Review: Antigoddess

Antigoddess
Goddess War, Book 1

Author: Kendare Blake
Pages: 333
Publisher: Tor Teen
Publication Date: September 10, 2013
Read: September 5
Source: Finished copy from publisher

Description from Goodreads:
The Goddess War begins in Antigoddess, the first installment of the new series by acclaimed author of Anna Dressed in Blood, Kendare Blake.

Old Gods never die…

Or so Athena thought. But then the feathers started sprouting beneath her skin, invading her lungs like a strange cancer, and Hermes showed up with a fever eating away his flesh. So much for living a quiet eternity in perpetual health.

Desperately seeking the cause of their slow, miserable deaths, Athena and Hermes travel the world, gathering allies and discovering enemies both new and old. Their search leads them to Cassandra—an ordinary girl who was once an extraordinary prophetess, protected and loved by a god.

These days, Cassandra doesn’t involve herself in the business of gods—in fact, she doesn’t even know they exist. But she could be the key in a war that is only just beginning.

Because Hera, the queen of the gods, has aligned herself with other of the ancient Olympians, who are killing off rivals in an attempt to prolong their own lives. But these anti-gods have become corrupted in their desperation to survive, horrific caricatures of their former glory. Athena will need every advantage she can get, because immortals don’t just flicker out.

Every one of them dies in their own way. Some choke on feathers. Others become monsters. All of them rage against their last breath.

The Goddess War is about to begin.

First Sentence: "The feathers were starting to be a nuisance."

Review:

I'm one of the few people who never got around to reading Kendare Blake's Anna Dressed in Blood, though I do have a copy and will read it...someday. Initially, it wasn't really on my radar, because horror isn't something I seek out, but the reviews convinced me. Antigoddess, however, was a topic that called my name and I was hopeless to resist that call, much like Odysseus and the sirens. Thankfully, Kendare Blake lived up to all the hype, and Antigoddess was a non-stop horrorshow and thrill ride.

Antigoddess is one of those books where the reader basically has no idea what is happening at any point. To predict the outcome, you'd basically need to be a prophetess like Cassandra. Sometimes, I hate this in books, especially in mysteries, but with Antigoddess it works. That feeling of being out of your element and out of control really plays into the mythology, the fact that these gods, even diminished are really beyond our ken. Though I don't mind predictable formulas (like romances and their inevitable HEAs), Antigodess was a refreshing change, because I had zero clue how it would end at any point, and have even less idea what will go down in book two.

I am all about Greek mythology, and, while Blake's interpretation might not exactly be canon, it's mindblowingly cool and creepy. So the Greek gods have basically continued existing and doing their things, blending in with humans or running around in non-populated places, whatever they want. But then, dun dun dun, they began to die. Obviously, they're not super thrilled about this because 1) they're supposed to be immortal and 2) they're dying in really nasty ways. Like Athena getting slowly smothered to death by owl feathers growing inside of her body. Anyway, Athena and Hermes are trying to figure out a way to stop dying, and so are some other gods (most importantly Hera and Poseidon) and they're all also at war. There are also so humans involved and it's all just nuts in the most awesome sort of way.

What really makes me squee about Blake's world building is how empowering it is for women. Yes, there were always female gods, and some of them are quite powerful, but, in Greek mythology, the dude's are still really running the show. In Antigoddess, though several male gods are present, it's the women who are running the show, specifically Athena and Hera. Hermes defers to Athena, for example, and Poseidon to Hera. In the original mythology, Hera is powerful, but mostly just gets to be cuckolded over and over, without any ability to prevent Zeus from sleeping around and then punishing the girl, who, often, Zeus even raped. Hera still may not come out of this smelling like roses, but at least she's imbued with agency. Within the human characters too, Cassandra and Andie are exceptionally strong. Blake writes female characters who kick serious ass and have brains to back that up.

Though I didn't emotionally bond with the characters, they're all fascinating and compelling, so that even the comparatively slow beginning didn't drag for me in the slightest. Also, good news for those who are sick of romance dominating plot, that is not the case here. There are some ships that you can board, but they take up relatively little page time. Also, for the record, I am definitely on a couple of those ships, and got to watch the one I wasn't on sink. Mwahahaha. *high fives Kendare*

The other thing I really want to note is how well Kendare writes. I'm not a visual reader, but Blake has a way of making things very visceral, and putting definite images in my head. Very few writers can do this for me, and I'm always so impressed when it happens. Her descriptions of the feathers seeding Athena's body especially will be haunting me for a while.

Kendare Blake's Antigoddess is a dark, creative roller coaster ride of a read. For readers who enjoy action-packed books or unique mythological retellings, particularly with a feminist bent, Antigoddess is a must.

Rating: 4/5

Favorite Quote: "'Everything born must die,' she repeated. 'But I sprang fully formed from our father's head. So that doesn't exactly count, now does it?'"

Review: The Returned

The Returned
The Returned, Book 1

Author: Jason Mott
Pages: 352
Publisher: Harlequin MIRA
Publication Date: August 27, 2013
Read: August 18-
Source: ARC from publisher

Description from Goodreads:
Jacob was time out of sync, time more perfect than it had been. He was life the way it was supposed to be all those years ago. That's what all the Returned were.

Harold and Lucille Hargrave's lives have been both joyful and sorrowful in the decades since their only son, Jacob, died tragically at his eighth birthday party in 1966. In their old age they've settled comfortably into life without him, their wounds tempered through the grace of time ... Until one day Jacob mysteriously appears on their doorstep—flesh and blood, their sweet, precocious child, still eight years old.

All over the world people's loved ones are returning from beyond. No one knows how or why this is happening, whether it's a miracle or a sign of the end. Not even Harold and Lucille can agree on whether the boy is real or a wondrous imitation, but one thing they know for sure: he's their son. As chaos erupts around the globe, the newly reunited Hargrave family finds itself at the center of a community on the brink of collapse, forced to navigate a mysterious new reality and a conflict that threatens to unravel the very meaning of what it is to be human.

With spare, elegant prose and searing emotional depth, award-winning poet Jason Mott explores timeless questions of faith and morality, love and responsibility. A spellbinding and stunning debut, The Returned is an unforgettable story that marks the arrival of an important new voice in contemporary fiction.

First Sentence: "Harold opened the door that day to find a dark-skinned man in a well-cut suit smiling at him."

Review:

At BEA, Harlequin was really pushing The Returned. The publicists were all really excited for it and recommending it highly. While a bit interested, I was also skeptical, because, hey, they're publicists and pimping the more highly marketed titles extra hard comes with the job description. Well, in this case, they were right. The Returned is slow-moving, but elegant, graceful and thought-provoking.

The Returned is not going to work for every reader, though that's not surprising since no book does. I suppose what I mean to say is that it will be a tough read for many. The pace of The Returned is slow most of the way through, though there is some serious speed right at the end. What Mott's really digging into is the concept, so it's a very philosophical read, a brainstorming of what such a strange occurrence could result in. If you need books packed with action and excitement, The Returned will not do that for you. Sure, it's people coming back from the dead, but it's not zombies and there's no mayhem or brain-chomping.

In The Returned, Mott puts forth this concept: people who died begin coming back to life. They don't all reappear, nor do they necessarily seem to appear in the location where they died. None of them remember anything between their death and returning to life, and they are all the precise age that they were at the time of their demise. All memories seem to be intact. Scientists can find no rhyme or reason in why anyone is returning and why some do or do not return.

Using a family in the small town of Arcadia as an example, Mott depicts the spiral of society into chaos and hatred as this phenomenon occurs. As one might expect, there's a lot of discussion of what it means to be human and what the Returned really are. These people died but now here they are. Is it the same person or a different one? Should they have rights? The ethical concerns are fascinating.

