Sadie Hawkins Sunday Review #32: The Unbecoming of Mara Dyer

The Unbecoming of Mara Dyer
Mara Dyer, Book 1

Author: Michelle Hodkin
Pages: 452
Publisher: Simon & Schuster Books for Young Readers
Read: August 28-September 2, 2013
Source: Won ARC and yeah oops
Recommended by: Aly of My Heart Hearts Books

Description from Goodreads:
Mara Dyer doesn’t think life can get any stranger than waking up in a hospital with no memory of how she got there.
It can.

She believes there must be more to the accident she can’t remember that killed her friends and left her mysteriously unharmed.
There is.

She doesn’t believe that after everything she’s been through, she can fall in love.
She’s wrong.

First Sentence: "The ornate script on the board twisted in the candlelight, making the letters and numbers dance in my head."

Review:
Going into The Unbecoming of Mara Dyer, I had some expectations but also no real idea what the book was actually about. It's an odd thing, diving into a book that pretty much everyone you know has already read. Though readers at large loved Hodkin's debut, the bulk of my friends, as evidenced by ratings on Goodreads, did not like this book at all. For much of the book, I could definitely see myself going the same way, but then the twist happened and I've got to say that I'm curious and really eager to read the next book.

Before you get mad at me, do not even try to tell me that saying there's a twist in this book is a spoiler. It's about a girl who waked up in a hospital with no memory of her friends dying and herself being trapped when a building collapsed. Obviously, that is a book that is all about surprising you with spoilers. You should expect this.

As is the case with many books that use this basic framework, The Unbecoming of Mara Dyer is a bit slow and awkward at the beginning. Much of the book, you're really just waiting for answers and a reason to care. Thankfully, I found one, with the seriously creepy twist about which I want to know so much more. I wish I could say more about that, but then it would be a spoiler.

Many readers were upset by the relationship dynamics between Mara and Noah, but it really wasn't as bad as I was expecting. Noah does run to the English, fantastically wealthy and overprotective stereotype, true, but I don't feel like he forces Mara into anything that truly matters. He does initially seem too interested in her, but there are reasons for that explained later. In a lot of ways, Mara's the more powerful person in the relationship and Noah's the nice one once he opens up a bit. I wouldn't say that I ship them, really, but I don't want to strangle Noah either.

The characterization in Mara Dyer is rocky. Obviously, Mara's not in a healthy mental place at any point in the novel, as she suffers from PTSD after her friends' deaths. Plus, she's hallucinating and generally not sure of anything. It's not a good place from which to get to know her true character. Pretty much the only thing I know and really like about her is that she likes to protect animals, but even that seems somewhat inconsistent. Noah, too, doesn't ever really jump off the page. He's interesting, but seems somewhat contradictory at various points throughout the book. I also, because I'm me, really loathe the fact that he smokes, which seems like an incredibly unnecessary thing to add and only romanticizes a filthy habit. Oh, also, he needs to stop attacking every guy who says anything flirty to Mara. While it can be attractive for a guy to have the strength to defend you, it's certainly not hot to assume you require that protection and starting shit over minor incidents will really only endanger the girl than protect her in the long run.

My favorite character doesn't get a whole lot of screen time, but I hope he comes back in the next two books. Jamie Roth is hilarious and one of the only people in the school not to subscribe to the social hierarchy accepted at their pretentious private school. Plus, he's bisexual AND a POC (as I believe Mara is as well, actually). He's by far the most interesting character in the book and I only wish it was more about him.

Like the characterization, I think the writing is a bit clunky. The transitions, especially, were off somehow, with inconsistent switches between memories, dreams and the present. Much of the dialog felt stilted. The writing as whole was pretty decent, but Hodkin has quite a bit of room to develop her prose. This being her debut, I don't think it's a bad showing.

I'm really all over the place with this book, but what it comes down to is that I'm captivated by the plot and have to know where it's going. I'm not sure why it worked more for me than others, except perhaps a certain weakness for particular plots.

Rating: 3/5

Favorite Quote:

"'Your level of neuroses would only find love in a made-for-TV movie.'"

---

Up Next:

The next Sadie Hawkins Sunday book will be Across a Star-Swept Sea by Diana Peterfreund! I've enjoyed all of Peterfreund's books that I've read so far, so hopefully this one will go well too!

Want to tell me what to read? Fill out the following form with a suggestion! For more details, check this post.

