Review: More Than This

More Than This

Author: Patrick Ness
Pages: 480
Publisher: Candlewick Press
Publication Date: September 10, 2013
Read: September 8, 2013
Source: ARC from publisher

Description from Goodreads:
From two-time Carnegie Medal winner Patrick Ness comes an enthralling and provocative new novel chronicling the life — or perhaps afterlife — of a teen trapped in a crumbling, abandoned world.

A boy named Seth drowns, desperate and alone in his final moments, losing his life as the pounding sea claims him. But then he wakes. He is naked, thirsty, starving. But alive. How is that possible? He remembers dying, his bones breaking, his skull dashed upon the rocks. So how is he here? And where is this place? It looks like the suburban English town where he lived as a child, before an unthinkable tragedy happened and his family moved to America. But the neighborhood around his old house is overgrown, covered in dust, and completely abandoned. What’s going on? And why is it that whenever he closes his eyes, he falls prey to vivid, agonizing memories that seem more real than the world around him? Seth begins a search for answers, hoping that he might not be alone, that this might not be the hell he fears it to be, that there might be more than just this. . . .

First Sentence: "The first moment's after the boy's death pass for him in a confused and weighty blur."

Review:

After finally reading Ness' The Knife of Never Letting Go a month or so ago, I was very curious to try his forthcoming novel. What I'm sure of more than ever now is that Ness is a massive talent. I am also convinced that his books will not work for everyone, because they are daring and strange and twisty and complex. More Than This is a cinematic, philosophical confusing novel, but one I ultimately found fascinating.

I find myself rather at a loss on how to review this book, given that practically anything would be a spoiler, since this is a book that opens up, revealing new layers. For the first hundred or so pages, all you know is what's revealed in the blurb, and talking about anything past that in any detailed way would be to reveal spoilers best left in the dark. Thus, this will probably be short and vague, but bear with me.

The storytelling of More Than This has a rather unique feel to it. Though told in what might seem like a fairly ordinary third person limited narrative, there's something cinematic about More Than This. The novel unfolds like a movie before the reader's eyes, a twisty movie like Memento or Inception that people need to watch several times over to have any sort of solid understanding of what's happening. Even more fascinating is that Seth seems to have a postmodern awareness of his role in the narrative, often calling situations before they even happened, as though he is the creator of his own story.

Seth dies in the prologue, drowns in icy waters. But then he awakens in his childhood home in England, the one his family moved away from after his brother was kidnapped by an escaped prisoner from the neighboring prison. He's thirsty, hungry, and weak. And dead? Seemingly alone, he gathers what food is unexpired and searches out clothing that fits to replace the bandages that covered his body. Whenever he rests, Seth dreams of his life, of his parents who never forgave him for what happened to his brother, of his friends who abandoned him, and his boyfriend who he maybe loved.

Of course, there's so much more to More Than This, rather appropriate no? Only I can't tell you about it. I could compare it to a particular film, but that would be a spoiler like whoa. Keeping things incredibly simple, I had some questions about the worldbuilding, serious ones, but I loved the message of the story, one of looking at the beauty in life and finding your more. I'm also not convinced it really needed to be quite so long.

For such a massive book, this review feels rather ineffectual book, but the book itself serves as a sort of metaphor for life and how we take it for granted. It's a journey to be undertaken by the reader.

Rating: 3.5/5

Favorite Quote: "'I wanted so badly for there to be more. I ached for there to be more than my crappy little life.' He shakes his head. 'And there was more. I just couldn't see it.'"

Review: Love in the Time of Global Warming

Love in the Time of Global Warming

Author: Francesca Lia Block
Pages: 240
Publisher: Henry Holt and Co. (BYR)
Publication Date: August 27, 2013
Read: August 15-16, 2013
Source: ARC from publisher

Description from Goodreads:
Seventeen-year-old Penelope (Pen) has lost everything—her home, her parents, and her ten-year-old brother. Like a female Odysseus in search of home, she navigates a dark world full of strange creatures, gathers companions and loses them, finds love and loses it, and faces her mortal enemy.

In her signature style, Francesca Lia Block has created a world that is beautiful in its destruction and as frightening as it is lovely. At the helm is Pen, a strong heroine who holds hope and love in her hands and refuses to be defeated.

First Sentence: "The building has gold columns and a massive doorway, a mural depicting Giants, with small bodies sticking out of their mouths like cigarettes."

Review:

Let it not be said that I don't read with an open mind. There's a lot of talk on Goodreads and in the book blogging community about "hate reading" and whether or not one should do it. Deciding to read Love in the Time of Global Warming might have seemed a questionable choice, because I absolutely loathed with every fiber of my being the first and only Francesca Lia Block book that I read: Weetzie Bat. However, if I didn't risk possibly hating this one and feeling stupid for wasting my time or being deemed a "hate reader," I wouldn't have gotten to experience this amazing book. Even going into a book fearing the worst, there's a chance that you will be unexpectedly swept off your feet, and I've seen this happen to pretty much every blogger I know. So, surprisingly enough to me and to Bekka of Pretty Deadly Reviews who convinced me to read Love in the Time of Global Warming, I kind of loved this book.

My issue with Weetzie Bat was that the book read like I'd been unwilling forced into some sort of drug trip, which is not my thing in the slightest. The book is crazy and the writing annoyed me to no end. Love in the Time of Global Warming is definitely incredibly odd and a little bit crazy, but, for some reason, one I can't really put my finger on except to say that it just sort of comes together perfectly, this one worked for me.

The writing, while still more poetic and off the wall then I generally like, is this lyrical prose that fits perfectly with the story. Block makes excellent use of imagery and achieves a style that hearkens back to Homer's Odyssey while still being totally her own, which I really admire, because it's so tough to achieve.

What I really love about Love in the Time of Global Warming is that it's this genre mash up of awesomeness. Block blends together mythology, science fiction, post-apocalyptic, and magical realism into a book that should come out an incomprehensible mess, and may for some readers, but combined to be this brilliant, strange utterly unique little book for me.

There's this real blend of science fiction/post-apocalyptic with the retelling elements. While some aspects are explained with science, like the giants, others are where the magical realism comes into play, like the lotuses. Personally, I love magical realism and the way that it brought everything together and really made this retelling possible in a world no longer populated by gods and goddesses in our cultural imagination.

In no way is Love in the Time of Global Warming a strict retelling, but Block manages to bring in quite a few of the major plot elements, and they're clearly recognizable. Even better, Block doesn't have the tendency to go on and on in endless descriptions like Homer does. Also, Block takes a story that's very patriarchal, with the only women vile seductresses or waiting at home for their men, and makes it an LGBT love story with a heroine, slyly named Penelope in a nod to the one awesome woman in Homer's work, instead of a hero. All of the main characters have LGBT leanings and they're all messed up, but ultimately likable people with more to them than what initially meets the eye. In some ways, the apocalypse is what frees them to be who they are, because the end of the world really puts life into perspective.

My only reservations are these: one personal and one more analytical. On a personal note, I didn't feel any real emotional connection, this not being so much a character-driven story. In fact, I'm amazed I liked it so much given that I'm such a character-based reader, however the writing and story really resonated and struck the perfect tone. Analytically, there was a little plot line about Pen's parents that I didn't really think was entirely necessary. I didn't remember this from The Odyssey, but apparently another account (as in not written by Homer), explains this little addition. While I can see why she did that, it felt rather out of place since not much really happened with regards to this small twist.

If you appreciate genre-bending novels, particularly those with magical realism, I urge you to give Love in the Time of Global Warming a try. It's a strange, unique book and won't be for everyone, but Francesca Lia Block has woven together something magical here.

Rating: 4/5

Favorite Quote:

"I sniff. 'What is it?'
     'Punch!' he laughs. 'I don't know. Something strong. We need something fucking strong, don't you think? The world actually ended. As in the apocalypse? We better have something strong.'"