Mott also looks at the possible logistical issues with regards to the Returned. Since they pop up in seemingly random places, like Harold and Lucille's son Jacob who appeared in China, there's the difficulty of sorting people back to where they belong. More of an issue, though, is what to do with all of these Returned if the formerly dead begin to outnumber the true living. The government doesn't know how to handle the situation, and the public is torn between hatred and fear of them and joy and hope at having lost loved ones back.

What this does to interpersonal relationships is my favorite aspect, of course. A situation like this begs so many questions: if a person remarried after the spouse's death and the spouse Returns, what happens? What if two teenagers were deeply in love until one of them died, and, now the dead one Returns still 16 with former love so much older? If they had sex would that be statutory rape or a whole new situation? In pretty much every way, no one has any clue how to deal with the Returned. It's scary and confusing and hopeful and worrisome.

If you're wondering whether The Returned is right for you, I point you to those hypothetical questions. Do you find the consideration thereof a fascinating enterprise or do you think that such speculation on something so utterly unlikely and illogical is pointless? If the former, read away. If the latter, probably not, I'm sad to say. The Returned lives in the hypothetical, and the beautifully simple writing likely will not be enough to save the novel for you if you simply do not care for that.

However, despite the fact that I loved the intellectual exercise, the writing, and that the ending almost made this hard-hearted reader cry in a public place, I did have a couple of issues with the book. First off, I think it's a bit ridiculous that, at least towards the start, there was never any move to put The Returned to work, except for the one famous artist. I mean, come on, if there are more people then there will need to be more stuff, so there need to be more workers. Obviously. Also, I'm not a really a fan of how the book wrapped up, which, sadly, I cannot explain without spoilers. I just felt like it was sort of a weak and anticlimactic way to do it. I get why, as that ending is more poetic, but I thought it a bit too simple.

Though I have nothing against romance novels, I am really excited to see Harlequin broadening their horizons with titles like The Returned, especially since they're doing so with such great books like this one. Patient readers who adore high concept reads that will really make them think need this book.

Rating: 4.5/5

Favorite Quote: "There is a music that forms sometimes, from the pairing of two people. An inescapable cadence that continues on."

Review + Giveaway: Rogue

Rogue
Croak, Book 3

Author: Gina Damico
Pages: 384
Publisher: Graphia
Publication Date: September 10, 2013
Read: August 3, 2013
Source: ARC from publisher

Description from Goodreads:
Lex is a teenage Grim Reaper with the power to Damn souls, and it’s getting out of control. She’s a fugitive, on the run from the maniacal new mayor of Croak and the townspeople who want to see her pay the price for her misdeeds. Uncle Mort rounds up the Junior Grims to flee Croak once again, but this time they’re joined by Grotton, the most powerful Grim of all time. Their new mission is clear: Fix his mistakes, or the Afterlife will cease to exist, along with all the souls in it.　

The gang heads for Necropolis, the labyrinth-like capital city of the Grimsphere. There, they discover that the Grimsphere needs a reboot. To do that, the portals to the Afterlife must be destroyed…but even that may not be enough to fix the damage. Things go from bad to worse, and when at last the fate of the Afterlife and all the souls of the Damned hang in the balance, it falls to Lex and her friends to make one final, impossible choice.

Prior Books in Series:
1: Croak
2: Scorch

First Sentence: "Grotton wondered, for a brief moment, if there were a special circle of hell reserved for someone like him, or if Dante would have to cobble together an entirely new one."

Review:

This review will be spoiler-free for the series.

Dear blog readers, today I shall exhort you to begin reading Gina Damico's Croak series, assuming you haven't already. If you stop by here often, then you probably know that I'm pretty stingy with my 5 star ratings, giving them out only in cases where a book has made me an emotional mess, sucked me in so much I forget the real world, AND been, from my limited perspective, unimpeachable in quality. Most series go out with more of a whimper than a bang, but, in this case, the finale is the strongest book in the series, which is why I am going to fangirl as hard as I can, and encourage all of you with good senses of humor to read this as soon as possible.

From Croak onward, Gina Damico has excelled at humor and narrative voice. She writes a mixture of black comedy and straight up silliness that I find positively enchanting. The sort of people who enjoy television shows like Dead Like Me and Pushing Daisies simply MUST read this series. Her style has a really unique flair. She chooses really weird terms or phrasing at times, but somehow they're completely perfect for the moment. A good example is her creativity in coming up with swear words. Ordinarily, I find invented swear words in novels irritating, rather than amusing or clever, but Damico's are perfection and likely to enter my actual vocabulary. Here are some examples: "shitballs," "everdeathing," and "douchecrate." While probably not to everyone's tastes, if those make you giggle, it's a sign that Damico's writing is meant for you.

However, there's more than just humor in this series. Though Croak is, so far as my memory can recall, largely a darkly comic fluffy book, with a bit of intensity right at the end, both Scorch and Rogue have far more serious moments. In Scorch, they weren't quite as well balanced and that ended up being my least favorite in the series. By Rogue, Damico's got it down, handling serious moments with proper seriousness, making me want to cry, and then lightening the mood on the next page so that I'm grinning like an idiot. It's a bit of an emotional roller coaster, with much of the comedy being of the sort to help keep them moving in the face of overwhelming odds.

The characters all sparkle with wit, vivacity and uniqueness. I love each and every one of them, basically, though Mort is my special favorite and going on my book boyfriend list. Gina Damico writes banter between characters like no one else. All of the grim reapers in their little group make fun of one another constantly, but there is real love underneath that, so completely evident through it all. Even better, Damico doesn't neglect the supporting cast at all. In fact, by book three, there almost isn't a supporting cast because they're all so important to the plot and accomplishing what must be done. There's an ending for all of the characters you've come to love, whether happy or sad, and it's not just about Lex and Driggs, who I do ship something fierce by the way.

Since I'm not going to delve into any spoilers for the series, I'll keep this high level and relatively brief (for me anyway). The last thing I need to say is that Damico has guts. She steps outside of traditional YA lines and takes big risks. The stakes are high and she kills a lot of characters, with rather a Whedonesque flair. She gets the utmost respect from me for that. The series also abounds with twists, some of which I called and some which totally blindsided me, all combining to make a wholly engrossing and emotional reading experience.

Gina Damico's Croak series is officially ranked among my favorite books ever, and rereads in the future will be essential. As of this writing, Damico has another book deal for a book called Hellhole about a devil, and I'm already wondering who I have to do what to in order to be able to read that ASAP. So, friends, if you have a similar taste in humor, then you want this in your life. Trust me. If you don't trust me, why are you here?

Rating: 5/5

Favorite Quote: "'My undercarriage is a national treasure.'"

Giveaway:
Because I love this series so damn much, I'm giving away all of the books or however many you need to complete your collection. Winner's choice as to which books in the series you want, so that you can complete your collection or get it started!

a Rafflecopter giveaway

Review: Shadowcry

Shadowcry
Wintercraft, Book 1

Author: Jenna Burtenshaw
Pages: 320
Publisher: Greenwillow
Read: June 19-22, 2013
Source: Library

Description from Goodreads:
The Night of Souls—when the veil between the living and the dead is thinnest—is only days away.

Albion is at war . . . and losing.

The wardens have descended, kidnapping innocent citizens for their army, but looking for one in particular.

And fifteen-year-old Kate Winters has just raised a blackbird from the dead.

As her home is torn apart by the wardens, Kate's discovery that she is one of the Skilled—the rare people who can cross the veil between life and death—makes her the most hunted person in all of Albion. Only she can unlock the secrets of Wintercraft, the ancient book of dangerous knowledge. Captured and taken to the graveyard city of Fume—with its secret tunnels and underground villages, and where her own parents met their deaths ten years ago—Kate must harness her extraordinary powers to save herself, her country, and the two men she cares for most. And she'll make a pact with a murderer to do it.