Review: The Year of Shadows

The Year of Shadows

Author: Claire Legrand
Pages: 416
Publisher: Simon & Schuster Books for Young Readers
Publication Date: August 27, 2013
Read: August 11-14, 2013
Source: ARC from YA Books Central

Description from Goodreads:
Olivia Stellatella is having a rough year.

Her mother left, her neglectful father -- the maestro of a failing orchestra -- has moved her and her grandmother into his dark, broken-down concert hall to save money, and her only friend is Igor, an ornery stray cat.

Just when she thinks life couldn’t get any weirder, she meets four ghosts who haunt the hall. They need Olivia’s help -- if the hall is torn down, they’ll be stuck as ghosts forever, never able to move on.

Olivia has to do the impossible for her shadowy new friends: Save the concert hall. But helping the dead has powerful consequences for the living . . . and soon it’s not just the concert hall that needs saving.

First Sentence: "The year the ghosts came started like this."

Review:

First up, the disclaimer: yes, I know Claire Legrand and she's awesome, but that did not influence my opinion of the book in any way. Yadda, yadda, yadda. Though I've had Claire's debut novel, The Cavendish Home for Boys and Girls for over a year now, I've not managed to work it into my schedule, so I'm glad I've finally gotten to try her writing. Also, I'm pleased to say that I like her writing. Hurrah! Claire Legrand has written a beautiful, occasionally creepy story about a grumpy young girl who learns how to open up her heart and enjoy life again.

My second favorite aspect of The Year of Shadows is definitely the heroine. Olivia Stellatella is a delight, but which I mean she is a seriously grouchy, cynical kid. She may be young, but her life has been hard and it's getting more difficult by the time. First, her mom abandoned her, then her dad got completely caught up in trying to save the orchestra for which he conducts, and now her family (Olivia, The Maestro (Dad, though she never calls him that because he made mom leave), and Nonnie (grandma)) has moved into the concert hall, living in two little rooms and making do with the makeshift kitchen. Olivia hates that she's had to move here, worries that they won't have enough food to eat, and shops at the thrift shop. Even worse, she knows that, if the orchestra's ticket sales do not improve, it's done after this season, meaning they'll be even worse off because of The Economy. In other words, if this were a movie, Olivia would be played by either a young Winona Ryder or Christina Ricci.

Actually, that comparison is pretty accurate too. Much as I try to resist going too crazy with comparing books to other books or movies, I can't resist this time. There are a lot of parallels to Casper but with some of the creepiness of Beetlejuice, but, of course, with some magic totally unique to Legrand's vision. The ghosts are by turns horrifying and friendly. The shades pretty much reside in Creeptown, USA and Legrand's Limbo is haunting.

Now, let's go back. Remember how I mentioned that Olivia was my second favorite? Well, my favorite is Igor. He's this cat who adopts Olivia, though she might tell you it happened the other way round. Olivia fancies that he speaks to her, and imagines that his voice sounds very like Cary Grant. Igor's such a cat, with his helpful suggestions like this one: "I know what will make you feel better. Petting me. Better yet, asking for permission to pet me" (211). How can anyone not love a cat that just might talk like Cary Grant? Also, I credit Igor with getting the kids through everything and teaching Olivia how to love. He convinces her to give people another shot and nudges her in the right direction with his knowing cat ways.

Another aspect I adore is the music. In Claire Legrand's bio, it says that she "was a musician until she couldn't stop thinking about the stories in her head." Her love of music really shines in The Year of Shadows. Her descriptions of letting music wash over you are lyrical and moving. The dynamics of the band too are so apt, especially the depiction of the trumpet player. It's wonderful when authors can work in some of their real life passions, because that emotion seeps into those sections in a way that really shows.

The ghost story element is well done, especially for the intended audience. With each ghost, there's a little miniature story arc full of action and adventure, followed by a scavenger hunt of sorts, and what kid will not be all over that? I did have some minor quibbles with the way some of the logic worked, but, for the most part, I was able to sit back and enjoy the story.

Themes of family and friendship are also highly prevalent in The Year of Shadows. Though I think a lot of the right notes are struck here, I don't think they're held quite long enough or played with enough emotion. Legrand does a nice job establishing the friendship with Henry and Olivia, but their lunch table friend Joan comes and goes as is convenient in the story. Similarly, Henry never comes to any sort of realization about his bullying friend, though it seemed like that would be one of the impending plot points. With family too, resolutions seemed a bit too smooth and sudden, with the awkward moments skipped or glossed over. This might be a plus for younger readers, but I was hoping for those emotional wallops. Also, we're sort of left hanging on what's going to happen to Olivia next, and I'm wondering if she's going to be okay.

