sustained her. An intimate and enthralling narrative, Elizabeth Percer's debut novel "An Uncommon Education "marks the emergence of a stunning new literary talent.

First Sentence: "On the day after my mother's death, I returned to 83 Beals Street for the first time in fifteen years."

Review:

For once, I actually think the books they make comparisons to in the blurb are right on the money. Of the three, An Uncommon Education had the least in common with prep, and quite a lot in common with Special Topics in Calamity Physics. Also, I like An Uncommon Education best of all of these things. This book moves at a slow, sort of drifting pace, but the slow parts were worth it to enjoy the skilled prose and clever observations about life.

Readers who like books with a fast pace are not likely to be well-pleased with Percer's debut. I do not mind a slow pace, so long as a story has other things to recommend it, especially if I can take my time with it, rather than trying to rush through for a deadline. Percer's writing is intricate and well-worth savoring slowly.

What kept me from really connecting with this book is its lack of direction combined with its pretentiousness. Taking the former, the novel does not have a cohesive plot. There's nothing really propelling the reader forward. It's just a woman looking back at her life, though primarily just her childhood and college years, in the period after her mother's death.

Naomi learns about the tenuousness of life and the dangerousness of love during her childhood. Her father has a heart attack and nearly dies in front of her right at the beginning of her story. Later on, just as she's starting on puberty and falling in love for the first time with her neighbor Teddy, his father dies, and Teddy's mom moves them away. From this point on, she avoids real close connections, a habit she cannot truly shake at college. Naomi also keeps an emotional wall up between herself and the reader, which prevented me from forming an attachment. There does come a change suddenly towards the end, and I would actually like to have seen more development of her character, so that I could wholly buy into her changed mindset.

I suppose I knew the book would be one of those intended to highlight the mighty intellect of the author, but not to this degree. As with Special Topics in Calamity Physics, the main character becomes involved in a time-eating, addictive society, one which leads to a degradation in her classwork and some out-of-character decisions. The club, while not secret, has some seriously unsavory practices, like the parties after their performances of Shakespeare plays where the girls hook up with others, some of whom are masked to preserve their identities.

While there's nothing wrong with a drifting plot or showing off, I just feel like some of the pieces of the novel were not entirely necessary. Some scenes seem to exist solely for exposition that reveals the vast swaths of knowledge of the author. Others seem to serve merely to add drama to the otherwise staid narration, like the revelation as to what exactly happened at one of those masked parties.

That all comes across rather on the negative side, but I did enjoy the book and I would read something else by Elizabeth Percer, because I do like her writing. If you like Special Topics in Calamity Physics or books that make you feel cleverer for having read them, I suspect An Uncommon Education will be right up your alley.

Rating: 3/5

Favorite Quote: "'You're just not used to your own brightness.' He scooted closer to me so that our hips were touching. 'This is how I see you,' he explained, staring down at the paper. 'Your face isn't really beautiful,' he once admitted,' but it is wonderful. More wonderful than beautiful.' I remember staring down at that paper, seeing a girl with a big, uneven smile looking out at me. I had never considered that someone might see me that way—bursting with light and wonderful."

Audiobook Review: The Angel Esmeralda

The Angel Esmeralda

Author: Don DeLillo
Narrators: Michael Cerveris, Peter Friedman, Heather Lind, Mercedes Ruehl, Aaron Tveit
Duration: 6 hrs, 16 mins
Publisher: Simon & Schuster Audio
Source: Own

Description from Goodreads:
From one of the greatest writers of our time, the first ever collection of brilliant short stories, written between 1979 and 2011; chronicling—and foretelling—three decades of American life. Set in Greece, the Caribbean, Manhattan, a white collar prison, and outer space, these nine stories are a mesmerizing introduction to Don DeLillo’s iconic voice, from the rich, startling, jazz-infused sentences of his early work to the spare, distilled, monastic language of the later stories.

In “Creation,” a couple at the end of a cruise in the West Indies can’t get off the island. In “Human Moments in World War III,” two men orbiting the earth hear American radio, a half century ago. In the title story, nuns working the violent streets of the south Bronx, confirm the neighborhood’s miracle, the apparition of the dead child, Esmeralda.