Review: Two Boys Kissing

Two Boys Kissing

Author: David Levithan
Pages: 208
Publisher: Knopf Books for Young Readers
Publication Date: August 27, 2013
Read: August 10-11, 2013
Source: ARC from publisher

Description from Goodreads:
New York Times bestselling author David Levithan tells the based-on-true-events story of Harry and Craig, two 17-year-olds who are about to take part in a 32-hour marathon of kissing to set a new Guinness World Record—all of which is narrated by a Greek Chorus of the generation of gay men lost to AIDS.

While the two increasingly dehydrated and sleep-deprived boys are locking lips, they become a focal point in the lives of other teen boys dealing with languishing long-term relationships, coming out, navigating gender identity, and falling deeper into the digital rabbit hole of gay hookup sites—all while the kissing former couple tries to figure out their own feelings for each other.

This follow-up to the bestselling Every Day showcases David's trademark sharp-witted, warm-hearted tales of teenage love, and serves as a perfect thematic bookend to David's YA debut and breakthrough, Boy Meets Boy, which celebrates its 10th anniversary in 2013.

First Sentence: "You can't know what it is like for us now—you will always be one step behind."

Review:

After several disappointments with David Levithan's works written with Rachel Cohn and Andrea Cremer, I'd built up some healthy skepticism about whether his writing really worked for me. With Two Boys Kissing, I now know that he's an author I definitely need to be reading, and am no longer concerned about the collection of his books I already own. Two Boys Kissing is beautiful, a statement about what matters and what it's like to be a gay boy or man.

David Levithan's writing is pretentious, of that I have no doubt. It certainly will not appeal to a lot of readers, who will be annoyed by that, and I don't know how it will play with teen readers, but I love it. The writing in Two Boys Kissing is complex and beautiful and simple. There were so many beautiful quotes that are heartbreaking or inspiring or funny. Plus, I'm personally not bothered by pretentious writing so long as it fits the narrative style and it's perfect for Two Boys Kissing.

The narrators of Two Boys Kissing are, in fact, none of the boys involved in the plot of the story. In fact, they are all dead. In what the blurb aptly describes as a "Greek Chorus," gay men from times before, specifically a generation dead from AIDS watches the boys live out their lives and marvels at how times have changed. At first, I was immensely skeptical of this writing style, but I actually ended up being a huge fan of the way this played out. Though a bit distancing from the actual teen characters and their issues, I found myself highly connected to this chorus of dead men, choking up in every one of their little asides, either from sadness or the inspiring beauty of their words.

By having this chorus of men narrate, Levithan was able to do two things: universalize the experience of being a gay man into more than just what the eight boys specifically focused on have experienced and indicate how much progress has already been made in the acceptance of homosexuality. Certainly total acceptance remains in the future, but the chorus marvels at the fact that two boys can kiss in front of their high school for over a day and receive largely positive feedback. Being gay is no longer as closeted as it used to be.

Another aspect of Two Boys Kissing that I loved was the diversity of the characters, both ethnically and situationally. Characters, both main and minor, come from different racial backgrounds, and that's just a fact and not a defining characteristic. Levithan also portrays with the eight gay teens eight different experiences of being a young gay in America. There are the two boys kissing, broken up and trying to figure out how to become friends. There's a couple in a healthy relationship, accepted by both sets of parents. There's a potential couple in the making, one of the boys who is partway through his gender change from female to male. There's a boy who was badly beaten for his sexual identity, determined to support his best friends in their record-breaking kiss. Finally, there's a boy who fears no one will ever love him who trolls the internet for connection, pretending to be whatever someone wants on a gay dating website. Two Boys Kissing really focuses on capturing the whole range of experience and does so well.

My complaints are very minor. First off, and this could be very serious for some, Two Boys Kissing is definitely preachy. However, I support the messages herein and didn't mind the preaching. Still, it's worth noting that Levithan isn't setting a scene before the reader and leaving them to draw conclusions; he also sets out the conclusions he wants the reader to draw. The other thing, and this is really nitpicky, is that Levithan really loves the term "screwing," and uses it a lot. It really just seemed really out of place and overused, since I feel like it's slang that I don't hear all that much anymore.

I loved Two Boys Kissing. Levithan has written a gorgeous novel with a unique perspective and really delved into the issues of being a gay male. I highly recommend it for anyone interested in GLBT fiction.

Rating: 4.5/5

Favorite Quotes:

"They should be going to sleep, but good company is the enemy of sleep. We remember this feeling so acutely—the desire to linger away the hours with someone else, talking or holding or even just watching a movie. In those moments, the clock seems arbitrary, since you are setting your understanding of time to another, more personal measure."

"'They beat the shit out of me,' he told people, soon after. 'But you know what? I didn't need that shit inside of me. I'm glad it's gone.'"

"There are millions of kisses to be seen, millions of kisses only a click away. We are not talking about sex. We are talking about seeing two boys who love one another kiss one another. That has so much more power than sex. And even as it becomes commonplace, the power is still there. Every time two boys kiss, it opens up the world a little bit more."

Review: If You Could Be Mine

If You Could Be Mine

Author: Sara Farizan
Pages: 256
Publisher: Algonquin Young Readers
Publication Date: August 20, 2013
Read: August 7-8, 2013
Source: ARC from BEA

Description from Goodreads:
In this stunning debut, a young Iranian American writer pulls back the curtain on one of the most hidden corners of a much-talked-about culture.

Seventeen-year-old Sahar has been in love with her best friend, Nasrin, since they were six. They’ve shared stolen kisses and romantic promises. But Iran is a dangerous place for two girls in love—Sahar and Nasrin could be beaten, imprisoned, even executed if their relationship came to light.

So they carry on in secret—until Nasrin’s parents announce that they’ve arranged for her marriage. Nasrin tries to persuade Sahar that they can go on as they have been, only now with new comforts provided by the decent, well-to-do doctor Nasrin will marry. But Sahar dreams of loving Nasrin exclusively—and openly.

Then Sahar discovers what seems like the perfect solution. In Iran, homosexuality may be a crime, but to be a man trapped in a woman’s body is seen as nature’s mistake, and sex reassignment is legal and accessible. As a man, Sahar could be the one to marry Nasrin. Sahar will never be able to love the one she wants, in the body she wants to be loved in, without risking her life. Is saving her love worth sacrificing her true self?

First Sentence: "Nasrin pulled my hair when I told her I didn't want to play with her dolls."

Review:

If You Could Be Mine falls into two much-needed categories of YA: GLBT and non-white. As such, I really wanted to read it, and I'm glad I did. Farizan's debut has a fresh narrative voice, one that has a very non-western feel, while still being open and clear. Set in Iran, Farizan tackles first love, being different, friendship, and homosexuality with honesty and heart.

The plot of If You Could Be Mine, while not melodramatic or action-packed, is enthralling. I, for one, love being able to take a journey to another culture in my reading, something that I don't get to do enough. In my experience, a lot of the non-western novels I've read (generally aimed at adults) tend to be unremittingly depressing, but Farizan retains lighter moments and keeps the tone fairly bright while still capturing the restraints that Iranian society puts onto Sahar and Nasrin.

Sahar has loved Nasrin for over ten years, and wanted to marry her. Soon Sahar will be heading off to university, assuming she passes her exams, and Nasrin, who Sahar always hoped would wait for her, is marrying a young doctor. Feeling both betrayed and determined, Sahar would do anything to keep Nasrin with her, beautiful Nasrin who makes Sahar feel more special and confident just by returning her affection. Being homosexual is in Iran a serious crime, one punishable by death, but, for Nasrin, Sahar would risk anything; Nasrin is more practical and more used to a comfortable life.

Since Nasrin cannot be convinced to call the wedding off just for love of Sahar, other plans have to be made. Through her gay cousin Ali, Sahar meets a bunch of gay and transgender people living in Iran. Now, oddly, Iran embraces transgender people and even helps finance the gender reassignment surgeries. In this, Sahar sees hope. By changing who she is can she have everything that she wants? The fact that Sahar would alter herself this way when she has always felt like a woman, all of that for a girl, is startling and terrifying. The harsh laws of society make gender reassignment seem like the only solution to be able to remain with the person Sahar loves.

Farizan does all of this very well, because she keeps the book non-preachy. There's not really a sense of judgment. At most, there's disappointment in those who do not try for what they want, but that feeling of disappointment is aimed more at the unforgiving society than the people themselves. While everyone doesn't come out in a good light, perhaps none really do, no one is demonized either.