Those who wish to see the dark, be ready to pay your price.

First Sentence: "At the southern edge of a moonlit city, a woman stood over an open grave."

Review:

Jenna Burtenshaw's Shadowcry has been on my radar for quite some time, ever since a friend read it and loved it. With a review copy of book three in hand, I've embarked on the full series, always a risky venture, yet one that I can't resist. Obviously, I have will power issues. Shadowcry stands unique from the bulk of young adult fiction, but, thus far, isn't the ideal read for me personally.

As I say over and over again, what really makes me interested in a book are the characters. Whether I love them or not, I almost always need to connect to them in some way, to feel that they're in some measure real to really get involved in the book. World building and writing for their own sake get me only so far. Shadowcry definitely focuses more on those aspects than on character, so I had a lot of trouble maintaining interest, even though, objectively, I can appreciate a lot of what Burtenshaw has done here.

Shadowcry starts dramatically with Kate and her uncle Artemis preparing to flee before the Wardens, the men who killed her mother and father, arrive in town. They do not make it out of the bookshop Artemis owns in time however. Blackbirds, the precursors to the Wardens, have arrived, pecking madly and dying on the streets. The scene is eerie and horrifying.

The Wardens are looking for the Skilled, people with the ability to bridge the veil, the space between life and death. If one of these dead birds is touched by someone Skilled, the bird will return to life. In the process of rescuing Ethan, who works for Artemis, from the barrage of dying birds, Kate touches one and it comes back to life in her hands. The blackbird flaps up the chimney, alerting Silas, the head collector of the Skilled to her existence.

Kate and Ethan are on the run, pursued by Silas. They don't know who to trust, and have no idea what they can do. The concept of the Skilled is fascinating, and I like the complex nature of Silas' character. He is not entirely good or evil, and not entirely human either. Kate is a great heroine, too, full of fire and strength. She never crumples in the face of adversity, and constantly tries to rescue Ethan and Artemis. There's a definite sense in the book that the female characters are the strongest ones and that's awesome. Also, I know some folks are really sick of books dominated by romance, so, just fyi, there's absolutely no romance in Shadowcry.

Despite all that good stuff, my main reaction to Shadowcry was boredom. Since there wasn't any focus on character development really, I just wasn't all that engaged. Before I can care much about the world or the dramatic events, I need to care about the characters.

So far, the Wintercraft series has not proved the ideal read for me. I do think Shadowcry is a good book, but just not what I was hoping for or what works for me personally.

Rating: 2/5

Favorite Quote: Didn't have one

Review: Fun Home

Fun Home: A Family Tragicomic

Author: Alison Bechdel
Pages: 232
Publisher: Houghton Mifflin Harcourt
Read: May 18, 2013
Source: Friend's library (since mine didn't have it)

Description from Goodreads:
A fresh and brilliantly told memoir from a cult favorite comic artist, marked by gothic twists, a family funeral home, sexual angst, and great books.

This breakout book by Alison Bechdel is a darkly funny family tale, pitch-perfectly illustrated with Bechdel's sweetly gothic drawings. Like Marjane Satrapi's Persepolis, it's a story exhilaratingly suited to graphic memoir form.

Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian home, a third-generation funeral home director, a high school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with his male students and a family babysitter. Through narrative that is alternately heartbreaking and fiercely funny, we are drawn into a daughter's complex yearning for her father. And yet, apart from assigned stints dusting caskets at the family-owned "fun home," as Alison and her brothers call it, the relationship achieves its most intimate expression through the shared code of books. When Alison comes out as homosexual herself in late adolescense, the denouement is swift, graphic -- and redemptive.

First Sentence: "Like many fathers, mine could occasionally be prevailed on for a spot of 'airplane.'"

Review:

Though this may not have been hugely apparent on my blog, overwhelmed as I am by review copies, I dearly love graphic novels and manga. In an effort to try to fit more of those in, my first selection was Fun Home by Alison Bechdel, an autobiography in graphic novel format. Someone on Twitter recommended this to me (Ceilidh of The Book Lantern, perhaps?), and I convinced my friend to ILL it from her library, since my local library charges for those. In Fun Home, Bechdel confronts her sexual journey and her lingering emotions about her father in a lavishly written, darkly humorous comic.

The title Fun Home comes from the fact that her father ran a funeral home, as well as working as a high school teacher. I could not help but be reminded of the show Six Feet Under, which does have some parallels to Bechdel's life experience, certainly in tone and themes, like homosexuality and a truly fucked up family.

Bechdel's identity as a lesbian woman is tied up with her thoughts of her father. She feels that her butch identity developed in contrast to his own sissy-ness; these words are her own and not mine, by the way. Her sexuality and his death will always be linked in her mind too, because of the circumstances of his demise, though the connection seems tenuous at best. This, though, is how the human mind works, implying causality and taking on guilt where none needs to exist, a negative side effect as seeing ourselves as the center of the universe.

Bechdel tells the story of her coming of age in the 1970s with a big emphasis on literary references. She's definitely appealing to a well-read and educated audience. Having not read Proust or Ulysses, there were numerous references I'm sure that I missed out on, and I imagine the constant use of comparison to literary figures would be frustrating for those unfamiliar with the texts mentioned. I really liked this technique, however, the way that Bechdel set herself apart from her own story and analyzed it like fiction. In fact, she even includes snippets from her diary and her father's letters, considering the hidden meaning within them precisely the way she was skeptical of doing with literature in her college English courses.

Bechdel's writing is gorgeous, complex and drenched in meaning. Both the pictures and the words combine to tell the story. Sometimes in graphic novels, the text takes a back seat to the images, but not here. That every word was carefully chosen is obvious. I just loved her writing and had to sit back and chew on some of the sentences, because they were just so beautiful.

Autobiographies and biographies have been one of those forms of writing I've never had much interest in, but Fun Home was fascinating, so I may have been too hasty to dismiss them. My friend who borrowed the book for me said Bechdel also wrote one about her mother, who's a secondary character here, so I'll have to check that out.

Rating: 4/5

Favorite Quote: "Sometimes, when things were going well, I think my father actually enjoyed having a family. Or, at least, the air of authenticity we lent to his exhibit. A sort of still life with children."

Sadie Hawkins Sunday Review #19: Death Watch

Death Watch
The Undertaken, Book 1

Author: Ari Berk
Pages: 544
Publisher: Simon & Schuster Books for Young Readers
Read: June 19-23, 2013
Source: Library
Recommended by: Kara of Great Imaginations

Description from Goodreads:
They say the dead should rest in peace. Not all the dead agree.One night, Silas Umber's father Amos doesn’t come home from work. Devastated, Silas learns that his father was no mere mortician but an Undertaker, charged with bringing The Peace to the dead trapped in the Shadowlands, the states of limbo binding spirits to earth. With Amos gone, Silas and his mother have no choice but to return to Lichport, the crumbling seaside town where Silas was born, and move in with Amos’s brother, Charles.

Even as Silas eagerly explores his father’s town and its many abandoned streets and overgrown cemeteries, he grows increasingly wary of his uncle. There is something not quite right going on in Charles Umber’s ornate, museum-like house—something, Silas is sure, that is connected to his father’s disappearance. When Silas’s search leads him to his father’s old office, he comes across a powerful artifact: the Death Watch, a four hundred year old Hadean clock that allows the owner to see the dead.

Death Watch in hand, Silas begins to unearth Lichport’s secret history—and discovers that he has taken on his father’s mantle as Lichport’s Undertaker. Now, Silas must embark on a dangerous path into the Shadowlands to embrace his destiny and discover the truth about his father—no matter the cost.

First Sentence: "He should have gone home."