Nuns, astronauts, athletes, terrorists, and travelers, the characters in The Angel Esmeralda propel themselves into the world and define it. DeLillo’s sentences are instantly recognizable, as original as the splatter of Jackson Pollock or the luminous rectangles of Rothko. These nine stories describe an extraordinary journey of one great American writer—and are a perfect introduction to the author whose prescience about world events and ear for American language changed the literary landscape.

Review:

You know how in high school or college English classes, you unpack every single line of whatever text you're studying at the time. The class looks deeply into the work for symbolism, metaphor, syntax, diction, and deeper meaning. To be honest, much as I can enjoy doing it, I think a lot of that's bullshit. Sometimes a spade is just a spade, you know. Sometimes, the color of the wallpaper in the room wasn't the author subtly trying to send the reader a message about the hero's emotional state.

Why am I going into all of this? Well, DeLillo's stories feel like he wrote them with these sorts of classes in mind. They're full of symbolism and deeper meanings, all intended to show how clever he is. Were I reading these with a class and taking the time to analyze them word by word, I might be impressed. However, as pleasure reading, they kind of sucked.

Here's the thing: these stories were just so boring. I wanted to like DeLillo; actually, I still do, since I own two of his novels. They were mostly the sort of thing where nothing really happens and what does happen doesn't make sense, but probably because they were about something else altogether. A couple of them had awesome premises, but failed to focus on the cool parts. For example, one was set in Athens, Ohio, which was being beset by an endless stream of earthquakes. It focused not on that, but on a broken statue, obviously a metaphor, but for what I just don't care. Yes, I know much of this is my laziness, but I have a day job, y'all, and I don't want to do too much heavy lifting when I get home.

The characters lacked development, I felt. Again, this just seemed to be much more about his ideas and getting his literariness across. Also, they were repetitive. In most of the stories, there was a refrain that would repeat several times, which is generally not my favorite literary technique, and didn't work for me here.

I fully acknowledge that I didn't read these the way I think DeLillo intended them to be read, but, dammit, I'll read however I want to. Anyway, for the scholarly types that want to study sentences in detail, go right ahead; this is for you. I'm sure these are marvelous and critically praised and whatever, but I guess I'm not smart enough to appreciate them. Fine by me.

Rating: 1

Narration:
The narrators match their style to the stories pretty perfectly. Of course, I didn't like the stories, so I didn't care for most of the narration either. For the most part, they affect (or always read with) a monotonous tone. These people don't give a fuck and they want the world to know it. This plays perfectly into the scholarly "too good for an interesting story line" business. It does not, however, make paying attention to the audiobook an easy task. If you like this style, then go for it, but it's not for me.

Rating: 1

Overall Rating: 1/5

Review: Belong to Me

Belong to Me

Author: Marisa de los Santos
Pages: 388
Publisher: Harper
Source: Own

Description from Goodreads:
Everyone has secrets. Some we keep to protect ourselves, others we keep to protect those we love.

A devoted city dweller, Cornelia Brown surprised no one more than herself when she was gripped by the sudden, inescapable desire to leave urban life behind and head for an idyllic suburb. Though she knows she and her beloved husband, Teo, have made the right move, she approaches her new life with trepidation and struggles to forge friendships in her new home. Cornelia's mettle is quickly tested by judgmental neighbor Piper Truitt. Perfectly manicured, impeccably dressed, and possessing impossible standards, Piper is the embodiment of everything Cornelia feared she would find in suburbia. A saving grace soon appears in the form of Lake. Over a shared love of literature and old movies, Cornelia develops an instant bond with this warm yet elusive woman who has also recently arrived in town, ostensibly to send her perceptive and brilliant son, Dev, to a school for the gifted.

Marisa de los Santos's literary talents shine in the complex interactions she creates between these three women. She deftly explores the life-altering roller coaster of emotions Piper faces as she cares for two households, her own and that of her cancer-stricken best friend, Elizabeth. Skillfully, de los Santos creates an enigmatic and beguiling character in Lake, who draws Cornelia closer even as she harbors a shocking secret. And from the first page until the exhilarating conclusion, de los Santos engages readers with Cornelia, who, while trying to adapt to her new surroundings, must remain true to herself. As their individual stories unfold, the women become entangled in a web of trust, betrayal, love, and loss that challenges them in ways they never imagined, and that ultimately teaches them what it means for one human being to belong to another.

First Sentence: "My fall from suburban grace, or, more accurately, my failure to achieve the merest molehill of suburban grace from which to fall, began with a dinner party and a perfectly innocent, modestly clever, and only faintly quirky remark about Armand Assante."