Claire Legrand's sophomore novel features lovely writing, both sassy and creepy ghosts, and a heartwarming tale of learning to let people in. The Year of Shadows is an excellent read for middle grade readers and for older readers who enjoy new twists on ghost mythologies.

Rating: 3.5/5

Favorite Quote: "The things that make you the most you can do that. When everything else is zoomy and hazy and doesn't make sense, you at least have that. Your hobbies. Your dreams. You at least have your sketches, or your trumpet-playing, or your homework in its neat, color-coded folders labeled HENRY PAGE, SEVENTH GRADER."

Review + Giveaway: Pretty When She Dies

Pretty When She Dies
Pretty When She Dies, Book 1

Author: Rhiannon Frater
Pages: 238
Publisher: Createspace
Read: July 28-29, 2013
Source: Digital copy from Xpresso Book Tours
Purchase: Amazon

Description from Goodreads:
Amaliya wakes under the forest floor, disoriented, famished and confused. She digs out of the shallow grave and realizes she is hungry...

... in a new, horrific, unimaginable way...

Sating her great hunger, she discovers that she is now a vampire, the bloodthirsty creature of legend. She has no choice but to flee from her old life and travels across Texas. Her new hunger spurs her to leave a wake of death and blood behind her as she struggles with her new nature.

All the while, her creator is watching. He is ancient, he is powerful, and what's worse is that he's a necromancer. He has the power to force the dead to do his bidding. Amaliya realizes she is but a pawn in a twisted game, and her only hope for survival is to seek out one of her own kind.

But if Amaliya finds another vampire, will it mean her salvation... or her death?

First Sentence: "When she began to stir from her deep slumber, she had no idea she was buried under several feet of moist, dark earth."

Review:

Though this is technically my second Rhiannon Frater novel, it's my first pure experience, since the first novel I read she coauthored with Kody Boye. Though The Midnight Spell was a cute, fun read, I was looking forward to the dark, creepy novels Giselle of Xpresso Reads made me so curious about when she fangirled all over them. With Pretty When She Dies, I got just what I was hoping for: a dark, sexy, creepy, comic read.

Pretty When She Dies opens with a bang as Amaliya digs herself out of her grave. Covered in dirt and weirdly hungry, she stumbles into her dorm room to take a shower. Once clean, she heads out in search of food, passing up a lone student for something more that she senses. More turns out to be a secret frat house orgy, where Amaliya proceeds to murder thirteen students, after which she has sex with her maker. Whoa, right?

Amaliya, though, isn't really like that usually. She sort of is, in that she does love sex and she's not opposed to killing as a vampire. However, she actually loathes her maker, who raped and killed her, but she didn't remember that in the haze of being newly awoken. She hardly knew who she was at that point. In case the circumstances of her transition to vampirehood were not enough of a clue, turns out that her maker, Professer Sumner, is actually one of the most powerful vampires ever and a freaking sadist. This girl has fantastic luck.

While not really breaking any new ground with vampire lore, Frater does what she does well. The vampires aren't sweet and innocent, though they can love. They murder. They're violent and powerful. Pretty When She Dies is gory and has plenty of sexual content. Actually, it's got a fairly similar vibe to True Blood, what with being set in the south (Texas, rather than Louisiana) and about intense, sexy vamps.

Of course, there's a romance, which, for me, was the weak part. It was pretty hot, actually, but the infidelity and the fact that the couple "falls in love" in less than a week is disappointing. Now, I'm going to be totally honest and say that the infidelity didn't bother me as much as it should have, because Cian's fiancée Samantha is really annoying. She's basically like Sookie, convinced she's made the vampire Bill or Eric into a sweet fluffy human, when along comes Amaliya to prove that's not true. However, Cian and Amaliya thinking they're in love so fast? Blergh. Seems like they've both lived enough to know the difference between lust and love.

The supporting cast is delightful and brings a lot of humor into Pretty When She Dies. Though I hated Samantha when she was with Cian, she starts to be hilarious when she teams up with local vampire hunter, Jeff; she makes all sorts of Buffy comparisons, which amused me greatly. Plus, I freaking adore Amaliya's cousin, Sergio, and grandmother, Innocente. As Amaliya says, "you shouldn't fuck with little Mexican grandmas," and boy is she right. Innocente is fantastic, and totally my favorite character. Not only is Amaliya a powerful female character, but Innocente is as well, and Samantha even shows some promise.