I think what held me back from loving and really connecting with If You Could Be Mine was Sahar. I sympathize with Sahar and her narrative voice fits her, but she's a bit...empty. Sahar's young and hasn't really developed to much of a self yet, having always been all about keeping Nasrin happy. She doesn't have an incredibly strong personality, and her desperate need to be with Nasrin, despite the fact that Nasrin had gotten engaged without telling her, was something which I really could not relate to in the least.

An impressive debut, If You Could Be Mine tackles tough and unique subject matter with openness and a lack of judgment. Those looking for more YA set in other cultures and/or glbt YA must get their hands on this one.

Rating: 3.5/5

Favorite Quote: "Maman died five years ago of a heart attack. Her smoking probably didn't help. I told her to stop. She just smiled sweetly and told me not to worry so much. That's what we do. Smile and not worry so much. Riot in the street? Smile and don't worry so much. See the swinging bodies in the square? Smile and don't worry so much. Can't be with the person you love because it's against the law? Smile, damn it."

Audiobook Review: Dairy Queen

Dairy Queen
Dairy Queen, Book 1

Author: Catherine Gilbert Murdock
Narrator: Natalie Moore
Duration: 6 hrs, 7 mins
Publisher: Listening Library
Read: June 17-23, 2013
Source: Library

Description from Goodreads:
When you don’t talk, there’s a lot of stuff that ends up not getting said.

Harsh words indeed, from Brian Nelson of all people. But, D.J. can’t help admitting, maybe he’s right.

When you don’t talk, there’s a lot of stuff that ends up not getting said.

Stuff like why her best friend, Amber, isn’t so friendly anymore. Or why her little brother, Curtis, never opens his mouth. Why her mom has two jobs and a big secret. Why her college-football-star brothers won’t even call home. Why her dad would go ballistic if she tried out for the high school football team herself. And why Brian is so, so out of her league.

When you don’t talk, there’s a lot of stuff that ends up not getting said.

Welcome to the summer that fifteen-year-old D.J. Schwenk of Red Bend, Wisconsin, learns to talk, and ends up having an awful lot of stuff to say.

Review:

Though I haven't had much chance to reread since I began blogging, it's one of my favorite things to do. Is there anything better than revisiting an old favorite? For me, the benefits are myriad, since I generally can't remember much after just one read of a book, so I can be surprised and delighted just like the first time, implant the book in my memory, and probably also notice awesomeness I'd missed before. Of course, in some cases, I like to reread books that I didn't enjoy before, because they can really surprise you, like Dairy Queen.

I'm fairly certain I've actually read Dairy Queen twice before, once in college and once in grad school. Though I have little memory of it, I have a distinct recollection of having checked out the paperback during a break from undergrad. I don't think I liked it much, and I've only just recalled that. Anyway, in grad school, I had to read Dairy Queen for my young adult services course. I did not care for it.

My issues with Dairy Queen were partly context and partly format. See, I came to Dairy Queen that second time with certain expectations, because we were assigned the book as part of the LGBT unit, which included one other book Someday This Pain Will Be Useful to You. I was pissed off at this book and at the professors for not choosing a single book with a gay or lesbian protagonist, though the protagonist in Cameron's novel thinks he might be gay. Though there are some LGBT themes in Dairy Queen, it's not an LGBT book overall, and I resented the book for that, even if it wasn't fair.

However, I also remember being unimpressed by the writing style. D.J.'s not the sort of girl to use really complex sentences or have a huge vocabulary. Simple sentences just generally do not work for me as a writing style, so I found the book frustrating. Switching to the audiobook format allowed me to really appreciate how well the writing fits the character of D.J. Natalie Moore does an amazing job bringing the character alive, and has the full on Wisconsin accent, which is incredibly entertaining.

So far as the plot goes, I really remembered nothing, except cows and football, which are certainly the most obvious points. The book being about football probably didn't help us get along any either, but Miranda Kenneally has helped me get over my distaste for anything about sports. The football in the book really isn't overwhelming, definitely taking a back seat to D.J.'s journey for self-respect and interpersonal relations.

D.J. feels dumb and overwhelmed. She flunked sophomore English, because she was so busy running the family farm after her dad injured himself using the manure spreader. D.J. is so young, but she has all of this pressure and her whole family relies on her to keep the farm going. She has to give up all of her sports to run the farm, but her brother Curtis doesn't. The whole thing feels so unfair, but D.J. is a real champ about it.

Then Brian Nelson shows up, sent by the coach of D.J.'s school's rival ream, who happens to be a family friend. The coach wants Brian to help out on the farm and stop being so stuck up, and eventually D.J. begins coaching Brian at football. They also go from hating one another to really getting along, able to talk about things that D.J.'s family never discusses. Her affinity for Brian grows into a crush and also inspires her to confront family issues, like talking to her estranged brothers, engaging with her silent younger brother, and gaining more respect from her parents.

Romance is really kept on the back burner, though it's a thread running through the book. D.J.'s desire for romance sort of comes up against her increasing desire to play football, which both isn't girly and will inevitably lead to complications with her burgeoning feelings for Brian. D.J. also has to deal with the realization that her friend Amber is a lesbian and has sort of been dating D.J., though D.J. had no idea. Up to this summer with Brian, she'd really never given romance a thought and all of this takes her time to process.

Actually, that's one of the best things about Dairy Queen. D.J. really does need time to think through things. She lacks the quick wit of a lot of heroines. Brian confronts her about always forcing him to give more in conversations by remaining silent, and she explains that she was merely trying to work out a response. D.J.'s brain works a bit differently from mine, and it's always interesting to get to be in someone else's head to gain some empathy.

The narrative of the book is purportedly an assignment D.J. turns in to overturn her failure in English, since the teacher lets her make it up. When she explained that at the end, I laughed a lot, because this poor teacher. She asks for a paper on what D.J. did over the summer or something like that, and the girl turns in, instead of ten pages or so, three hundred. Happy grading!

Many thanks to Renae of Respiring Thoughts and Wendy Darling of The Midnight Garden for convincing me that Dairy Queen deserved another shot. I'm excited to listen to the audiobooks for the next two books!

Sum It Up with a GIF:

Rating: 4/5

Review: Starglass

Starglass
Starglass, Book 1

Author: Phoebe North
Pages: 448
Publisher: Simon & Schuster Books for Young Readers
Publication Date: July 23, 2013
Read: July 20-21, 2013
Source: Author at BEA

Description from Goodreads:
Terra has never known anything but life aboard the Asherah, a city-within-a-spaceship that left Earth five hundred years ago in search of refuge. At sixteen, working a job that doesn't interest her, and living with a grieving father who only notices her when he's yelling, Terra is sure that there has to be more to life than what she's got.

But when she inadvertently witnesses the captain's guard murdering an innocent man, Terra is suddenly thrust into the dark world beneath her ship's idyllic surface. As she's drawn into a secret rebellion determined to restore power to the people, Terra discovers that her choices may determine life or death for the people she cares most about. With mere months to go before landing on the long-promised planet, Terra has to make the decision of a lifetime--one that will determine the fate of her people.

First Sentence: "My darling daughter, know that I never would have left the earth if it hadn't already been doomed."

Review:

Phoebe North's Starglass has been on my radar ever since I learned that the author was once a prominent blogger. I've never read that blog and don't know too much about her, but I like supporting bloggers, so I wanted to read this book. I always expect big things from bloggers who publish, because they know better than anyone what tropes to avoid, or so I assume. For the most part, that was very true in Starglass and I did very much enjoy North's debut.

The plot on a basic level is highly reminiscent of Beth Revis' Across the Universe trilogy. However, in the course of one book, North takes the plot through what took two books in that series: the dissent on the ship and the approach to the planet towards which they've been heading. This is not to say that the two are identical by any means, because they're not. In fact, I think I rather like Starglass better, both for the abbreviated time on ship and for the more interesting characters.