Review:
Ari Berk's Death Watch is, without doubt, one of the most beautifully-written books I've had the pleasure of reading. His prose is lyrical, gothic, and drenched with meaning. The discussions of life, death, and family are thought-provoking and touching. For the prose alone, this book is a hundred percent worth reading. Berk has massive talent and, though I can't say this series, is perfect for me, I will be keeping an eye on his career.

The catalyst of Death Watch is the disappearance of Amos Umber, Silas' father. Silas and his mother are turned out of their home, for it belongs to his Uncle. With little recourse available to them, they agree to move back to Lichport, the hometown of both his parents and his own birthplace, to live with his Uncle. There, he must confront his father's disappearance and his destiny, and try to help Lichport in the process.

The world depicted in Death Watch feels both real and fantastical, modern and historical. Lichport feels like a place out of time, a town where the realm of the dead is closer than anywhere else. Ghosts roam the streets, inhabit houses, and attempt murders. Berk captures the eerieness perfectly, but also the magic. Ghosts are like people; they aren't all bad, and they come in all sorts of forms. In fact, some ghosts are even corporeal, lingering almost like zombies, simply unwilling to accept that they're dead. The world building is fantastic and rich, full of ghost lore. The family dynamics are like Lemony Snicket meets Hamlet, which basically means it's dark and messed up, but a bit fanciful. Actually, much of the story recalls Shakespeare or classic literature.

Where Death Watch came up short for me was in plotting and characterization. So far as the plot goes, I would have liked more of it. Death Watch is hefty at over 500 pages, and it felt long too. There's a lot of meandering to the plot, and, despite that, I felt like most of the actual plot elements were dealt with so swiftly as to be unsatisfying. Berk focuses more on the quiet reflection than on the active moments, like Silas having to separate from his ghostly girlfriend and the takedown of the villain.

Though I like Silas, I don't feel any strong emotions towards him, and I can't be bothered about anyone else in Death Watch. I felt a definite distance from him that never diminished. He also never really does much growing through the course of the book, and certainly the others don't. His troubled relationship with his mother is never really resolved or satisfactorily confronted. His brief courtship of the ghostly girl is told in such a way that it elicited no feels from me, though it is a tragic experience for him. He's a character I feel I should have liked, but the story focuses so much more on the writing and world building than on building up characters. Also, on a side note, this novel really doesn't strike me as young adult and, if anything, would fall more under the new adult umbrella, as Silas is over 18 and deals with issues of becoming an adult, like finding a profession and moving out of his parents' home.

Anyone who enjoys ghost stories or gothic literature will be doing themselves a disservice by not reading Death Watch.

Rating: 3/5

Favorite Quote:

"It was well past one a.m. and into that portion of evening where things went very quiet, as if the world was waiting for something to happen.
     But Silas was tired of living in a world where everyone and everything held its breath."

---

Up Next:

The next Sadie Hawkins Sunday book is Between the Devil and the Deep Blue Sea by April Genevieve Tucholke suggested by Ashleigh Paige of Birth of a New Witch. Thanks so much to Ashleigh for putting in a recommendation, even if I'm the black sheep on this one...

Want to tell me what to read? Fill out the following form with a suggestion! For more details, check this post.

Review: The Murmurings

The Murmurings

Author: Carly Anne West
Pages: 384
Publisher: Simon Pulse
Publication Date: March 5, 2013
Source: For review from Simon & Schuster via YA Books Central

Description from Goodreads:
A teen girl starts hearing the same voices that drove her sister to commit suicide in this creepy, suspenseful novel.

Everyone thinks Sophie’s sister, Nell, went crazy. After all, she heard strange voices that drove her to commit suicide. But Sophie doesn’t believe that Nell would take her own life, and she’s convinced that Nell’s doctor knows more than he’s letting on.

As Sophie starts to piece together Nell’s last days, every lead ends in a web of lies. And the deeper Sophie digs, the more danger she’s in—because now she’s hearing the same haunting whispers. Sophie’s starting to think she’s going crazy too. Or worse, that maybe she’s not….

First Sentence: "I'm supposed to wonder why Gregor Samsa is a cockroach."

Review:

It's pretty safe to say from the reviews that have already come out and from what my own expectations were that The Murmurings is not the book most readers will be expecting. The cover and the blurb suggest and incredibly eerie, horror-filled read, but that really isn't how West's debut is. In fact, The Murmurings is largely a slower-paced contemporary on the nature of insanity, with a bit of horror and paranormal towards the end.

The best part of The Murmurings is the writing. West achieves a sort of distance in Sophie's narration that perfectly suits her mental state and desire to keep herself apart from everyone. Below that frosty surface, you also get a sense of how open Sophie probably used to be. Both the contemplative and faster-paced scenes during the climax scenes are well-handled.

The concept of the murmurings creeps me out for sure. Sophie's sister Nell was put into a mental institution because she heard voices and saw weird things in the mirror. Nell ended up escaping with one of the orderlies, but then is found dead in a nearby town, hanging upside down. Sophie has started hearing the murmurs too, and Dr. Keller of Oakside, the mental hospital, keeps calling to talk to Sophie's mom. West sets up a seriously creepy concept and makes you curious to find out what's going on at Oakside.

The mental hospital has a sort of One Flew Over the Cuckoo's Nest Vibe. The workers are all horribly creepy and rude, obviously uninterested in the rehabilitation of the patients. They give out drugs to make the patients pliable and run painful experiments. It's like only Nurse Ratched works at this place. Other than the fact that it seems to be really easy for patients to sneak out of their rooms, the mental hospital was sufficiently creepy and upsetting.

Sadly, I feel like the paranormal elements could have been a bit better-explained. I'm still not entirely certain what was going on, especially why victims ended up hanging upside down in impossible positions. Creepy? Most definitely. However, it leaves me with a lot of questions. Of course, I suppose all of it could be in Sophie's mind as she sits, drugged, in the mental hospital...

If you're looking for a gruesome, terrifying, fast-paced read, you might want to look elsewhere, but, if you like atmospheric novels and can deal with a slower pace, I would recommend The Murmurings.

Rating: 3/5

Favorite Quote:

"He said there's a chance.
I say, What's the point?
He points to me."

Review: The Death of Bees

The Death of Bees

Author: Lisa O'Donnell
Pages: 336
Publisher: Harper
Source: Publisher via TLC Book Tours

Description from Goodreads:
A riveting, brilliantly written debut novel-a coming-of-age story with the strong voice and powerful resonance of Swamplandia! and The Secret Life of Bees-in which two young sisters attempt to hold the world at bay after the mysterious death of their parents.

Today is Christmas Eve. Today is my birthday. Today I am fifteen. Today I buried my parents in the backyard. Neither of them were beloved.

Marnie and her little sister Nelly are on their own now. Only they know what happened to their parents, Izzy and Gene, and they aren't telling. While life in Glasgow's Hazlehurst housing estate isn't grand, they do have each other. Besides, it's only one year until Marnie will be considered an adult and can legally take care of them both.

As the new year comes and goes, Lennie, the old man next door, realizes that his young neighbors are alone and need his help. Or does he need theirs? But he's not the only one who suspects something isn't right. Soon, the sisters' friends, their other neighbors, the authorities, and even Gene's nosy drug dealer begin to ask questions. As one lie leads to another, dark secrets about the girls' family surface, creating complications that threaten to tear them apart.

Written with fierce sympathy and beautiful precision, told in alternating voices, The Death of Bees is an enchanting, grimly comic tale of three lost souls who, unable to answer for themselves, can answer only for each other.

First Sentence: "Eugene Doyle. Born 19 June 1972. Died 17 December 2010, aged thirty-eight."