Rhiannon Frater's vampires harken back to the classic vampire lore. Dark, comic and sexy, I highly recommend Pretty When She Dies to anyone looking for a quick, fun read that's still not tired of vampire stories.

Rating: 3.5/5

Favorite Quote: "'I think happily ever after is bullshit.'"

Giveaway:
As part of the tour, I can ofter up ebooks of the first three books in the Pretty When She Dies series! Just fill out the Rafflecopter to enter. This giveaway is international! If you want to enter to win the grand prize giveaway with jewelry, go here.
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Review: A Darkness Strange and Lovely

A Darkness Strange and Lovely
Something Strange and Deadly, Book 2

Author: Susan Dennard
Pages: 416
Publisher: HarperTeen
Publication Date: July 23, 2013
Read: July 11
Source: Gifted - thanks, Jamie!!!

Description from Goodreads:
Following an all-out battle with the walking Dead, the Spirit Hunters have fled Philadelphia, leaving Eleanor alone to cope with the devastating aftermath. But there’s more trouble ahead—the evil necromancer Marcus has returned, and his diabolical advances have Eleanor escaping to Paris to seek the help of Joseph, Jie, and the infuriatingly handsome Daniel once again. When she arrives, however, she finds a whole new darkness lurking in this City of Light. As harrowing events unfold, Eleanor is forced to make a deadly decision that will mean life or death for everyone.

First Sentence: "When Jie's letter came in the mail, I was so elated I forgot I had no hand."

Review:

I have been waiting for A Darkness Strange and Lovely since the moment I finished Something Strange and Deadly Susan Dennard captured my heart and my imagination in her debut, so I was eager to see what she would do with the next book. Happily, there is no second book syndrome here and ADSaL has all the elements that made SSaD such a delight.

Without a doubt, it's the narrative voice that makes Dennard's series stand out from the pack of paranormal offerings. Eleanor is so many things: clever, silly, practical, powerful, self-conscious, and infuriating. Her voice rings so clearly through this first person narrative, and she really doesn't sound like anyone but herself. Even when she's at her most irritating, when she digs herself a whole of lies so deep she can't see out because she's afraid no one will accept her, she's still her kooky, charming self. Also, the girl can eat, and I suspect she's a bit chunkier than the usual YA heroine, which is just another reason to love her.

Dennard really steps out of the box with Eleanor. She's no stereotype. She speaks her mind, eats anything she can get her hands on, and has far more power than her companions. In fact, her power scares everyone but herself. Actually, scratch that; it scares Eleanor a bit too. In the face of the most extraordinary circumstances, Eleanor is the kind of person who never stops trying, even when she only has one hand or everyone has turned their backs on her. Though she makes some really stupid choices, I still have so much respect and friendship in my heart for Eleanor.

The plot this time comes with a bit less zombie mayhem, and a bit more mystery. Eleanor sets off to join the Spirit Hunters in Paris, where a Marquis is hosting them. Paris is beset by les Morts, and the Spirit Hunters have yet to figure out who has been sacrificing people and raising their corpses. Dennard does a good job throwing out a red herring, and making things a little bit twisty without it being overwhelming.

Props, too, on romance remaining on the back burner, slowly simmering, but not to the boil stage yet. Though it's a good one, I think the time to unfold is necessary and will only make the moment when Daniel and Eleanor officially get together that much sweeter. Both of them still have some growing to do, and I like that Dennard gives them that time, rather than rushing them into some super intense forever love.

Dennard adds a couple of new cast members, most notably Laure and Oliver. Eleanor meets both on her passage to France, and I think I like them. They're definitely both interesting figures, and I want to know more about them. Clearly, Laure's going to be important in the third book, but, for now, there was a lot of time spent on her that doesn't seem to have accomplished much. Oliver's pretty awesome, and I like the dynamic he adds to the group, the tension. I am also thrilled that Oliver is not another love interest for Eleanor.

Readers who enjoyed Something Strange and Deadly will likely be pleased with Susan Dennard's sequel. Also, the moment ADSaL concludes, you're going to want book three something fierce, because it is going to be epic.

Rating: 4/5

Favorite Quote:

"'Do you want to know what my phantom hand is good for, Daniel?'
     'Please,' he said with a sneer.
     'This.' I slapped him across the cheek, so hard that even with my glove, the blow flamed up my arm."