Review:
Though, for some reason, Belong to Me is treated as a standalone, it's really not. I'm not sure why the publisher decided not to market them as a series, since they are directly linked. Oh well. I read the first book, Love Walked In, a few years ago, and I was really impressed. Ever since, I've recommended it to people, but, with my memory and the way my taste in books can change and grow over time, I wondered if it was really as good as I remember it being. Well, if Belong to Me is any sort of reliable indicator, then yes. I highly recommend reading Love Walked In first, then moving to Belong to Me.

All the same characters from Love Walked In are back. On the surface, de los Santos' books look like chick lit, like girly, light, fluff books, at least that's what I get from the covers and the titles. While her books do, admittedly, have way more female appeal, I would in no way mark them as 'chick lit,' though the boundaries between 'chick lit' and 'women's fiction' and 'literary fiction' are hazy to me at best. De los Santos' novels are packed full of emotion and wit and hope, and are incredibly beautifully written. There are authors whose prose I just glory in, immersing myself in their words as though they were the perfect temperature pool, and de los Santos belongs on that list.

Belong to Me may be a bit of a cheesy title, but it speaks directly to the main thrust of the novel: belonging. Each of the main characters struggle with finding a place to belong, and, perhaps even more, with finding a place where they belong that doesn't fit their initial expectations. These themes move me so much, because, really, aren't we all looking for that place where we belong, that person that makes us feel at home wherever we are? This is one of those books that makes me want to believe so hard that happy endings are possible, not so much because 'true love' is real, but because a more basic, more enduring, more real love is out there and that people will work to preserve it.

De los Santos writes from multiple perspectives, a common, though still daring, writerly move. Not only that, but she writes with one first person perspective and the others in third person limited. In both books, the reader lives in Cornelia's head, follows her around in first person, feels directly with her. In Love Walked In, the other perspective is that of Clare, a girl whose connection to Cornelia is not immediately apparent. In Belong to Me, we have Cornelia's and two more: Piper, the queen bee of Cornelia and Teo's new suburban neighborhood, and Dev, a brilliant young teen.

Cornelia and Teo have just moved into a house in the suburbs for his new job. She's a city girl, and doesn't like the sniping of the local women; she feels lost without friends, without the buzzing of the city. I may be biased by the storytelling methods, but Cornelia is my favorite character. In fact, for the first hundred pages or so, my mind wandered a bit when the story went to the other perspectives, because I just didn't care as much about the others. A wholly forthright person, she protects people, loves poetry and sometimes lets her temper get the better of her. Cornelia has a unique way of phrasing thing and a brutal honesty about the selfishness of her emotions that makes me relate to her so much.

I hated Piper so much at first. You're supposed to, of course, but that doesn't make her any less awful. She's one of those people: perky, bitchy, obsessed with being the best, etc. As I read her perspective, I just kept fantasizing about stabbing her with a nail file. Then, though, she changed, rather suddenly, but not unbelievably. Her very best friend, possibly her only true friend, is dying of cancer. She throws herself into caring for Elizabeth, and, for the first time in her life almost, gives no thought to her image. Her struggle is to discover that she doesn't belong where she thought she did, as the queen of society, but as a person with wants and desires, even if they don't make her popular. It's amazing to me that de los Santos made me care for her character.

One of my very favorite over-used characters is the genius child. Yeah, I know there are far more genius children in fiction than in real life, but I just don't care. If I have to read about children, they damn well ought to be clever. Dev fits that perfectly. He has such a thirst for knowledge, about poetry, string theory, friendship, and his father, who he doesn't know. His mother left his father because she knew he couldn't take care of the baby, but Dev resents the man for not coming to find him, while also hating himself for still clinging to that fantasy.

So, yes, the characters are marvelous. You know what's even better? Their relationships with one another. It's one thing to have great characters, and another thing entirely to make their friendships and romances ring authentic and awkward and painful and true, but de los Santos hits those notes just right. I'm not a big crier, but my eyes did get a bit teary, both from sadness and happiness, more than once. Friendship isn't often enough of a focus, but each of these characters have friends who feel real, and who will have their backs.

The one last thing I feel that I must say about this novel before I wrap the review: de los Santos surprised me. Finding a book that can really sweep a rug out from under your feet is a rare thing, at least for me. She has this way of weaving story lines together in such a way that I think I know where things are going, but then BAM! they go somewhere else. I may have yelled at the book a bit in frustration when I got to the twist, because I didn't want the characters to be unhappy at all.