Review:

For those of you who don't know, I have a sizable obsession with British pop culture. When I signed up for the tour, I, admittedly, didn't know how British this book is, but when I figured that out, oh my, was I ever excited. As odd as this book is, I can compare it to a couple of things. To get The Death of Bees, combine the darker, more disturbing family elements of Shameless with the murder and hijinks of Keeping Mum. If you appreciate the sort of dark humour that Brits excel at, do not miss O'Donnell's brilliantly odd debut.

One of my very favorite narrative styles is multiple first person points of view, but finding one done correctly happens rarely. O'Donnell succeeds with her first novel. The Death of Bees rotates through three perspectives: the two sisters, Marnie and Nelly, and their neighbor, Lennie. Each one of them has a very distinct personality and thought pattern. Telling them apart is quite simple. The narratives are stream of consciousness, and, thus, occasionally quite strange, like the section in which Nelly is singing a song to herself. Though not generally a fan of stream of consciousness style writing, O'Donnell wields this method well.

Marnie and Nelly's parents are useless, on the dole and drug-addicted, the father abusive. When both parents die, in somewhat sketchy circumstances, Marnie and Nelly do the obvious thing: bury them in the background in the middle of winter. Well, actually, the ground's really hard and they got tired, so they just get Gene buried and leave Izzy in the shed for a while. They plant strong-smelling lavender atop Gene's grave, in an effort to cover the stench. Because they bury the body too shallowly, and the other not at all, the neighbor's dog keeps coming over and trying to find the bodies, a continual source of worry for the girls.

Many of the scenes in The Death of Bees, particularly early on, are of a fairly graphic nature. The body-disposal chapters will haunt me for quite a while. If you cannot handle descriptions of fluids and ickiness, this book may not be for you. This is comedy of the very darkest colour. The book also includes drug use, statutory rape, abuse, and probably some other touchy subjects I'm forgetting to list.

Marnie and Nelly were thinking when they buried their parents in the backyard; they did not want to be put into foster care, an inevitability, so better to pretend their parents are on a perpetual vacation. Lennie, their nosy but well-intentioned neighbor notices that they seem to be all alone. An old man living alone after the death of his lover and harassed because he was caught trying to solicit a male prostitute, Lennie desperately desires company, and he adopts the two girls, unofficially serving as guardian and grandfather to them. He gives them the first real parenting they've probably ever gotten.

Marnie is a brilliant girl, pulling straight As, despite the fact that she never does homework and runs with a bad crowd. She's a sassy one, a both entertaining and tragic figure. With all her life experience, it's very difficult to fathom that she's only fifteen. Her sister, Nelly, on the other hand, acts incredibly posh, an affectation she picked up who knows where. She plays the violin with great skill and looks lovely, but is clearly touched in the head. Though Marnie makes a lot of disastrously terrible life choices, Nelly's the one you really have to worry about, because there is some seriously crazy stuff happening in her mind.

O'Donnell's debut plumbs dark depths of humanity, showing both the best and worst of human interaction. This is an ideal read for those with a slightly morbid sense of humor.

Rating: 4/5

Favorite Quote: "My guidance teacher Mrs. MacLeod (middle-aged yah trying to do good among the peasants of Maryhill) said the only thing keeping me from the abyss of total delinquency is my gift for learning. Like Nelly I appear to possess qualities she believes to be wasted on a girl 'so utterly destructive in temperament'—she actually wrote that in my report—meaning I smoke and drink and have abortions, actually one abortion, but still, I have an A average that I maintain with little or no effort on my part and they despise me for it, mostly because they can't take credit for it; in other words intelligence should be the reward of the virginal nonsmokers of the world, not some morally corrupt teenager with dead junkies in her back garden."

Sadie Hawkins Sunday Review #3: Our Happy Hours

Watashitachi no Shiawase na Jikan
Alternate Title: Our Happy Hours

Author: Gong Ji-young
Illustrators: Sahara Mizu, Sumomo Yumeka
Volumes: 1
Source: Mangafox
Chosen by: Lynn

Description from Goodreads:
"I have something I don't want to lose"

"So much so that these terrible feelings have grown."

A pianist who attempted suicide 3 times, Juri, is taken to help her aunt at a prison where murderers who killed indiscriminately are sentenced to death. There, she meets a man named Yuu who took the lives of 3 people. A mother's antagonism--a brother's death... Together they embrace the violent rebellion in their hearts caused by the large, deep scars they carry. However, before long, they both embrace an earnest hope in their hearts. "I want to live"...

An adaptation of novel by South Korea's most popular female novelist, Gong Ji-Young.

Review:

You guys, I am so excited that Lynn put some manhwa on my to-read list for Sadie Hawkins Sunday. I love reading manga and manhwa, but I do not do it enough, because I mostly live from review copy to review copy. Also, this is totally a story I probably would have skipped left to my own devices, both because I'm not a fan of the cover art and because it sounds so depressing, and I'm still getting used to the idea I love depressing stories. Thanks, Lynn, for getting me to read something out of the usual, especially since I loved it!

Manhwa, for those who do not know, is the Korean equivalent of manga. Both manga and manhwa have a reputation for being melodramatic and crazy, which is perhaps rightly earned. I expected Our Happy Hours to fall into that category, but it is surprisingly melodrama-free. The subject is treated with the appropriate gravity, but nothing needless is added to up the emotional ante unnecessarily. The plot's not drawn out or over-complicated.

Juri tries to commit suicide for the third time. A former pianist, she now refuses to play and hates her mother, once a famous pianist. All Juri wants is to die, out of this life with untrustworthy people and nothing to live for. Her Aunt, the only good person in her life, is a nun, who works with death row inmates, trying to bring a bit of joy into their dreary lives while they went for the sentence to be carried out. She asks Juri to come speak with one of the inmates.

Unsurprisingly, Juri does not want to do so, but, given that she can do that or spend time in a mental institution, she agrees. Speaking with Yuu, a convicted murderer doomed to die, she opens up and is able to overcome her own mental blocks. She finds beauty in the world and connection. Though they come from completely opposite backgrounds (her: wealthy; him: a poor orphan, who had to prostitute himself), they have a lot in common and bond slowly. Their story is touching and tragic. Oh, the feels that I did not expect!

The writing, or at least the translation, was much stronger than usual, perhaps due to the fact that this is an adaptation of a novel. The art works quite well with the story, very shadowy. The conclusion does run a bit to the cheesy side, but everything else was perfect. Dark, emotional, and full of feels.

Rating: 4.5/5

---

Up Next:
The next Sadie Hawkins Sunday book will be Modelland by Tyra Banks. Thanks for that, Stephanie Sinclair! :-p

Want to tell me what to read? Fill out THIS FORM with a book suggestion! For more details, check this post.

Review + Giveaway: The Archived

The Archived
The Archived, Book 1

Author: Victoria Schwab
Pages: 336
Publisher: Hyperion Book CH
Publication Date: January 22, 2013
Source: Won

Description from Goodreads:
Imagine a place where the dead rest on shelves like books.

Each body has a story to tell, a life seen in pictures that only Librarians can read. The dead are called Histories, and the vast realm in which they rest is the Archive.

Da first brought Mackenzie Bishop here four years ago, when she was twelve years old, frightened but determined to prove herself. Now Da is dead, and Mac has grown into what he once was, a ruthless Keeper, tasked with stopping often-violent Histories from waking up and getting out. Because of her job, she lies to the people she loves, and she knows fear for what it is: a useful tool for staying alive.

Being a Keeper isn't just dangerous-it's a constant reminder of those Mac has lost. Da's death was hard enough, but now her little brother is gone too. Mac starts to wonder about the boundary between living and dying, sleeping and waking. In the Archive, the dead must never be disturbed. And yet, someone is deliberately altering Histories, erasing essential chapters. Unless Mac can piece together what remains, the Archive itself might crumble and fall.