As I mentioned already, North does a lot of those things bloggers regularly request. There's diversity in that everyone on board the Asherah is Jewish, this being one of many ships that departed Earth as its destruction neared the Asherah only accepted those of Jewish descent. One of Terra's ancestors, a non-practicing Jew and a lesbian (squee!) found a place on the ship. There are other gay characters as well, which is awesome, even if society does not approve, which is less awesome.

Another fantastic thing is how many of the authority figures on the Asherah are female. Women and men are in equal standing here. The current leader of the guard is an imposing female by the name of Captain Wolff. When the time comes for marrying (16 - if you have not chosen by 18, a mate will be chosen for you), girls can ask for a boy's hand in marriage just as the boys may ask. Plus, women don't have to bear the two mandated children (one male, one female), as they are hatched from eggs in a disturbing and haunting process.

As with Revis' series, the plot consists largely of a combined mystery and rebellion. North does a good job with it, and did surprise me with one of the twists there at the end. On the Asherah, it's really hard to know who to trust, and that's conveyed beautifully. The pace does move somewhat slow, without much action, but I really enjoyed the writing so I didn't mind.

So far as the characters go, they don't quite have the depth I would have wished for, but they are interesting. Terra's narration is intelligent, but lacks the scientific know-how to get too much into the nitty gritty science fiction details, but that worked out pretty well. For most of the book, Terra has a tendency to go along with what others want of her, even if she's not particularly happy with it. By the end, she's finally obtaining some agency of her own, perhaps due to the example of Mara Stone, to whom she's apprenticed, or to the craziness going down on board the Asherah.

My only other concern is the romance. Most of what went down with that in Starglass was walking the border of discomfiting. For example, I find her treatment of her first suitor rather hateful, but, then again, he did lie to her, so I suppose it's forgivable as long as she learns from the experience, which I think she has. Terra's second suitor also upsets me, because of what that did to her friend, whom she envies for being so pretty. Hopefully, the impending love interest will lay my concerns to rest, but things could really go either way at this point.

The ending leaves me very ready for book two, though Starglass does come to a nice ending of the main plot arc. Phoebe North's debut is a fun science fiction novel on the lighter side, and I look forward to her career; I expect good things!

Rating: 3.5/5

Favorite Quote: "'I don't care about books. I don't care about buildings. Freedom. That's all that matters. So I can love whomever I please.'"

Review: Fun Home

Fun Home: A Family Tragicomic

Author: Alison Bechdel
Pages: 232
Publisher: Houghton Mifflin Harcourt
Read: May 18, 2013
Source: Friend's library (since mine didn't have it)

Description from Goodreads:
A fresh and brilliantly told memoir from a cult favorite comic artist, marked by gothic twists, a family funeral home, sexual angst, and great books.

This breakout book by Alison Bechdel is a darkly funny family tale, pitch-perfectly illustrated with Bechdel's sweetly gothic drawings. Like Marjane Satrapi's Persepolis, it's a story exhilaratingly suited to graphic memoir form.

Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian home, a third-generation funeral home director, a high school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with his male students and a family babysitter. Through narrative that is alternately heartbreaking and fiercely funny, we are drawn into a daughter's complex yearning for her father. And yet, apart from assigned stints dusting caskets at the family-owned "fun home," as Alison and her brothers call it, the relationship achieves its most intimate expression through the shared code of books. When Alison comes out as homosexual herself in late adolescense, the denouement is swift, graphic -- and redemptive.

First Sentence: "Like many fathers, mine could occasionally be prevailed on for a spot of 'airplane.'"

Review:

Though this may not have been hugely apparent on my blog, overwhelmed as I am by review copies, I dearly love graphic novels and manga. In an effort to try to fit more of those in, my first selection was Fun Home by Alison Bechdel, an autobiography in graphic novel format. Someone on Twitter recommended this to me (Ceilidh of The Book Lantern, perhaps?), and I convinced my friend to ILL it from her library, since my local library charges for those. In Fun Home, Bechdel confronts her sexual journey and her lingering emotions about her father in a lavishly written, darkly humorous comic.

The title Fun Home comes from the fact that her father ran a funeral home, as well as working as a high school teacher. I could not help but be reminded of the show Six Feet Under, which does have some parallels to Bechdel's life experience, certainly in tone and themes, like homosexuality and a truly fucked up family.

Bechdel's identity as a lesbian woman is tied up with her thoughts of her father. She feels that her butch identity developed in contrast to his own sissy-ness; these words are her own and not mine, by the way. Her sexuality and his death will always be linked in her mind too, because of the circumstances of his demise, though the connection seems tenuous at best. This, though, is how the human mind works, implying causality and taking on guilt where none needs to exist, a negative side effect as seeing ourselves as the center of the universe.

Bechdel tells the story of her coming of age in the 1970s with a big emphasis on literary references. She's definitely appealing to a well-read and educated audience. Having not read Proust or Ulysses, there were numerous references I'm sure that I missed out on, and I imagine the constant use of comparison to literary figures would be frustrating for those unfamiliar with the texts mentioned. I really liked this technique, however, the way that Bechdel set herself apart from her own story and analyzed it like fiction. In fact, she even includes snippets from her diary and her father's letters, considering the hidden meaning within them precisely the way she was skeptical of doing with literature in her college English courses.

Bechdel's writing is gorgeous, complex and drenched in meaning. Both the pictures and the words combine to tell the story. Sometimes in graphic novels, the text takes a back seat to the images, but not here. That every word was carefully chosen is obvious. I just loved her writing and had to sit back and chew on some of the sentences, because they were just so beautiful.

Autobiographies and biographies have been one of those forms of writing I've never had much interest in, but Fun Home was fascinating, so I may have been too hasty to dismiss them. My friend who borrowed the book for me said Bechdel also wrote one about her mother, who's a secondary character here, so I'll have to check that out.

Rating: 4/5

Favorite Quote: "Sometimes, when things were going well, I think my father actually enjoyed having a family. Or, at least, the air of authenticity we lent to his exhibit. A sort of still life with children."

Review: Replica

Replica
Replica Trilogy, Book 1

Author: Jenna Black
Pages: 368
Publisher: Tor Teen
Publication Date: July 16, 2013
Read: July 7-9, 2013
Source: ARC and finished copy from publisher for review

Description from Goodreads:
Breathtaking new YA SF from the author of the Faeriewalker series

Sixteen-year-old Nadia Lake comes from a high-class Executive family in the Corporate States. Her marriage has been arranged with the most powerful family in her state, which means she lives a life of privilege but also of public scrutiny, followed everywhere by photographers, every detail of her private life tabloid fodder. But her future is assured, as long as she can maintain her flawless public image — no easy feat when your betrothed is a notorious playboy.

Nathan Hayes is the heir of Paxco — controller of the former state of New York, and creator of human replication technology, science that every state and every country in the world would kill to have. Though Nadia and Nate aren’t in love, they’ve grown up close, and they (and the world) are happy enough with their match.

Until Nate turns up dead, and as far as everyone knows, Nadia was the last person to see him alive.

When the new Nate wakes up in the replication tanks, he knows he must have died, but with a memory that only reaches to his last memory backup, he doesn’t know what killed him. Together, Nadia and Nate must discover what really happened without revealing the secrets that those who run their world would kill to protect.

First Sentence: "The limo pulled up to the curb at the entrance of Chairman Hayes's Long Island mansion, and Nadia dug deep in search of an untapped reserve of energy."

Review:

Back when I requested Replica, months ago, I was still fully enthralled by the dystopian fiction trend. Sadly, by the time it arrived, I'd already hit a wall, a point where every single one I read reminds me of others, and I just haven't been wowed by any for some time, even The Fifth Wave, which has been highly praised. With that in mind, my expectations for Replica were pretty low, and, happily, Replica turned out to be much better than anticipated. Though the world building is shaky, the unique make up of the cast made Replica an interesting variant from the usual formula.

Black uses third person limited narration, switching between Nate and Nadia. Nate is the Chairman Heir, destined to inherit Paxco, the insanely powerful corporation based in New York City that runs pretty much everything. Nadia has been betrothed to Nate since they were both children, and she's always loved him, despite his increasingly drastic antics.