Obviously, I just love this book. I'm honestly not entirely certain who to recommend this book to, because I'm having trouble sticking it in a box. Basically, if you enjoy beautiful writing, pop culture references, and women's issues, then you should really read Marisa de los Santos.

Rating: 4.5/5

Favorite Quote:

"'Sometimes, happiness feels so fragile,' I said.
   'Even ours?'
   Teo expected me to say no. I sat up so I could look at him.
   'Everybody's,' I said gently.
   I thought that he would touch my belly, but instead he touched my face. He slid his thumb carefully along my jaw.
   'So what do we do about it?' Teo asked.
   'You tell me.' I had my own ideas, but I needed to hear his. I held my breath.
   'Live. Forget that it's fragile. Live like it isn't.'"

A Book and No Disasters - Some By Sea

The Borrower

Author: Rebecca Makkai
Pages: 324
Publisher: Viking
Review Copy from: Penguin

Description from Goodreads:
In this delightful, funny, and moving first novel, a librarian and a young boy obsessed with reading take to the road.

Lucy Hull, a young children's librarian in Hannibal, Missouri, finds herself both a kidnapper and kidnapped when her favorite patron, ten- year-old Ian Drake, runs away from home. The precocious Ian is addicted to reading, but needs Lucy's help to smuggle books past his overbearing mother, who has enrolled Ian in weekly antigay classes with celebrity Pastor Bob. Lucy stumbles into a moral dilemma when she finds Ian camped out in the library after hours with a knapsack of provisions and an escape plan. Desperate to save him from Pastor Bob and the Drakes, Lucy allows herself to be hijacked by Ian. The odd pair embarks on a crazy road trip from Missouri to Vermont, with ferrets, an inconvenient boyfriend, and upsetting family history thrown in their path. But is it just Ian who is running away? Who is the man who seems to be on their tail? And should Lucy be trying to save a boy from his own parents?

First Sentence: "I might be the villain of this story."

Review:
The Borrower is an utterly enchanting tale, one that I should have gotten around to reading about a year ago. Instead, it had languished on my shelves until I finally decided to apply strict order to my review piles. I don't know why I didn't read this right away, because I loved it. If only I had opened the book up and read the very first page, I would have made space in my schedule for this novel.

Rebecca Makkai's writing is charismatic and charming. Though her storytelling is largely straight forward, first person, she also plays with other styles in ways that are incredibly clever and entertaining. She mixes in, for example, a couple of charts, like ones illustrating how many of the ten commandments and seven deadly sins Lucy has committed. Even better, Makkai mixed in little snippets where Lucy imagines her predicament as told in the form of a children's book. The only two I recognized the books for were in the style of If You Give a Mouse a Cookie... and Goodnight Moon, but I'm sure an aficionado could identify the rest. These snippets captured Lucy's humor and her knowledge base so perfectly.

Obviously, I'm a bit biased towards any book whose heroine is a librarian. Lucy works as a children's librarian, and I loved identifying aspects of librarianship that I recognize from the stories of others. The library parts are so true to life that I really think any librarian will seriously get a kick out of this story, especially children's librarians.

I think librarians and educators are perhaps especially well-placed to appreciate this tale, since much of it is about the concern for what adults to youth in trying to mold them into a particular type of person. Ian Drake is the ideal child for a librarian; he's that kid that keeps the librarian motivated and interested in her job, because she so loves encouraging his passion for reading. Ian has one of THOSE mothers, the hyper-religious kind that wants to keep her child from reading anything untoward, instead forcing him to read only books he's not interested in.

Fearful that Ian might be gay (though he's only ten, he apparently has some sort of flamboyance that makes them suspect), his parents book him in one of those rage-inducing (to me) anti-Gay programs. Lucy finds out about this and wants to do something, especially as she witnesses the change in Ian, like his reduced interest in reading and the library. Because of this, when Ian runs away, she's disposed to help him, rather than wrangling him back home when she should. Inadvertently, she becomes a kidnapper, and, while I don't condone her behavior, I do see how it happened. In this, Makkai walks a fine line between caring and creepy, between humorous and unsettling, and, to my mind, does so very well.