Sadie Hawkins Sunday Review #15: Imaginary Girls

Imaginary Girls

Author: Nova Ren Suma
Pages: 348
Publisher: Dutton Juvenile
Read: May 20-June 2, 2013
Source: Library
Recommended by: Jenni of Alluring Reads

Description from Goodreads:
Chloe's older sister, Ruby, is the girl everyone looks to and longs for, who can't be captured or caged. When a night with Ruby's friends goes horribly wrong and Chloe discovers the dead body of her classmate London Hayes left floating in the reservoir, Chloe is sent away from town and away from Ruby.

But Ruby will do anything to get her sister back, and when Chloe returns to town two years later, deadly surprises await. As Chloe flirts with the truth that Ruby has hidden deeply away, the fragile line between life and death is redrawn by the complex bonds of sisterhood.

With palpable drama and delicious craft, Nova Ren Suma bursts onto the YA scene with the story that everyone will be talking about.

First Sentence: "Ruby said I'd never drown—not in deep ocean, not by shipwreck, not even by falling drunk into someone's bottomless backyard pool."

Review:
Nova Ren Suma has been on my absolutely-must-read list since her debut, but I've only just gotten around to reading one of her books. With any new author so beloved in the blogosphere, there's the fear that the books won't live up to the hype. Well, Nova Ren Suma did. Imaginary Girls wasn't what I expected, but it was so much better than that. Suma's debut is a gloriously dark magical realism mindfuck of a novel that kept me curious through every page.

On the surface, Imaginary Girls is a contemporary mystery, the story of two sisters, relatively calm and placid, like the surface of a reservoir. Underneath those waters, though, is another story, a whole town of issues, buried beneath the waters. Suma plumbs these depths, leaving the reader questioning what is real and what is insanity. Imaginary Girls walks the line between realistic fiction, magical realism and flat-out paranormal in such a way that I'm still not sure precisely how I should categorize it.

Chloe, the narrator, is hardly the heroine of her own story. She lives in the orbit of her older sister, Ruby, like everyone else in their town. Ruby is a sun, and everyone within the pull of her personality moves according to her whims. All the boys want her, all the girls want to be her, and she will never love anyone as much as she loves Chloe. Whatever Ruby wants, Ruby gets; no one can deny her anything, so long as they remain in their little town. Everything else is like our world, but Ruby exerts a pull that is truly out of this world.

When Ruby orders Chloe to swim across the reservoir and back at night, and to dive down at the center to grab a souvenir from Olive, the town underwater, Chloe does it. She believes Ruby's assertions that she can do it; Ruby will protect her from anything, absolutely anything. As she swims, cold water and fear engulf her, the sounds of the partiers watching her attempt this feat quieting behind her. Just when she feels she can't swim anymore, she encounters a boat with a dead girl inside, London, a girl from her class.

After this, her father, different from Ruby's, takes her away with him, away from Ruby's influence and their alcoholic mother, away from the reservoir, away from the tragedy. Ruby comes for her, though, finally, two years later. When Chloe arrives back in town, she learns something surprising: London's there and alive. Everyone says she swam across the reservoir that night and that London had gone away to rehab, not that she died. Needless to say, the mystery deepens.

Of course, Chloe could just be crazy, her mind splintering from the tragic events of that night. As in Ian McEwen's Atonement, this whole story could be some sort of creation of her own mind to explain what happened that night or her delusional dream in the institution where she's living out her life. In no way do I think Chloe's a reliable narrator, which adds layers to the already complicated narrative. Nothing is ever certain, which leaves the reader thinking and desperate to unravel the truth.

Suma's writing style is one that I would not ordinarily love, but it worked perfectly for this tale. There's a poetic element to it, and a sort of watery uncertainty, as through the truth is a moving target, bobbing on the ripples. The entirety of Imaginary Girls is dreamy and thought-provoking. Also, dark. Suma does not shy away from drug use, sex, violence, or other tough topics.

At its core, Imaginary Girls focuses on the relationship between Ruby and Chloe. The love between the two is powerful, but also a burden. It's so rare to find YA that focuses on sisterhood over romance, but Suma barely touches on romance. Boys matter so much less to both Ruby and Chloe than sisterhood does.

On a lot of levels, I'm still not sure what went down in this novel and that's really the beauty of it. If you liked your novels wrapped up in a bow with a moral and clear resolution, Imaginary Girls is not the read for you. However, if you love to open your mind up to new ideas and the puzzle of trying to figure out a mindfuck, go read this ASAP.