In this haunting, richly imagined novel, Victoria Schwab reveals the thin lines between past and present, love and pain, trust and deceit, unbearable loss and hard-won redemption.

First Sentence: "The Narrows remind me of August nights in the South."

Review:

Sometimes a book can be perfectly well done, and unique, and clever, but still fail to work for a particular reader. I mean, I like The Archived, but I do not have hugely strong feelings for it. On some levels, I'm really not sure where the book lost me, but I'll try to explain as best I can. Keep in mind as you read that this is a good book, even if it's not as much of a "me" book as I expected.

The whole concept of the Archive makes me so curious. Even now I have a million questions about what's going on with that, which presumably are why there will be more books set in this universe. The Archive stores Histories, all of the memories and pasts of individuals in a container that looks like their body when they were alive. A whole organization keeps everything running smoothly. Librarians watch over the Histories and process new arrivals. Keepers return any Histories that have awakened. If a Histories do manage to get outside, the Crew catches them and returns them.

Mackenzie inherits her talent as a Keeper from her grandfather. Because of her devotion to her grandfather, she commits herself to the task wholeheartedly, even becoming the youngest Keeper ever. Being a Keeper requires Mackenzie to have fighting skills, and also means that she's not at all your average YA heroine so far as mindset goes. For one thing, she hates touching people or animals, because her powers can hear all the "noise" from their thoughts and feelings.

Cool as that is, some of the practicalities really concern me. Mackenzie spends a lot of time doing this, with seemingly no clue how long she is spending in the Narrows or the Archive at any given time. How does she deal with that during the school year? The Histories get rowdier the longer they're left untended, so she cannot just sit around and wait until school lets out to go. The book is set during summer break, but I really want to know how she will handle that in the next book.

Also, Keepers (and Crew) are not allowed to tell anyone about the Archive. In other words, her parents do not know. Despite both being there, her parents are surprisingly absent. They don't even seem like bad parents, but they never notice that their daughter is gone constantly. There role does not fit their characters and feels forced by necessity.

At times, it seems like the Archive is going to venture into a touching story of overcoming the grief of Mackenzie's brother's death. Instead, Ben is a plot point, an excuse for her to be constantly in the Archive and to make some stupid decisions. The novel would benefit from a larger focus on the issues in Mackenzie's life.

Speaking of Mackenzie's life, I would like her and the other characters a lot better if they really had lives. The characterization remains pretty static all the way through. All I know about Mackenzie is that she's a Keeper and that she misses her brother Ben. Wesley (aka Guyliner) is my favorite character, but the reader learns nothing about him aside from what a good friend and Keeper he is. The character with the most depth is actually the antagonist.

As a departure from the norm, one of the aspects of the novel I like best is the romance. First of all, romance is not front and center in the plot. There's some teasing banter between Mac and Wesley, but they're not all over each other, nor do they have a super romantic vibe. Mackenzie actually uses physical connection as an escape mechanism as she gets more stressed out, which is not something I've seen too much in YA fiction.

Schwab makes an odd narrative choice in The Archived. Interspersed throughout the current story are flashbacks to Mackenzie's Da (grandfather) training her to be a Keeper. That, in and of itself, is not weird. However, these sections are written with Mackenzie referring to Da as "you," so you read things like this: "You unbutton your cuffs and roll your sleeves up to the elbows as you speak, and I notice for the first time how many scars you have." They are also very confusing in the beginning, since it's unclear who she is referring to for a while. While this might work for some people, I was thrown out of the story every time I hit one of these snippets.

I will say, though, that the conclusion is pretty dang stunning. There's a lot of action, and I really like the way the Schwab took things there at the end. Of course, it didn't hurt that there were less flashbacks as the story went along, either, allowing the plot to really gain forward momentum. Schwab had me flipping pages with a swiftness to find out how things would go down there at the end.

Yet again, a three star review has come across really negative. Despite all of those criticisms, The  Archived held my interest and I am curious enough about the world I might even continue on in the series. All of my friends who have read this already REALLY liked it, so perhaps The Archived and I merely met at the wrong time.

Rating: 3/5

Favorite Quote:

"'Why can't I wake up?' she whispers. Her voice hitches.
     'Some dreams,' I say, 'are harder to shake.'"

---

Giveaway:
This ARC is really making the rounds, since I won it from The Bookaholic myself. Due to my overflowing shelves, I try to not to keep books unless I'm fairly certain I'll want to reread, so I'm going to pass my ARC along to one of you guys! US only, since I'm paying for the shipping. For all other rules, refer to Rafflecopter.
a Rafflecopter giveaway

Review: Me Before You

Me Before You

Author: Jojo Moyes
Pages: 384
Publisher: Pamela Dorman Books
Publication Date: December 31, 2012
Source: Unsolicited ARC for review

Description from Goodreads:
Lou Clark knows lots of things. She knows how many footsteps there are between the bus stop and home. She knows she likes working in The Buttered Bun tea shop and she knows she might not love her boyfriend Patrick.

What Lou doesn't know is she's about to lose her job or that knowing what's coming is what keeps her sane.

Will Traynor knows his motorcycle accident took away his desire to live. He knows everything feels very small and rather joyless now and he knows exactly how he's going to put a stop to that.

What Will doesn't know is that Lou is about to burst into his world in a riot of colour. And neither of them knows they're going to change the other for all time.

First Sentence: "When he emerges from the bathroom, she is awake, propped up against the pillows and flicking through the travel brochures that were beside his bed."

Review:

Jojo Moyes was not really on my radar. I'd seen her name a couple of places, memorable because of its uniqueness, but had not really marked her down as an author whose work I suspected I needed to experience. Still, when I got an unsolicited ARC in the mail, I determined to go ahead and read it, because it's British and has gotten overwhelming acclaim. In this case, I deem the buzz and all the positive reviews to be completely accurate.

The novel opens in 2007 with Will Traynor, successful, fabulously wealthy businessman, in a state of post-coital bliss with his model-gorgeous girlfriend. He just oozes privilege, self-satisfaction, luxury and hot sex, a woman's fantasy. Then he gets hit as he tries to get into a cab. This accident leaves him a quadruplegic, unable to control his body from the neck down, except for a small range of motion in one hand.

Moyes tells the story from the first person perspective, with a few exceptions, of Louisa, a 26-year-old woman who has just lost her beloved job working at a local cafe. She still lives with her parents, and the whole family desperately needs her income. With the recession, she has to try alternative careers and winds up getting a job as Will's caregiver, two years after his accident. Though they initially do not get along in the slightest, she becomes the person he can truly open up to and who can really make him feel alive.

Before I started, I admit I was skeptical of the subject matter. That sounds like it could so easily turn into a depressing tearjerker, and, much as I like depressing stories, I don't like them to be one note or more dramatic than they need to be. Moyes manages to confront this story without straying into melodrama. She depicts both the hardships of Will's state and also the moments of beauty. I never felt like she added in an extra bit of sadness just to pull on the reader's heartstrings more. Everything felt purposeful and essential to the story, with no needless tragedy added.

Now, do not get me wrong, this book will probably make you cry, because it sure as hell made me squeeze out a few tears, and I rarely cry at books. I almost made it through without crying, but Moyes got me in the end. The situation really is just incredibly heartbreaking. The relationship between Will and Louisa reminded me a bit of The Secret Garden, and how Mary was just what Colin needed, even though she lacked medical knowledge. I wished so hard for Will, like Colin, to be healed through hard work and magic.

Will and Louisa have such vibrant personalities. I did not initially warm to either of them, but they became increasingly more dear to me as I read. In different ways, both of them are failing to really live when they first meet and help one another open up to new experiences. From mutual hatred, they ever so slowly carve out a rapport and eventually come to care about one another so very deeply. Their connection is one of the mind, not of the body. I really didn't think that Moyes could make me root for such an impossible love, but she really, really did.