The main focus of The Borrower is one of identity. Ian struggles to find his true self while his nature, his parents, Pastor Bob, Lucy, and everyone he knows try to make him be one thing or another. Lucy tries to balance her American half and Russian half. She desperately wants to be independent from her wealthy, possibly Russian mob parents, so has thrown herself into librarianship because it was the first career to come her way, but she has no idea if that's actually what she wants to do. Lucy's father, too, seems to wrestle with his identity and his past through his stories, in which he re-ensvisions his time in Russia. I love this quote on the importance of being oneself and must share it:

   "On my mental instant replay, I realized that obliquely comparing his family to the Nazis was maybe not my finest moment.
   He was quiet a second, and then he said, 'Did you know that Hitler anted to be an artist, but since he couldn't get into art school, he turned into a Nazi?'
   'Yes, I remember that.'
   'Just imagine if he got into art school, the whole world would be different.'
   I said, 'It just shows that people should be allowed to be who they are. If they can't, then they turn into nasty, sad people.'
   He started to laugh. 'What if you went to the art gallery, and the guy was like, "Here you see a beautiful Monet, and here on your left is an early Hitler." Wouldn't that be weird?'
   I couldn't think of any subtle way to turn it back around again.
   He said, 'You would go to the gift shop and buy Hitler postcards, and you'd go, "Oh, look at this beautiful Hitler. I'm going to hang it in my room!" And people would wear Hitler t-shirts.'
   'Yes,' I said. 'That would have been better."

Isn't that amazing? I just love the way the book was written. Different though they are in some ways, I think this book would make be an excellent readalike for Jonathan Safran Foer's Extremely Loud and Incredibly Close. They share a similar whimsy, with young, adventurous heroes who have a unique view of the world. Both cover dark topics but through a sort of humor.

If you like these quotes I've shared, by all means get yourself a copy of this book to enjoy. This is a definite must for any book lover.

Rating: 4.5/5

Favorite Quote: "I believed that books might save him because I knew they had so far, and because I knew the people books had saved. They were college professors and actors and scientists and poets. They got to college and sat on dorm floors drinking coffee, amazed they'd finally found their soul mates. They always dressed a little out of season. Their names were enshrined on the pink cards in the pockets of all the forgotten hardbacks in every library basement in America. If the librarians were lazy enough or nostalgic enough or smart enough, those names would stay there forever."

"We were able-minded once
But guilt doesn't open doors
So we toss our fits of charm
And I muscle my way into a desperate situation
Too many times to count

And some day we will gather up
For an hour or two and shake our hands
Until then, I resign my post"

There's Always Someone Cooler Than You - Ben Folds

The New Republic
Author: Lionel Shriver
Pages: 400
ARC Acquired from: HarperCollins via NetGalley

Description from NetGalley:
Fat and ostracized as a kid, Edgar Kellogg has always yearned to be popular. When he’s offered the post of foreign correspondent in a Portuguese backwater that has sprouted a homegrown terrorist movement, Edgar recognizes the disappeared larger-than-life reporter he’s been sent to replace, Barrington Saddler, as exactly the outsize character he longs to emulate. Infuriatingly, all his fellow journalists cannot stop talking about the beloved “Bear,” who is no longer lighting up their work lives.

Yet all is not as it appears. Os Soldados Ousados de Barba—“The Daring Soldiers of Barba”—have been blowing up the rest of the world for years in order to win independence for a province so dismal, backward, and windblown that you couldn’t give the rat hole away. So why, with Barrington vanished, do terrorist incidents claimed by the “SOB” suddenly dry up?

A droll, playful novel set in an alternative past on a fictional European peninsula, The New Republic is a fast-paced, plot-driven thriller. Addressing weighty issues like terrorism with a deft, tongue-in-cheek touch, Shriver presses the more intimate question: What makes charismatic people so magnetic, while the rest of us inspire a shrug? What’s their secret? And in the end, who has the better life—the admired, or the admirer?

First Sentence: "Whisking into his apartment house on West Eighty-Ninth Street, Edgar Kellogg skulked, eager to avoid eye contact with a doorman, who at least got a regular paycheck."

Review:
Lionel Shriver's The Post-Birthday World is a very clever book. I read it a couple of years ago, and, although there were things I did not like about it, the good things definitely outweighed the bad. After I read that one, Shriver got put on my list of authors to watch, which is why I requested this one, despite the disgusting cover (note: I hate smoking).