Rating: 4/5

Favorite Quote:

"She had two children who, since we had the same father, carried half my blood in their veins, just like Ruby did, the exact same amount, though I didn't feel connected to them in any real way.
     They were like any two people I might pass in the halls at school. One boy, one girl. You see them and wave. Maybe you have on the same color sweater and you're like, 'Hey. look. We're wearing the same color sweater.' But there's nothing else to be said beyond that, so you each keep moving. You know you'd barely give it a thought is you never see them again.
     This is how I know blood is meaningless; family connections are a lot like old gum—you don't have to keep chewing. You can always spit it out and stick it under the table. You can walk away.
     Ruby was my sister, but she was so much more than that."

---

Up Next:

The next Sadie Hawkins Sunday book will be The Summer Garden by Paullina Simons, after which I'll be finished with that series. Woo! Finishing a series doesn't happen every day. :) The series as a whole was suggested by Lisa V. Thanks, Lisa!

Want to tell me what to read? Fill out the following form with a suggestion! For more details, check this post.

Review: Invisibility

Invisibility

Author: Andrea Cremer & David Levithan
Pages: 358
Publisher: Philomel
Publication Date: May 7, 2013
Source: Publisher for review

Description from Goodreads:
Stephen has been invisible for practically his whole life — because of a curse his grandfather, a powerful cursecaster, bestowed on Stephen’s mother before Stephen was born. So when Elizabeth moves to Stephen’s NYC apartment building from Minnesota, no one is more surprised than he is that she can see him. A budding romance ensues, and when Stephen confides in Elizabeth about his predicament, the two of them decide to dive headfirst into the secret world of cursecasters and spellseekers to figure out a way to break the curse. But things don’t go as planned, especially when Stephen’s grandfather arrives in town, taking his anger out on everyone he sees. In the end, Elizabeth and Stephen must decide how big of a sacrifice they’re willing to make for Stephen to become visible — because the answer could mean the difference between life and death. At least for Elizabeth.

First Sentence: "I was born invisible."

Review:

Oh, expectations, you turncoats. Always there when I start out, and off who the fuck knows where as I suffer through an uninspired book. Before you start telling me I shouldn't have finished this book, believe me, I know that was an option. However, by the time I was sure I wouldn't like it, I was too far into the book to DNF. Once I've read twenty percent or so, it's happening, and that's all there is to it. Invisibility isn't necessarily a bad book, but it's certainly not what I was hoping for, and will likely only please those who have not yet tired of the standard paranormal romance formula and tropes. Warning: this review will contain some spoilers.

My mistake, and I will admit it was mine alone, was that I assumed Invisibility would be something like Levithan's Every Day. Admittedly, I have yet to read that book, but the premise blows my mind, and, based on friends' reviews and recommendation, I will love it. In that book, I understand that Levithan takes a sort of metaphysical and philosophical look at a unique way of existing, and uses that to reflect on sexuality and love. With Invisibility, I hoped for something similar. What I wanted was the tale of an invisible boy, born that way for no rhyme or reason, and how he comes to find meaning in his existence. Again, this was solely my mental creation. If you had similar hopes, quash them, because Invisibility is just a paranormal romance of magic and curses.

This is why I'm honest.

To give Cremer and Levithan their dues, the world building for the magic is unique, if strange. They did at least expend the effort to come up with something a bit out of the box. The curses, especially, are very cool, and some of them legitimately freaked me out, so that was well done. Unfortunately, their hearts weren't in that aspect of the book, so the world is uncovered and explained through a series of chapter-long infodumps. The teens go to an adult, ask for information, and receive and infodump. Then they go to another adult and repeat the process. It's a dulling way to receive information.

All of that could easily have been saved with well-done characters, though, since characters are where my true love lies as a reader anyway. Sadly, Stephen and Elizabeth are static, with no motivations except the ones given to them by their romance. Elizabeth does have a second motivation in protecting her mother and brother, but, when push comes to shove, she always chooses Stephen over them, so that hardly counts to me.

When two authors team up to write a novel in dual perspectives, I generally assume that they both take a perspective to write. Thus, I'm excited to read books composed in this way, because I love dual perspective done well, and it should be so easy for two separate authors to create two distinct perspectives. Somehow, though, I found that I had a lot of trouble distinguishing whether I was reading an Elizabeth chapter or a Stephen chapter until one of their names was said.