With his latest stunt, though, Nadia has had just about enough. That Nate is gay and the romantic part of their relationship will only ever be for show Nadia has made her peace with. She still loves Nate and she does not begrudge him other lovers, even though she wouldn't mind if his heart had turned to her. Though she supports him, she still does not want to be an accomplice to his sneaking out of a party to have sex with his boyfriend and valet, Kurt Bishop. She storms off, and the next thing she hears Nate has died. And been replicated.

There are two solid points in Replica's favor for me. First, the inclusion of an LGBT main character. While it's sad that this society still hasn't evolved to be a hundred percent okay with homosexuality, the attitude still seems more open than now and I certainly feel like Jenna Black is promoting that romance. Plus, it spoke volumes to me that the only romance of any sort in Replica is that between Kurt and Nate. Though there's an obvious impending relationship for Nadia, she has no romantic arc in this one.

Second, rather than focusing on romance, friendship is to the fore. Nadia and Nate do not have the perfect friendship, but they are there for each other when it counts. Nadia disapproves of a lot of Nate's choices and Nate's a bit too self-involved, but their affection for each other is evident in spite of all of that. There's a dearth of real friendships in YA, and even less with a male/female friendship, so that was nice to see.

Some of the minor plot elements did surprise me, but, for the most part, the plot covered pretty familiar territory. Corrupt corporation managed by untrustworthy parents. Human regeneration. Questions of whether a replica is actually human, and what that means about human nature. A plot to overthrow the evil corporation. I've been through all of that before, and it even comes with the villainous monologue because of assured victory. And, much as I appreciated the out of the box main characters, characterization was still tepid all around. Much of this is decently well done, like the replication element, but it's been done so often and didn't do anything to stand out from the crowd.

Replica entertains well enough and includes LGBT themes, putting a unique spin on otherwise familiar territory. Also, romance doesn't dominate the story, though the book still does read a bit like a CW show, with spoiled rich kids rebelling against their parents and going to party with hot poor people in the process. That doesn't sound like I enjoyed Replica, I suppose, but I did for the most part. Still, I'm not sure that I'll read the sequel, just because I feel like this one wrapped up well enough for me to be satisfied with ending there.

Rating: 2.5/5

Favorite Quote: "'I don't have the patience to play this game anymore. I know you put that message on my tray. You were seen, okay? So denying it just makes you look like a dumbass.'"

Audiobook Review + Giveaway: Golden Boy

Golden Boy

Author: Abigail Tarttelin
Narrators: Keith Nobbs, James Langton, Abigail Tarttelin, Christian Coulson, Kate Reading, Anita Sabherwal
Duration: 12 hrs, 40 mins
Publisher: Simon & Schuster Audio
Source: Publisher for review

Description from Goodreads:
The Walker family is good at keeping secrets from the world. They are even better at keeping them from each other.

Max Walker is a golden boy. Attractive, intelligent, and athletic, he’s the perfect son, the perfect friend, and the perfect crush for the girls in his school. He’s even really nice to his little brother. Karen, Max’s mother, is a highly successful criminal lawyer, determined to maintain the façade of effortless excellence she has constructed through the years. Now that the boys are getting older, now that she won’t have as much control, she worries that the façade might soon begin to crumble. Adding to the tension, her husband, Steve, has chosen this moment to stand for election to Parliament. The spotlight of the media is about to encircle their lives.

The Walkers are hiding something, you see. Max is special. Max is different. Max is intersex. When an enigmatic childhood friend named Hunter steps out of his past and abuses his trust in the worst possible way, Max is forced to consider the nature of his well-kept secret. Why won’t his parents talk about it? What else are they hiding from Max about his condition and from each other? The deeper Max goes, the more questions emerge about where it all leaves him and what his future holds, especially now that he’s starting to fall head over heels for someone for the first time in his life. Will his friends accept him if he is no longer the Golden Boy? Will anyone ever want him—desire him— once they know? And the biggest one of all, the question he has to look inside himself to answer: Who is Max Walker, really?

Written by twenty-five-year-old rising star Abigail Tarttelin, Golden Boy is a novel you’ll read in one sitting but will never forget; at once a riveting tale of a family in crisis, a fascinating exploration of identity and a coming-of-age story like no other.

Review:

This is one of those times where I'm incredibly glad that I'm a book blogger. You see, were I not blogging, I would not have the reader friends I do, and I would miss out on books like Golden Boy. I never would have picked this up in the store, because the cover is weird and doesn't really convey the subject matter. Thankfully, a couple days after I got an email with Golden Boy as one of the audiobooks available for review, my dear friend Jenni of Alluring Reads told me that she felt certain I would love this book. Jenni was right.

This cover is a strange one, and, once I knew what the book was about, I can see what they're doing, subtly calling out the gender issues with the two bikes, one intended for males and one for females. Why moving a bar from straight to slanted suddenly makes a bike girly or changes it in any practical way, I can't say. Still, I do think it's a shame there's nothing on the cover to speak to the subject matter, because I seek out books about different sorts of sexuality/gender and would have missed this.

Golden Boy tells the story of Max, a handsome boy who seems perfect in every respect, popular, athletic and intelligent. Max has a secret, though: he's not actually a boy. Nor is he a girl. Max is intersex, the new politically correct term that replaced hermaphrodite. Because Max has both a penis and a vagina, he's avoided serious relationships, though he has developed a reputation because he makes out with a lot of different girls. His being intersex didn't really impact his life.

Until it did. At a family party, Hunter, Max's best friend growing up, rapes Max. The scene is rather graphic and intensely emotional. Max has always felt like a boy, and not really questioned that. With this incident, Max has to truly face that he's not a regular boy, and, in the fallout, so does his family. What follows is an honest, beautiful, heart-wrenching look at Max's journey to become comfortable with who he is and to decide who he wants to be as an adult.

The subject matter in Golden Boy is quite dark and unflinching at times. The discussion of the issues of being intersex is frank and honest. However, Tarttelin makes the brilliant storytelling move of including more than just Max's perspective, which cuts on the melodrama. She does six separate perspectives: Max, his family (mother, father, little brother), his girlfriend Sylvie, and his doctor Archie (a woman). Since I listened to the audiobook, I can't say how individual they felt in print, but in the audiobook they were all brilliantly performed, with a narrator for each perspective.

In some books with multiple perspectives, characters are added for no discernible reason at all, not adding anything to the narrative, or particular perspectives are incredibly boring, to be suffered through while the reader waits impatiently for the main character to return. Not so with Golden Boy. Each perspective brought something to the table, even Max's father's, which only appears twice. Max is so confused and lost and depressed that it's wonderful to see him from an outside perspective. Daniel, for instance, hero-worships his brother. Sylvie thinks he's hot. Neither of them know, of course, but we get a true look at the golden boy. Then there's his parents, who love him and do the best they can, but, through their perspectives, the reader really gets a sense of how uncomfortable they are with his intersexuality now that it's known he's actually of age for sex.

Archie's point of view adds a whole other dimension. As a doctor, when Max comes in, he really lights a fire in her when she realizes how little she knows about being intersex. Her medical schooling included almost nothing on the subject. She begins to really research, because she very much wants to help Max, who comes to her office the day after his rape for a morning after pill. Archie's perspective really drives home how little attention the medical community is paying to such gender issues and how much they push to "normalize" with surgery.

Since there's a lot I would spoil if I went any more into the plot, I'm going to speak in general terms. The way Tarttelin wrapped everything up is incredibly touching and what convinced me this book deserved the full five stars. Some of the choices Tarttelin made surprised me, but they were just right. I'll leave it at that.

If you're going to read this book, which I really think you should, the audiobook is an excellent choice. With six talented narrators giving voice to the six perspectives, there's a strong sense of voice. The narrators for Max and Sylvie are particularly compelling. I've listened to quite a few full cast narrations, but this one is I think the best I've read so far.

LGBT (I know this doesn't cover everything, but the term QUILTBAG looks a bit silly - I intend this as all-encompassing) issues have not been covered nearly enough in fiction and I love Golden Boy merely for existing. However, Golden Boy is not just wonderful for covering a tricky, sensitive topic, but for doing so with heart, honesty and compassion. Abigail Tarttelin, welcome to my auto-read list.