Immediately, I was once again impressed by Shriver's incredibly writing talent. I love the way she writes; there were so many stellar quotes. The writing is definitely the best part of this book. Edgar I never really attached to as a character, as he's like me but only in the worst ways (The Judgment Express is currently leaving the station).

I also really appreciated her coverage of the theme of popularity. Certainly, I have known some of those people that others just gravitate to and desperately want to be best friends with. Obviously, this gets covered a lot in YA books, but isn't something that's done too much in books for adults, even though jealousy and cliques do not exactly go away, even if the effect is often minimized just by the fact that you're not generally stuck together in big groups like in high school/college.

Unfortunately, the second half of the novel really dragged for me, as the focus switched more to satire and terrorism. Although I do think Shriver has done something very clever, it wasn't especially for me. The more politically-inclined will likely really enjoy what Shriver has done here. If politics aren't your thing, I would recommend starting with one of Shriver's other novels.

Rating: 3/5

Favorite Quote: "At only ten a.m., Edgar found himself already eyeing the Doritos on the counter. One thing he hadn't anticipated about the 'home office' was Snack Syndrome; lately his mental energies divided evenly between his new calling (worrying about money, which substituted neatly for earning it) and not stuffing his face."

"I know that's hard to believe
But there are people you meet
They're into something that is too big to be
Expressed
Through their clothes
And they'll put up with all the poses you throw
And you won't
Even know"

Do You Remember - Jack Johnson

One Day

Author: David Nicholls
Pages: 437
Publisher: Vintage

Description from Goodreads:
It’s 1988 and Dexter Mayhew and Emma Morley have only just met. But after only one day together, they cannot stop thinking about one another. Over twenty years, snapshots of that relationship are revealed on the same day—July 15th—of each year. Dex and Em face squabbles and fights, hopes and missed opportunities, laughter and tears. And as the true meaning of this one crucial day is revealed, they must come to grips with the nature of love and life itself.

Review:
I really, really wanted to like this book. The concept sounded entirely fascinating, and, truly, it is. However, I completely loathed them as characters, Dexter especially. Emma I might have liked sort of, although not staunchly, were it not for her pathetic love for Dexter, which she insists on maintaining through the years.

Dexter, though, is perhaps the most awful, selfish character in all of literature. Remember how I had a list of characters I wanted to punch in the face? Well, this guy, he would be on it. Emma spends years mooning over this total loser. He sleeps with every woman that moves, including Emma occasionally. Not only that, but he sleeps with women he shouldn't, like really shouldn't, as in students during a brief teaching gig. On top of that, he's perpetually drunk, takes any drugs he can get his hands on, and rubs other people's noses in his success, such as it is.

Somehow, as a reader, I think I'm supposed to feel like I can't wait for Dex and Em to get themselves sorted and become a couple, like Emma has always dreamed. Yeah, that's not where I am at all. I don't Em nearly enough to want her to spend her life waiting for this waste of space to finish sowing his wild oats all over the world. There is nothing romantic about a girl (or guy if the situations were reversed) wasting her life pining over someone that's not showed a scrap of interest. She should be enjoying herself along the way, too. If they end up together, cool, but only on terms where they both lived their lives as they wanted to. This is so unbalanced; she's just waiting for him to choose her and he's keeping her as a backup, for when he's too old to keep doing what he's doing now. Just UGH.

The writing, though, is really good. The story's well-told, so that, as much as I want to throw it across the room (which is a lot), it also wasn't that hard to get through most of the time. I definitely think that this may be one of the most depressing books I have ever read.

Rating: 2.5/5

"I was crazy about you then and now
The craziest thing of all,
Over ten years have gone by
And you're still mine,
We're locked in time"

Brothers on a Hotel Bed - Death Cab for Cutie

The Uncoupling

Author: Meg Wolitzer
Pages: 271
Publisher: Riverhead Books

Brief Summary:
A new drama teacher comes to Elro (Eleanor Roosevelt) High School and begins preparations for the year's school play, Lysistrata. This play tells the story of a town full of Greek women who deny their husbands sex, in hopes of convincing them to end the Peloponnesian War. As the play comes to town, so to does a mysterious chilling wind, which kills off desire in the town's women, young and old.