Perhaps, though, Elizabeth and Stephen are so indistinguishable because they lack individual interests and personalities. Very little effort is expended to make them feel like real people. Stephen, for example, has been on his own since his mother's death, but he apparently does nothing but order food to eat, angst, and people-watch. Though he has absolutely no one to talk to, he has no solitary hobbies to do while alone in his apartment. Um, Stephen, may I suggest the internet? I'm in my home alone right now, but, if I break from writing this review, I can go on Twitter and talk to any number of friends. Though no one can see him, he could make a network on the internet, where no one can see your physical form anyway, unless you choose to share a photo. Or, Stephen, how about reading? No wonder he's so miserable, since he doesn't ever do anything.

Then there's Elizabeth, who Cremer and Levithan really tried to make cool and nerdy. Her dream in life is to be a comic book writer and illustrator, both because doing just one is lame to her. Awesome, right? I should totally love this girl. And yet. For all her supposed love of comics, her interest in comic books has been added solely as a plot device by which she can realize her own special powers, which she has been secretly using to create the world in her comic book. When her brother, Laurie, introduces her to another comic book fan, she shows no interest in ever talking to him about them. When the group ends up going several times to a really bitching comic book shop with tons of special editions, Elizabeth never once stops to peruse the selection. Yeah, she's dealing with some serious stuff, but there is no universe where I would be able to walk through a bookstore without noting titles as I walked through or trailing my fingers along the spines. Don't try to connect to nerds with such a shallow attempt, because we do see through that.

The only characters I liked and cared about at all were Laurie, Elizabeth's brother, and Sean, a boy in the building Laurie is crushing on. After her parents' divorce, their mother moved the three of them to New York City to escape homophobia so severe that Laurie was hospitalized with multiple broken bones. The father basically blamed Laurie for provoking the attack, so the dad's obviously scum. Briefly, Laurie is a real plot point with a burgeoning romance, but we never get to find out how that's going for him, and he becomes just a pawn to be manipulated by the bad guy. Even then, Laurie's still more useful than Stephen. Laurie gets shit done.

Worst of all is the romance. First off, we have the invisible, personality-less boy and the pretending-to-be-a-nerd girl. Shock of shocks, she is the only person in the whole wide world who can see him! They touch and feel things. Their connection is made of magic and wondrousness and they fall in love in an unclear amount of time. However, their romance cannot have gone on for long, since she's still a ways from school starting and summer is not that long. Hello, instalove.

It gets better, though! Without establishing any real emotional connection between these two, which would be difficult, since they don't actually have personalities, they declare their love and begin arguing about who gets to die for the other one. Is anyone else sick of reading books about teens who are desperate to sacrifice themselves for someone they've only known for a month? Going back to what I mentioned earlier, Elizabeth is already willing to save Stephen's life over that of her brother's when forced to choose, though, obviously, she'll manage to save both. No, bitch, your brother comes first, not the invisible kid you've known for a month or less. Also, and here's where things really crossed the line, Cremer and Levithan never offer a convincing excuse for why Laurie can see Stephen, since her own powers don't explain shit. It was a convenient way to make them feel like they must have some mystical connection.

The ending did manage to surprise me just a bit, so I will give some credit for that. Cremer and Levithan didn't go for the obvious, easy ending that I'd predicted, so I will applaud them for finally stepping outside of the box, though I would have been grateful if it had happened 340 pages sooner.

If paranormal romances relying heavily on baseless instalove still work for you, by all means procure a copy of Invisibility. If, on the other hand, you were hoping for something deep and meaningful along the lines of Levithan's Every Day, you might want to spare yourself the disappointment. For some samples of the writing and further insights, you can check my status updates on Goodreads, which include a sampling of quotes.

Rating: 2/5

Favorite Quote: "'Lovebirds?' Laurie interjects. 'Can we put off the mating call for a sex? Methinks we have some bigger issues on the table.'"

Sadie Hawkins Sunday Review #10: The Essence

The Essence
The Pledge, Book 2

Author: Kimberly Derting
Pages: 352
Publisher: Margaret K. McElderry
Source: Library
Recommended by: Blythe of Finding Bliss in Books

Description from Goodreads:
At the luminous conclusion of The Pledge, Charlaina defeated the tyrant Sabara and took her place as Queen of Ludania. But Charlie knows that Sabara has not disappeared: The evil queen’s Essence is fused to Charlie’s psyche, ready to arise at the first sign of weakness.

Charlie is not weak, but she’s being pushed to the brink. In addition to suppressing the ever-present influence of Sabara, she’s busy being queen—and battling a growing resistance determined to return Ludania to its discriminatory caste system. Charlie wants to be the same girl Max loves, who Brook trusts, but she’s Your Majesty now, and she feels torn in two.