Rating: 5/5

Giveaway:
Since I loved this book so much, I want to share that love with one of my readers. I know audiobooks aren't for everyone, so the winner will have their choice of a gifted Audiobook from Audible or a hardcover to be shipped from either TBD or Amazon, depending on which of those ship to you. This contest is international. Just fill out the Rafflecopter to enter!

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Audiobook Review: The Chaperone

The Chaperone

Author: Laura Moriarty
Narrator: Elizabeth McGovern
Duration: 13 hrs, 18 mins
Publisher: Penguin Audio
Read: May 1-7, 2013
Source: Overdrive

Description from Goodreads:
The Chaperone is a captivating novel about the woman who chaperoned an irreverent Louise Brooks to New York City in 1922, and the summer that would change them both.

Only a few years before becoming a famous actress and an icon for her generation, a 15-year-old Louise Brooks leaves Wichita to make it big in New York. Much to her annoyance, she is accompanied by a thirty-six-year-old chaperone who is neither mother nor friend. Cora Carlisle is a complicated but traditional woman with her own reasons for making the trip. She has no idea what she’s in for: Young Louise, already stunningly beautiful and sporting her famous blunt bangs and black bob, is known for her arrogance and her lack of respect for convention. Ultimately, the five weeks they spend together will change their lives forever.

For Cora, New York holds the promise of discovery that might prove an answer to the question at the center of her being, and even as she does her best to watch over Louise in a strange and bustling city, she embarks on her own mission. And while what she finds isn’t what she anticipated, it liberates her in a way she could not have imagined. Over the course of the summer, Cora’s eyes are opened to the promise of the 20th century and a new understanding of the possibilities for being fully alive.

Review:

You guys, this book is so awesome. I totally would have finished this tomorrow, but I got home and was like eff these books I'm reading, because I want to listen to The Chaperone. You know it's good when you're making up excuses to keep listening!

Why Did I Read This Book?
I finally realized that I could download an OverDrive app onto my iPod Touch and download audiobooks onto it, which is way easier than going to the library to get the discs, which I then have to rip onto my computer, move to my iPod, and then delete from both after (so don't yell at me for stealing please). Anyway, this was my first one from there, and I basically just had it show me all the available audiobooks, and scrolled to the first interesting one. *pats self on back for an excellent selection*

What's the Story Here?
Okay, so The Chaperone is all about a chaperone. How's that? Worst synopsis ever? Alright, so the book is about Cora, a bored housewife who agrees to chaperone a young Louise Brooks to New York City for the summer, as Louise had been accepted to a dance program. Cora has her own reasons for wanting to go, since she lived in New York City at a home for "friendless girls" when she was a child, before she was shipped out west on an orphan train and adopted in Kansas. If you're really interested in Louise Brooks, I warn you that she's really only the framing element and mostly remains on the periphery of the story. She's also a bit of a jerk.

How did I like Cora?
At first, I found Cora utterly insufferable. Much as Louise was whiny and unlikable, I totally took her petulant side over Cora's, because Cora mouthed off all the worst platitudes about virtue and the evils of drink and so forth. As the book goes along, though, Cora progresses wonderfully, both because of what she learns about her past and what she learns about life from Louise. She totally opens up and becomes this really empowered, strong woman, and I love it so much.

And the Romance?
Cora has long been unsatisfied in her marriage, because her husband stopped coming to the marriage bed after their twin sons were born. Because of how rough the birth was on her, they both agreed (as did the doctor) that she shouldn't have anymore. Still, Cora felt like they should be able to do something. She learns some things and partway through the book she has this revival, and it's just so great. Like, she starts off completely conventional, but finds out how much better life is if you live it the way that works for you. The romance is completely not like those usually found in books and is very touching.

How was the ending?
The story sort of fell apart towards the end. The last few chapters felt like epilogue on top of epilogue, because, where The Chaperone had been linear with occasional flashbacks, now the narration would jump several years forward all of a sudden and relate what everyone was doing now. While I was still interested, from a plot perspective, this was really weak, and the pacing was all off.

How was the Narration?
Though I have a slight obsession with celebrity narrators, I didn't choose this for that reason, because I totally did not recognize McGovern's name, but she plays Cora on Downton Abbey. Now she narrates a story about a Cora. Very interesting happenstance that. All actors aren't great narrators of course, but McGovern narrated fabulously well. She clearly distinguishes between characters and does some good accents too.

Sum It Up with a GIF:

Rating: 4/5

Audiobook Review: Better Nate Than Ever

Better Nate Than Ever
Theater Kid Chronicles, Book 1

Author: Tim Federle
Narrator: Tim Federle
Duration: 5 hrs, 54 mins
Publisher: Simon & Schuster Audio
Source: Publisher for review

Description from Goodreads:
A small-town boy hops a bus to New York City to crash an audition for E.T.: The Musical. Nate Foster has big dreams. His whole life, he’s wanted to star in a Broadway show. (Heck, he’d settle for seeing a Broadway show.) But how is Nate supposed to make his dreams come true when he’s stuck in Jankburg, Pennsylvania, where no one (except his best pal Libby) appreciates a good show tune? With Libby’s help, Nate plans a daring overnight escape to New York. There’s an open casting call for E.T.: The Musical, and Nate knows this could be the difference between small-town blues and big-time stardom.

Tim Federle writes a warm and witty debut that's full of broken curfews, second chances, and the adventure of growing up—because sometimes you have to get four hundred miles from your backyard to finally feel at home.

Review:

Better Nate Than Ever was absolutely terrible for my reading schedule. It totally made me not want to read . . . anything else, that is. Seriously, it's a good thing this was a short audiobook or I would probably still have put off my other books to finish this one. I just kept inventing reasons that I needed to listen to more, tasks to do so I could listen rather than read my print books, which is a good sign.

Why Did I Read This Book?
Well, Better Nate Than Ever was already on my radar, because I do love stories with glbtq themes. However, the wanting turned to needing because my friend MG read it, and said it was completely wondrous. Thus, when I had the chance to get the audio, I went for it the way Nate Foster goes for donuts.

What's the Story Here?
Nate Foster is a kid with big dreams. He's flamboyant, hungry all the time, and possessed of a fantastic best friend who will egg him on to try his hardest in everything. Libby, his bestie, tells him about an audition for the Broadway musical of E.T., and helps him plan a day trip to New York City, so that he can try out for the show. Bad idea bears, right, guys? A thirteen year old off to the city by himself, and it's not like Nate's possessed of a lot of street smarts. Anyway, shenanigans and tomfoolery will be had. Snooty mothers and pompous smirkers will be faced. Hopes and dreams will be attempted with everything Nate's got.

How are the Characters?
Nate and Libby are sympathetic, because they're the outcasts (and because they use flopped Broadway plays as epithets, which is hilarious and clever). However, they're definitely not idealized or anything, because they can be just as mean as the others. Well, okay, not just as mean, but they are pretty judgmental too. Both of them are teased really severely, for being fat and, in Nate's case, for being gay. I liked that Nate is very obviously flawed, but that you cannot help but root for this crazy kid. I cringed for him when he committed egregious errors, and rooted for him to go home without his aspirations smashed into little pieces along the New York City sidewalk. Also, Federle does dive into some larger family issues on top of the overarching comedic plot, which I thought was pretty fantastic, since the tone remains light but serious issues are covered.

And the GLBTQ Themes?
What I love here is that romance really isn't a plot line. In fact, Nate isn't gay. He probably is, based on a couple of hints, but he's still in the questioning stage of life. He hasn't reached a firm decision about who he is yet. Better Nate Than Ever is written in a style that addresses the reader, like Nate has just sat down to enact this whole scenario for you in a one man show, which he would TOTALLY do, and Nate straight out says that he's undecided, because he's just thirteen. I love that, because, sure, some people know right away, but just because he loves musicals and fits the stereotype of a gay guy, that doesn't mean he is. There were also some undercurrents of shame in his thoughts, though, so I hope that if he is gay, he can find strength with himself to see that as the positive thing it is, and not something shameful and secretive. All of his feelings felt very real to him, and conveyed how confused he is overall and not ready for all the romance stuff.