Review:
Even though I have not yet read the Lysistrata, I have trouble resisting literature about literature, especially when the premise sounds so incredibly fascinating. The Uncoupling focuses primarily on the spell's effects upon one family, Dory, Robby and Willa Lang. Dory and Robby, in their early forties, seem to have the perfect married relationship, still keeping their sex life going and pleasurable. That is until the day the spell strikes and Dory goes cold. This spell is entirely terrifying, as it is not a voluntary choice not to have sex, as in Lysistrata but a sudden complete lack of interest for the women.

The story was a treat: well-written, simple and clever. The Uncoupling follows the narrative arc of a comedic play, quite fittingly. The cast of assembled characters go about their days, unaware of the larger scope of things until the dramatic climax (the performance of the play). Then follows the dénouement, in which we see the lives of those leftover in the happy (?) ending.

I also greatly enjoyed the magical realism aspect of the story, the fact that the spell, as it is called, was magic of a sort but also very natural. Unsurprisingly, I also adored the fact that the magic stemmed from literature. Great books can come alive in people's lives, even if it's not necessarily as overt as it was in the case of this little town. I will definitely be adding more Meg Wolitzer to my reading list!

"And I have learned that even landlocked lovers yearn for the sea like navy men
Cause now we say goodnight from our own separate sides
Like brothers on a hotel bed"

Help! - Howie Day

The Very Thought of You

Author: Rosie Alison
Pages: 313
ARC Acquired from: Simon & Schuster Galley Grab

Brief Summary:
Anna Sands was one of innumerable London children evacuated to the British countryside during the war. She ended up living with a grand old Yorkshire family, the Ashtons, now reduced to Thomas and Elizabeth. The Ashton's marriage is in tatters, largely because of Elizabeth's inability to conceive a child. Watching their marriage falls apart has a lifelong impact on young Anna.

Review:
The experience of reading The Very Thought of You was, for me, quite uneven. Parts of it had a tender, calm beauty, while other seemed unnecessarily banal. Generally, I enjoyed the sections that detailed the lives of the evacuees. This is an aspect of the affect of WWII that I have rarely read about and it was a pleasure to be able to do so. WWII is the frame of the story, but is largely distant from the tale, which was interesting, too.

The language was at times quite beautiful, although not particularly lyrical. It had a simplicity to it that made it feel natural. I would like to share two quotes that I adored. The first is a comment made to Anna when she has stayed up too late reading: "A true lover of books knows no time" (191). Why I love this is likely obvious. The second is an old, sad, lonely man's reflection on his life: "So I may seem like an old wreck to you—but inside I'm still dancing, as they say" (292). This man has been through a lot, most of it awful and only some of that self-made, but he can still feel that overall his life has been a good one. That is some powerful stuff, and it does not come off as some forced message, but as a simple, beautiful truth.

There were two aspects of this novel I did not enjoy. The more minor of the two is something I see as a weakness in the storytelling: the viewpoint, which generally follows Anna or the Ashtons occasionally shifted to the Nortons, friends of the Ashtons. These sections always seemed to come out of nowhere and really did not seem important to the overall narrative. Having finished the book, they seem to have been included to allow more discussion of artists (perhaps Alison is a big fan of the art of that time period) and to allow her to add a scene about the Holocaust. The temptation to include the latter is understandable, but I did not appreciate her hurried attempt to fit it in; in my opinion, the book would have been better off had she remained within her main construct.

More frustrating was that this, like a surprising number of other books I have read, seems to be showing that all marriages result in unhappiness, affairs and, ultimately, divorce. While I imagine this is often true, I find it frustrating when every single main character ends up the same way. I would not call this a glorification of affairs, so much as a de-glorification of matrimony and a Chretien de Troyes-ish sense that true love lies outside of marriage. I'm not saying that every novel should depict wedded bliss, as that would be unrealistic, but not every could cheats (or so I choose to hope).

Regardless of my opinion, The Very Thought of You has received a really great reception, having been considered for the Orange Prize. The book is certainly well written and covers a fairly unique war experience, that of the children left behind and safe, physically anyway. It may not have been precisely my cup of tea, but, if it sounds good to you, please do not let me dissuade you.