Moyes brings up a lot of dark subjects, really considering the ethics and options of a person in Will's condition. She does not preach in the slightest, leaving conclusions to be drawn by the reader. I imagine this would make a marvelous book for a book club, because there is much to be discussed. Moyes delves into what really makes life worth living and how much one can accomplish when trapped in a largely useless body.

My only reservation about Me Before You is an odd storytelling device Moyes used. While the bulk of the novel is from Louisa's perspective, she includes one chapter each from the perspective of another character: Will's parents, his other caregiver in charge of his medical well-being, and Louisa's sister. While I can appreciate the skill in crafting these, since these first person snippets did have a unique feel for each character, they did not add to the story in any meaningful way. The information I glean from them does not add anything I had not already gotten or could not have gotten from Louisa.

For those of you who like books that make you cry and think, Jojo Moyes' Me Before You is a must-read. Moyes has a bunch of other books out already, and I can only hope they'll break my heart like this one did.

Rating: 4.5/5

Favorite Quote: "Now he was just Will—maddening, mercurial, clever, funny Will—who patronized me and liked to play Professor Higgins to my Eliza Doolittle. His body was just part of the whole package, a thing to be dealt with, at intervals, before we got back to talking. It had become, I supposed, the least interesting part of him."

Review: Moonglass

Moonglass

Author: Jessi Kirby
Pages: 232
Publisher: Simon & Schuster Books for Young Readers
Source: Library

Description from Goodreads:
From Jessi Kirby, a debut novel about confronting the past in order to move ahead.

I read once that water is a symbol for emotions. And for a while now, I've thought maybe my mother drowned in both.

Anna's life is upended when her father accepts a job transfer the summer before her junior year. It's bad enough that she has to leave her friends and her life behind, but her dad is moving them to the beach where her parents first met and fell in love- a place awash in memories that Anna would just as soon leave under the surface.

While life on the beach is pretty great, with ocean views and one adorable lifeguard in particular, there are also family secrets that were buried along the shore years ago. And the ebb and flow of the ocean's tide means that nothing- not the sea glass that she collects on the sand and not the truths behind Anna's mother's death- stays buried forever.

First Sentence: "Rain and wind pelted the ocean's surface so hard it looked like it was boiling."

Review:

Having recently accepted the startling fact that I love depressing contemporary novels, I have begun to work on a huge backlist of titles I've missed out on because I looked at the subject and scurried in the other direction. Having heard great things about Jessi Kirby's books, I added her to my tbr pile, and my crazy system of choosing reads told me that it was time. Right now, I want to pat my crazy rituals on the back for choosing such a good book for me to read.

Actually, based on the cover, I feared that Moonglass might be cheesy, but it was actually true, touching and oddly magical. Kirby's writing caught me right away, like a rip tide catches a swimmer, only perhaps not so menacing. Her prose has this natural beauty to it, and she describes the settings perfectly. Her author blurb at the back informed me that she actually lives in the same sort of place she wrote about and her love for the ocean, the cottages, and walking on the beach really shine through.

The book also has a sort of dreamy quality to it, and not just because a few of Anna's dreams are sprinkled through the text in italics. Most any scene in nature had this eerie, ethereal, slightly magical quality, and it set the tone so well. Some authors transport the reader to a place, and Kirby certainly does that. Though I'm not a visual reader, I could picture the settings vividly, because of how well Kirby describes everything.

In another thrilling turn of events, Moonglass turned out to be less about romance, as implied by the cover, and more about family. Anna's mother died when she was seven, and she and her father never really talk about it, which has come to bother Anna more and more, especially now that they're moving back to where her parents met. Now, do not take away from this that we have another neglected child, because we don't. Anna's dad loves her, both in words and actions. He can be a bit overprotective, sure, but what loving dad isn't? Even better, though they have rough patches, Anna and her dad really talk and they hang out together regularly, like at the weekly Poke-N-Eat dinners.

The characters all felt very real to me, and their relationships felt very natural. Anna, adventurous but reserved, does not make friends particularly easily. On her first day, a girl she expects to hate (the kind with a little dog in an oversized purse) approaches her and basically insists on them being friends and coerces Anna into joining the cross country team. Ashley has tons of money, is a bit of a ditz, and has nothing in common with Anna. She's the kind of person I generally despise, but, like Anna, I could not help being charmed by her good heart and generosity. For example, Anna lies to her about her mother, because she hates the pity when people know her mom died, and, usually when that happens in YA, the friend storms off in a huff, but Ashley immediately accepts it and moves into helping mode. Ashley's not the brightest about most things, but she's a genius about people.

Of course, there is a romance, but a very sweet, understated one. There are no declarations of love and it has all the awkwardness of a high school crush. Other than the fact that Anna gets the hottest guy in school, the romance felt very much not tropey. Actually, not only are their no "I love yous," but Anna and Tyler really don't profess their feelings at all. They're totally in the awkward what-are-we phase for all of the book, which totally happens in real life but I haven't really seen much in fiction. They have a lot of awkward silences, but they're definitely growing closer to one another slowly. I enjoyed this, particularly with it on the back burner.

Kirby tackles a dark subject but surrounds it with so much beauty that I think Moonglass will satisfy both readers of darker and lighter contemporary novels. This was just such a lovely, flowing novel. Now I'm off to add all of Kirby's other books to my tbr list.

Rating: 4/5

Favorite Quote: "'Anna,' she said softly, 'answers to most of our questions do exist. You just have to ask them.'"

Review: Paper Valentine

Paper Valentine

Author: Brenna Yovanoff
Pages: 368
Publisher: Razorbill
Publication Date: January 8, 2013
Source: Publisher for review

Description from Goodreads:
The city of Ludlow is gripped by the hottest July on record. The asphalt is melting, the birds are dying, petty crime is on the rise, and someone in Hannah Wagnor’s peaceful suburban community is killing girls.

For Hannah, the summer is a complicated one. Her best friend Lillian died six months ago, and Hannah just wants her life to go back to normal. But how can things be normal when Lillian’s ghost is haunting her bedroom, pushing her to investigate the mysterious string of murders? Hannah’s just trying to understand why her friend self-destructed, and where she fits now that Lillian isn’t there to save her a place among the social elite. And she must stop thinking about Finny Boone, the big, enigmatic delinquent whose main hobbies seem to include petty larceny and surprising acts of kindness.

With the entire city in a panic, Hannah soon finds herself drawn into a world of ghost girls and horrifying secrets. She realizes that only by confronting the Valentine Killer will she be able move on with her life—and it’s up to her to put together the pieces before he strikes again.

Paper Valentine is a hauntingly poetic tale of love and death by the New York Times bestselling author of The Replacement and The Space Between.

First Sentence: "My sister, Ariel, is sprawled upside down on the couch, pointing with the TV remote."

Review:
When I went to ALA in 2010, one of the numerous ARCs I picked up and took home, in a haze of disbelief that people would want to give me free books just because I was in training to be a librarian, was Yovanoff's debut novel The Replacement. The Penguin publicist I spoke to hyped it big time, I think because it was part of their Breathless Reads collection. Something I've learned about myself since is that I don't tend to be a huge fan of the most-hyped books put into those collections, though they do tend to do very well, they just are not my thing. Such was the case with The Replacement, which showed promise in the gothic tone and writing, but mostly fell flat. When I was sent a review copy of Paper Valentine, I really did not get that excited, but I did resolve to give Yovanoff another try, and I am so glad that I did, because she has grown a lot as a writer since her debut novel.

Ever since Lillian's death from anorexia, Hannah has been haunted by her best friend. Not by the memory of Lillian, no, but by her ghost. Lillian follows her around, giving her advice or criticizing her behavior, or both at the same time. Only Hannah can see Lillian, and, after six months of this, Hannah's pretty resigned to it, even though it can be an inconvenience and having ghost Lillian around isn't the same as having the real Lillian there.