How was the Narration?
Tim Federle was the perfect choice to narrate this. I mean, I do love when authors narrate their own work, because there's something so personal and touching in that. Of course, not every author has a voice for narration, but Federle is fantastic. He does Nate so well, and reads with scads of emotion. Basically, I loved everything about the way he narrated this, and everything about Better Nate Than Ever just made me smile and compulsively keep listening.

Sum It Up with a GIF:

Rating: 4.5/5

Review: Marco Impossible

Marco Impossible

Author: Hannah Moskowitz
Pages: 256
Publisher: Roaring Brook Press
Publication Date: March 19, 2013
Source: Publisher for review

Description from Goodreads:
Best friends Stephen and Marco attempt a go-for-broke heist to break into the high school prom and get Marco onstage to confess his love for (and hopefully steal the heart of) Benji, the adorable exchange student and bass player of the prom band.

First Sentence: "Our last day of middle school was supposed to be amazing, but instead Marco and I are standing at the sinks in the gray boys' bathroom trying to wash half a snow cone out of my hair."

Review:

Marco Impossible is my second Moskowitz novel, and it could hardly be more disparate from Teeth. Sure, both have male first person POVs (interestingly, both are told from the perspective of the character you wouldn't expect to be the main character) and LGBT themes, but the mood and writing of the two pieces are so different. Marco Impossible is often frustrating, but ultimately so satisfying, sure to leave you with a smile on your face.

Why the book is titled Marco Impossible becomes apparent really quickly. Marco's a force to be reckoned with, and he'll steamroll anyone who gets in his way. He's tiny, he's loud, he's proud, and he's completely determined to declare his love to Benji, the hot British bass player he's been crushing on, before he transfers schools. In true Marco fashion, he can't tell Benji via a letter or in person at school; no, he has to make a dramatic gesture. Thus begins a complicated series of events as Marco and his best friend, Stephen, plan to break into the Prom, where Benji's band is playing, so Marco can confess.

Actually,though, the story is less about Marco's relationship with Benji than his relationship with Stephen. Marco and Stephen have been best friends for ages, partners in solving crime. Even their families are close, which is why Marco's staying with Stephen's huge family while his parents are in Japan adopting a baby girl. Lately, or maybe not just recently, Stephen's been feeling frustrated with their friendship, with being the sidekick, with being the straight man (both literally and figuratively) on the Marco Show.

Stephen supports Marco with everything and will even take hits for him (since not everyone's cool about Marco's being gay), but a lot of the time he can't really remember anymore why they're best friends. He hates that Marco never listens to him or takes his advice. For example, Marco is being a total brat about his new sister, because he likes being an only child. Stephen, who has five siblings of his own, keeps trying to convince Marco that he'll love his little sister, but Marco continues to whine endlessly.

What really has Stephen upset, though, is that Marco is leaving him behind. How can Marco go to some fancy prep school and leave Stephen alone? Stephen doesn't even know why he's going. It's one thing being just a sidekick, but now he feels like he's being abandoned by the hero. Throughout Marco Impossible, Stephen becomes more and more fed up with Marco, and the way Marco never wants the spotlight on anyone but himself and ignores Stephen's input and feelings. I was really surprised by how painful most of this book was to read, because I've had a lot of problems with friends in the past, and this just got me in the feels.

No worries, though, because the story does end in a happy place, which, normally, I might complain about, but it was just right for this middle grade story. Marco and Stephen needed to have a happy ending, or at least a happy closing to their heist. That said, I would have appreciated a little bit more closure on some of the familial plot lines, most especially Marco's issues with his family's changes.

Hannah Moskowitz tends to write darker novels, but she does an excellent job with this touching middle grade story. Marco Impossible is full of heart, focused on the difficulties of loving someone, even your very best friend.

Rating: 3.5/5

Favorite Quote: "We had pretty much the hardest night ever. And it was awesome."

Review + Giveaway: The Midnight Spell

The Midnight Spell

Authors: Rhiannon Frater & Kody Boye
Pages: 254 according to the Nook version
Publisher: self-published
Source: ecopy for blog tour hosted by Xpresso Book Tours

Description from Goodreads:
Best friends since kindergarten, Adam and Christy have always been the perpetual outsiders in their small town in Texas. The other kids call Adam gay and Christy a witch.

On both counts the bullies are right.

Their junior year in high school seems destined to be the same old same old until Christy decides to cast a love spell for Adam at the midnight hour. The next day an alluring and mysterious boy enrolls at school and sets hearts a flutter, including Adam’s. Meanwhile, Christy’s mad crush on the handsome football player Ian seems to be going nowhere fast and her witch puberty is making her life miserable.

When a great evil arrives in town that threatens everything they hold dear, the best friends realize that finding a boyfriend is the least of their worries. Soon Adam and Christy will have to battle a force of darkness that has killed in their town before, and will again.

First Sentence: "It all started with a spell."

Review:

As a book blogger, especially one who reads Giselle's reviews, it's hard to miss Rhiannon Frater. She apparently writes super awesome vampire and zombie books, but I haven't gotten around to those yet. When the tour came up for Frater's paranormal co-written with another author, I couldn't resist. Joining The Midnight Spell tour was a good choice. Frater and Boye's novel is light, humorous, and fun all the way through.

Like Sabrina, the Teenage Witch, Christy is approaching the age of her powers awakening. Christy desperately wants her full-blown witchy powers, and keeps trying to perform spells in hopes that they'll turn her powers on full blast. Her latest plan is a spell at midnight to bring her bestie Adam's perfect guy to town. Adam doesn't wholly believe in Christy's magical abilities, but he hopes, tired of being alone and picked on for his sexuality.

Adam and Christy both really stick out in their whitebread, small town. Christy's been called a witch since she was young, her tendency to wear dark clothing not really helping matters. Red-headed Adam has been picked on for being gay for years too, even though he hasn't actually come out. They're lucky to have each other, though, and their social butterfly friend, Drifter. I would have liked to see a bit more of Christy and Adam's friendship before the midnight spell kicked the plot into motion, but I love their bond, and that the story is told from the POV of a straight girl and her gay best friend.

The plot includes some paranormal mayhem, but definitely keeps more to the funny than the creepy, which is a nice change of pace from paranormal stories that take themselves super seriously. There are some paranormal creature reveals at the end that definitely made me chuckle. The focus, though, is really on the romances: Adam's with mysterious new hottie Mark and Christy's with her long-time crush Ian.

The one thing that cut down on my enjoyment a little bit was my indifference towards Mark and Christy. I don't dislike either of them, but I never got a real sense of them as people. I would have assumed that Boye and Frater each took one of the perspectives to write, but Christy and Adam read too similarly to me. I had a bit of trouble keeping whose section I was reading straight.

On the other hand, I loved the secondary characters. They are made of sass and awesomeness. Callie, Christy's cat familiar, and the broom really steal the show. They're also super dependable and a bit snarky. Yes, a broom can be kind of snarky. Oh, and both Adam and Christy have super caring, present parents, with the exception of Adam's dad who's gone months at a time for work but who obviously loves his family a lot. The three parents are all a hoot. Oh, also, there's Drifter, who I totally want to hook up with Christy, because he's way smarter and more interesting.

The Midnight Spell is a highly fun paranormal self-pub. The ARC version I read had very few errors, so I imagine the finished copy will be pretty spotless, so, if you're interested, feel no fear! I'm definitely looking forward to reading some of Frater's darker novels.

Rating: 3/5

Favorite Quote: "'You're never to come here again. You will never touch Adam. You will never so much as even look or talk to him, because if you do, I swear I will shoot you dead. And if you try anything at the school, I swear I will bring holy hell down upon you, because when you fuck with the cub, you mess with the fucking mama bear. Get out. Now.'"