"When I was younger, so much younger than today
I never needed anybody's help in any way
And now these days are gone
I'm not so self assured
Now I find I've changed my mind
I've opened up the doors

Help me if you can, I'm feeling down
And I do appreciate you being 'round
Help me get my feet back on the ground
Won't you please, please help me"

Can't Help Falling in Love - Ingrid Michaelson

Becoming George Sand

Author: Rosalind Brackenbury
Pages: 296
ARC Acquired from: Mariner Books via NetGalley

Brief Summary:
Maria, a college french lit professor, has been having an affair with a grad student (in the sciences, so he's not her student). This has been happening for a while and she is completely caught up in the physical and emotional thrill of it. When her husband, Edward, clues in, as generally happens eventually, her life has to change. Her separation from her life as it once was firmly entrenches her within her George Sand obsession. She sees something of herself as she is and as she wants to be in this fascinating nineteenth century authoress.

Review:
The description of this book, at least as I wrote it, does not remotely do the book credit. Largely because the story is not the real point. I mean, it is and it isn't. More than being about a plot it's about what it's like being a woman, about the spaces between love and marriage, about feminism, and about literature and language. The writing is completely gorgeous, sucking me in from the first pages, even though the opening scenes chronicle the affair, a thing in which I have little interest. To me, there is no excuse for cheating and I do not believe Maria's romanticized idea of it (and not just because I know what happens later); the treatment of the affair in early pages reminds me of Chretien de Troyes, and how in that time folks believed that true love had to be extramarital.

Rather than speaking to what I loved and didn't (what little there was of that) as I usually do, I really want to include some of my favorite quotes and let the author speak for herself.

"'You can't be loved whatever you do. You have to be someone good, to be loved. People can't just love you for existing.'
'Hmm. Well, maybe. You don't believe in unconditional love?'
'Yes, I do, but it's for babies. You have to be worthy of love.'" (221).

"That's it, the last gesture of a long friendship lived over distance and time, without frequent meetings, between two languages; a friendship built over books, plays, poems, the written word." (252).

"What is it she needs, at this point in her life? To touch another life, to have it touch hers. To create, to understand. To give back. To be part of a whole." (286)

Brackenbury obviously wholeheartedly loves and appreciates literature, which makes her such a joy to read. I now want to check out George Sand and to read a biography of her life, as she sounds fascinating. Today's song is dedicated to George, Maria and all the other optimistic women who keep looking for love and thinking they've found it (and sometimes been wrong about that).

"Wise men say only fools rush in
But I can't help falling in love with you
Shall I stay
Would it be a sin
If I can't help falling in love with you"

Foolish Love - Rufus Wainwright

The Republic of Love

Author: Carol Shields
Pages: 366
Publisher: Penguin

Brief Summary
The Republic of Love is the story of two people: Tom and Fay. Tom is forty years old and thrice divorced. Every week he attends meetings for the newly single, although he is no longer fresh out of a relationship. His life is filled primarily by these meetings, a few awkward dates and his career as a night-time disc jockey. Fay has never married, although she has come close a couple of times; She has, however, been in a number of years-long relationships. For some reason, neither Tom nor Fay seems able to make their romantic relationships stick.

Review:
I own several of Carol Shields' novels, but this is the first one I have gotten around to reading. Incidentally, Carol Shields is an alumna of my alma mater, Hanover College. Pretty much our only famous one (unless you count good ol' Woody Harrelson, who may or may not have actually graduated - I think he got an honorary degree subsequently).

The writing is quite highbrow, full of five dollar words and complicated sentences. This does make a rather nice change from all of the teen fiction I have been reading. For the most part, I really loved her writing style. Every so often, a particular sentence would strike me as a bit over the top, as though big words had been used solely for the sake of using big words.

The narrative of the story moves along at a good pace, especially through the first half of the book. The format of the story, which follows the two main characters in alternating chapters, propels the reader forward, curious to discover how and when they will actually meet. I really loved the thought-provoking ideas about love, serendipity, marriage and being single that are woven throughout this novel. The theme of the interconnectedness of people's lives and the degrees of separation was particularly fascinating. It reminded me a lot of a slightly darker and more literary version of When Harry Met Sally, only not the plot with Billy Crystal and Meg Ryan. It called to mind the little insert stories about how people met.

I highly recommend this to literary fiction fans. For those who like easy reads, not so much. This is an excellent novel (thank goodness, since I do own several more by Shields!).

"I don't want to hold you and feel so helpless
I don't want to smell you and lose my senses
And smile in slow motion
With eyes in love

I twist like a corkscrew
The sweetness rising
I drink from the bottle, weeping
Why won't you last?
Why can't you last"