Paper Valentine follows a lot of different plot lines, weaving them together expertly into a powerful novel. The first arc deals with friendship, with peer pressure, and with self-acceptance. Hannah and Lillian were incredibly close, best friends forever. They were also the most popular girls in school, making their own style and setting the trends. With Lillian gone, stuck with the rest of their group, now dominated by Angelie, Hannah's coming to realize that, much as she loved her, Lillian wasn't a very nice person all the time and that she could be a bad influence on Hannah. Watching Hannah come into her own as a person, both accepting the parts of herself wholly unlike Hannah and incorporating a bit of Hannah's advice made me so glad for her. Hannah needed a bit of Lillian's gumption, enough that she could tell off Angelie for being horrible and rude, but also needed to be Hannah-enough to not get too hung up on being popular.

Family, though a more minor thread certainly, still plays a crucial role in Paper Valentine. The parents are mostly absent, though the mother does ground Hannah for sneaking out and insist on meeting a boy before Hannah can go out with him. The relationship being dissected here is that of the two sisters, Hannah and Ariel. Though Ariel annoys her, understandably so, the two clearly have so much love for one another. Hannah can see how much Ariel tries to protect her and gets what Hannah is going through more than their mother and step-father do. I found their relationship touching, and loved that there was much more focus upon it than usual.

The book gets much creepier than just Lillian's ghost, however. Girls are being murdered, left in the park, heads bashed in, surrounded by the trappings of childhood, toys and candy. Next to each body is a paper heart. Needless to say Hannah will become wrapped up in the murders. Yovanoff does suspense and eerie settings very well, and there were some scenes that straight up freaked me out. What made Paper Valentine special, though, was how Hannah reacts when she finds herself in danger: she uses her brain and does not just collapse into a weeping heap waiting to be rescued. Unlike some heroines, she doesn't spend her doom-filled moments thinking of how much she loves some boy, but of ways to escape and of her sister and her dead best friend. As with when she fought back against bossy Angelie, Hannah held her own and refused to be cowed, and that just made me respect her and root for her so much.

Admittedly, I was quite skeptical of the romance at first, because I feared it was going straight down stereotype highway. See, Hannah has a secret crush on one of the bad boys. When we first see him, he's wearing a wife beater, even. He dyes his hair white-blonde with Clorox, has tattoos, and a missing pinkie. Early on, he shoplifts. I mean, not really swoon material. He never really does become the kind of guy I would swoon over, but Yovanoff makes him work, and I totally ended up shipping Hannah and Finny, who made me think a bit of Hanna and Caleb from Pretty Little Liars. Also, their romance reminded me a bit of Pushing the Limits too, only with less focus on romance, no pet names, and a murder mystery.

Yovanoff gives the reader a little bit of everything, and, after my lackluster first experience, I now plan to read The Space Between, her second novel, as well as whatever she has coming next. What a wonderful lesson in the importance of not writing an author off based on one book, especially a debut, because they have so much room to grow.

Rating: 4/5

Favorite Quote: "'It doesn't matter what you say,' she whispers. The words are icy, but her voice sounds almost sad, like she knows that whatever happens next is going to hurt. 'They're not going to believe you. No one ever believes teenage girls about things like whether or not the guy they're running around with is a killer. No one ever treats us like we know what we're talking about.'"

Review: Catalyst

Catalyst

Author: Laurie Halse Anderson
Pages: 232
Publisher: Speak
Source: Own

Description from Goodreads:
Meet Kate Malone-straight-A science and math geek, minister's daughter, ace long-distance runner, new girlfriend (to Mitchell "Early Decision Harvard" Pangborn III), unwilling family caretaker, and emotional avoidance champion. Kate manages her life by organizing it as logically as the periodic table. She can handle it all-or so she thinks. Then, things change as suddenly as a string of chemical reactions; first, the Malones' neighbors get burned out of their own home and move in. Kate has to share her room with her nemesis, Teri Litch, and Teri's little brother. The days are ticking down and she's still waiting to hear from the only college she applied to: MIT. Kate feels that her life is spinning out of her control-and then, something happens that truly blows it all apart. Set in the same community as the remarkable Speak, Catalyst is a novel that will change the way you look at the world.

First Sentence: "I like to run at night."

Review:

After my last read, not to be confused with my last review, I needed something powerful and beautiful and character-driven. Catalyst turned out to be a perfect choice. Until now, my experience with Laurie Halse Anderson consisted solely of Speak. At that time, I didn't really read much realistic fiction, and I mostly steered away from unhappy books. As such, I really was not sure what to make of it, and could not appreciate it as much as I know I could now. Having read and super liked Catalyst, I'm pretty sure I need to reread Speak soon.

Speaking of Speak (which is published by Speak), Catalyst actually takes place in the very same high school, and Melinda makes a brief appearance. The Melinda here seems pretty happy and is still doing her art. Yay! Of course, she was only in for a page, but, hey, it was nice to see her and to get the sense that she's actually recovered. I really love when authors reference previous works.

Laurie Halse Anderson's writing makes me want to spin around Julie Andrews style because of how freaking wonderful it is. Seriously, if I had to quantify my favorite writing style, it would be one that is dark, funny, and dripping with wit. Her writing here fits in perfectly with John Green's and A.S. King's, in the category of writing so good that it kind of makes me never want to write anything, since I can never be that good at putting things into words.

Of course, Anderson does not merely excel at writing. She backs it up with characterization. Kate Malone bursts with personality. She has both teenage hubris and insecurity in spades. Her voice is powerful and acerbic. A pastor's daughter, she has developed a dichotomy within herself of how she's supposed to act and all the things she wants to say: Good Kate and Bad Kate. While this technique can be awful when done wrong, Anderson used it effectively. It just fit Kate and her rigorous need to be perfect warring with her judgmental personality.

Kate loves math and science, dreams of attending MIT, her late mother's alma mater. She's done everything she can: earned the grades, taken the tests, filled her life with extracurriculars, excelled at a sport, volunteered at her father's church, and worked part-time at a pharmacy. She's a shoe-in, right? Well, she told herself that anyway when she decided to apply only to MIT and nowhere else...even when she wasn't accepted early decision.

With the letter, hopefully the fat one, from MIT due any day, Kate cannot sleep, spending most of every night running or performing household chores. The own stresses in her life are put into perspective by a larger tragedy that forces her into a relationship with her childhood tormenter, Teri Litch. The main detractor in the novel was that I felt like Kate forgave Teri much too easily and let her get away with too much. The whole time I kept yelling at her to get the watch and necklace (both with sentimental value) Teri stole from her back.

Another wonderful thing about this book: the romance. Unlike most YA, it's not about Kate's relationship, nor does it include a new love interest. She already has a boy, Mitchell, her former rival, who she argues with a lot less now that they spend quite a bit of time kissing. Also setting this book apart, Mitchell is not the kind of guy most girls would find attractive, but Kate still thinks he's hot, which was so cute and refreshing. Their relationship definitely reads like one that will not last long once they go to college, and it was so much more authentic than all of these soulmates confessing their love on a first date.

While I do think some of the plotting elements were a bit rushed, I loved this book for the characterization, the writing and for completely surprising me. Seriously, there was a twist I did not see coming at all. Anyway, Anderson is brilliant, in case you didn't know that already.

Rating: 4/5

Favorite Quote: "One girl I recognize. She's half-famous around here: Melinda Something. A Senior tried to rape her in a janitor's closet last year. She fought him off and pressed charges, which was cool. It made the papers when he was found guilty. He didn't go to jail, of course. White, upper-middle-class criminals go to the state college, not the state penitentiary. Then they join fraternities."