Giveaway:
As part of the tour, I have one e-copy of The Midnight Spell to offer to a reader. Just fill out the Rafflecopter! 
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Review: When We Wake

When We Wake
When We Wake, Book 1

Author: Karen Healey
Pages: 304
Publisher: Little, Brown Books for Young Readers
Publication Date: March 5, 2013
Source: Publisher

Description from Goodreads:
My name is Tegan Oglietti, and on the last day of my first lifetime, I was so, so happy. Sixteen-year-old Tegan is just like every other girl living in 2027--she's happiest when playing the guitar, she's falling in love for the first time, and she's joining her friends to protest the wrongs of the world: environmental collapse, social discrimination, and political injustice.

But on what should have been the best day of Tegan's life, she dies--and wakes up a hundred years in the future, locked in a government facility with no idea what happened. Tegan is the first government guinea pig to be cryonically frozen and successfully revived, which makes her an instant celebrity--even though all she wants to do is try to rebuild some semblance of a normal life. But the future isn't all she hoped it would be, and when appalling secrets come to light, Tegan must make a choice: Does she keep her head down and survive, or fight for a better future?

Award-winning author Karen Healey has created a haunting, cautionary tale of an inspiring protagonist living in a not-so-distant future that could easily be our own.

First Sentence: "My name is Tegan Oglietti."

Review:

Just yesterday, series information was added to Goodreads for When We Wake. I'm so glad that happened before I wrote up this review, because, honestly, the open-ended ending might have left me rather unsatisfied if I didn't know there was going to be more. Plus, I'm just excited there will be more, because When We Wake was a delight all the way through, populated with lovable characters, science-fictiony goodness, and references to The Beatles.

Before I get into the serious plot stuff, I have to talk about all of The Beatles love in this book. My parents raised me on music from the 60s and 70s, so, though I'm not a child of that age, I sure do know most of the music, and The Beatles have always been amongst my favorites, even if my favorite album changes through the years. Every chapter title is a Beatles song, but the references go much deeper than that, and you better believe I adore every single one. The songs do even serve a plot point, providing a link to her old life and a way to connect with the people of 2128 through music.

Tegan makes a wonderful heroine. Awakened over a hundred years after her last memory and informed of her death and revival, she is, understandably, freaked. However, after some time to mourn over her old life, she makes the best out of her new situation. She is helpful, hopeful, loving, determined, and sarcastic. Her voice thoughout When We Wake is a delight, and I connected to her immediately, not just because of her love of The Beatles.

Reviving Tegan a century later enables Healey to impart information to the reader in a logical way. Tegan really does not know anything about the world she's in and can ask questions and receive answers without it feeling like an infodump. Healey uses the device to the fullest and spaces out Tegan's education well. Healey does not feel the need to drop everything on the reader all at once, taking breaks for character development or to talk about less serious things like slang or toilets (in this future, people poo into compost buckets).

What makes this novel stand out from many others is that the society in which Tegan awakes really does seem to verge on utopian for quite a while. Sure, it's not completely perfect, but it seems largely better than the past. The world has warmed due to the depletion of the ozone layer, but mankind is now living in such a way as to diminish the negative effects on the environment. Homosexual love is now valued just as highly as heterosexual love, something our society really needs to learn to accept. The more Tegan learns, the more negatives appear in this future world, including continued racial tensions.

When We Wake, though not focused on romance, does have a couple of very sweet relationships. Tegan develops a crush on a Abdi, a musically-gifted, clever boy from Djibouti. Watching them slowly overcome the difficulties their situations (he's a thirdie - from the third world - and she's the Living Dead Girl) place on a relationship is adorable. I also really love Joph and Bethari, and I hope those girls can work out their issues and get back together.

The only thing missing from the novel for me were high enough stakes. There's some action and they are in danger, but, for whatever reason, they never felt especially imperilled. Perhaps this is due to the lack of death toll in the novel, or the narrative device whereby the entirety of the book is a broadcast being issued live by Tegan, since that means she survives to the end. In the sequel, I hope to see more from the dystopian government, so that I can really feel scared for Tegan and her friends.

Karen Healey was unknown to me prior to When We Wake, but I will definitely be reading more of her books, including the sequel to this novel. When We Wake is a must-read for Beatles fans and for those who enjoy dystopian stories that don't focus entirely on romance.

Rating: 4/5

Favorite Quote:

"'And then what?' she demanded.
     'Classified.' My whole body was buzzing with the memory.
     'Teeg, I will kill you and sink the corpse in the river.'
     I snorted. 'What river?' The Yarra ran through the city, but you couldn't hide a body in that shallow brown flow.
     'I will dig a river and fill it with my tears, because I will be weeping from the betrayal of my best friend not giving me every damn detail!'"

Review: An Uncommon Education

An Uncommon Education

Author: Elizabeth Percer
Pages: 352
Publisher: Harper Perennial
Source: Publisher for review

Description from Goodreads:
For fans of "Prep," "Dead Poets Society," and "Special Topics in Calamity Physics "comes an elegant and remarkably insightful coming-of-age debut, in which a young woman's serendipitous discovery of her college's underground Shakespeare Society leads to an unforgettable series of transformations. When Naomi finds herself among "the Shakes" at Wellesley, she finally lets herself embrace the passionate inner self she's always kept locked away. But when a sudden scandal unfolds, she will be forced to learn the limits of the relationships that have sustained her. An intimate and enthralling narrative, Elizabeth Percer's debut novel "An Uncommon Education "marks the emergence of a stunning new literary talent.

First Sentence: "On the day after my mother's death, I returned to 83 Beals Street for the first time in fifteen years."

Review:

For once, I actually think the books they make comparisons to in the blurb are right on the money. Of the three, An Uncommon Education had the least in common with prep, and quite a lot in common with Special Topics in Calamity Physics. Also, I like An Uncommon Education best of all of these things. This book moves at a slow, sort of drifting pace, but the slow parts were worth it to enjoy the skilled prose and clever observations about life.

Readers who like books with a fast pace are not likely to be well-pleased with Percer's debut. I do not mind a slow pace, so long as a story has other things to recommend it, especially if I can take my time with it, rather than trying to rush through for a deadline. Percer's writing is intricate and well-worth savoring slowly.

What kept me from really connecting with this book is its lack of direction combined with its pretentiousness. Taking the former, the novel does not have a cohesive plot. There's nothing really propelling the reader forward. It's just a woman looking back at her life, though primarily just her childhood and college years, in the period after her mother's death.

Naomi learns about the tenuousness of life and the dangerousness of love during her childhood. Her father has a heart attack and nearly dies in front of her right at the beginning of her story. Later on, just as she's starting on puberty and falling in love for the first time with her neighbor Teddy, his father dies, and Teddy's mom moves them away. From this point on, she avoids real close connections, a habit she cannot truly shake at college. Naomi also keeps an emotional wall up between herself and the reader, which prevented me from forming an attachment. There does come a change suddenly towards the end, and I would actually like to have seen more development of her character, so that I could wholly buy into her changed mindset.

I suppose I knew the book would be one of those intended to highlight the mighty intellect of the author, but not to this degree. As with Special Topics in Calamity Physics, the main character becomes involved in a time-eating, addictive society, one which leads to a degradation in her classwork and some out-of-character decisions. The club, while not secret, has some seriously unsavory practices, like the parties after their performances of Shakespeare plays where the girls hook up with others, some of whom are masked to preserve their identities.

While there's nothing wrong with a drifting plot or showing off, I just feel like some of the pieces of the novel were not entirely necessary. Some scenes seem to exist solely for exposition that reveals the vast swaths of knowledge of the author. Others seem to serve merely to add drama to the otherwise staid narration, like the revelation as to what exactly happened at one of those masked parties.

That all comes across rather on the negative side, but I did enjoy the book and I would read something else by Elizabeth Percer, because I do like her writing. If you like Special Topics in Calamity Physics or books that make you feel cleverer for having read them, I suspect An Uncommon Education will be right up your alley.

Rating: 3/5

Favorite Quote: "'You're just not used to your own brightness.' He scooted closer to me so that our hips were touching. 'This is how I see you,' he explained, staring down at the paper. 'Your face isn't really beautiful,' he once admitted,' but it is wonderful. More wonderful than beautiful.' I remember staring down at that paper, seeing a girl with a big, uneven smile looking out at me. I had never considered that someone might see me that way—bursting with light and wonderful."