As Charlie journeys to an annual summit to meet with leaders of nearby Queendoms—an event where her ability to understand all languages will be the utmost asset—she is faced with the ultimate betrayal. And the only person she can turn to for help is the evil soul residing within.

Previous Book in Series:
1: The Pledge

First Sentence: "He approached respectfully, cautiously."

Review:
As anyone who has read my review of The Pledge knows, I was not a big fan. I had absolutely no intention of reading the sequel, but such are the joys of the Sadie Hawkins feature. Blythe wanted me to read this, so here we are. On the plus side, I didn't dislike The Essence the way I did The Pledge, largely due to the decrease in romance, but I still don't think this series is particularly impressive.

One part of The Essence is super cool, and that is Charlie's relationship to the queen she displaced. At the end of The Pledge, Charlie took over from Sabara, but, in so doing, Sabara's essence became part of Charlie. Now, Charlie can here Sabara's voice in her head, and dreams Sabara's memories. In moments of weakness, Sabara can even assume control of Charlie's body for brief periods of time and sway Charlie's emotions.

The interplay between Charlie and Sabara is fascinating, and it's the sort of mindfuckery that I appreciate greatly. Charlie can never be entirely trusted, and her feelings can be hard to separate from Sabara's. I like, too, that Sabara becomes a bit more complex and sympathetic here than she was before, as Charlie dives into her memories. Similarly, Charlie becomes more interesting as Sabara's presence in her mind starts pushing her into a crazy, evil direction. Charlie's character arc reminds me of Anakin slowly sliding into Darth Vader, which is awesome.

What made me dislike The Pledge so was the pathetic, illogical world building (which is still weak) and the romance, which is nauseating. Thankfully, Sabara messes with some of the fairy tale perfection of Charlie's relationship with Max. Even better, they're hardly together during the course of the book. The few romance scenes that do transpire are pretty cheesy and eyeroll-inducing, but are kept to a minimum.

For the most part, though, the awesome mind stuff aside, there's really not a whole lot that happens in this book, other than Charlie being an utterly crap queen. Though I admire Charlie's goal of removing the punishing social hierarchy, she does so in a really stupid way: all at once. Nor does she have the infrastructure prepared to deal with backlash. Surprise, things don't go well. She spends the whole book ineffectually running from an assassin and trying to avoid having to go to her queen lessons. Despite skipping her lessons and remembering the few she attended, she is praised by everyone, except the ones who want to kill her, for her marvelous queenship. She's just speshul that way.

The perspective largely follows Charlie in first person, but does switch to a couple of other characters in third person limited. I'm rarely a fan of this technique, and this is no exception. The reason she's done this is because Brooklynn, Charlie's friend and the head of her guard, split up for much of the novel. Still, I find some of the perspective-hopping entirely needless. For example, there was one scene from the perspective of the mole in the guard, intended to add tension, but that could have been conveyed just as effectively by someone finding the body. I'm a firm believer in not hopping into a perspective just once, and, if she needed both Brooklyn's and Charlie's, going with first person on both would seem a wiser choice.

All told, I wouldn't say this was a terrible book, but I still really can't personally recommend this series, because there's so much better out there to be read. A resounding meh to The Essence.

Rating: 2.5/5

Favorite Quote: "'Oh, Charlie, when will you realize: We've never matched. It's what makes us perfect for each other.'"

---

Up Next:

The next Sadie Hawkins Sunday book will be Sever by Lauren DeStefano, selected by someone who wishes to remain anonymous. I know who you are though, and you know the expression on my face.

Want to tell me what to read? Fill out THIS FORM with a book suggestion! For more details, check this post.

Review: The Rising

The Rising
Darkness Rising, Book 3

Author: Kelley Armstrong
Pages: 406
Publisher: Harper
Source: YA Books Central for review

Description from Goodreads:
Things are getting desperate for Maya and her friends. Hunted by the powerful St. Clouds and now a rival Cabal as well, they're quickly running out of places to hide. And with the whole world thinking they died in a helicopter crash, it's not like they can just go to the authorities for help.

All they have is the name and number of someone who might be able to give them a few answers. Answers to why they're so valuable, and why their supernatural powers are getting more and more out of control.

But Maya is unprepared for the truths that await her. And now, like it or not, she'll have to face down some demons from her past if she ever hopes to move on with her life. Because Maya can't keep running forever.

Old secrets are revealed and unexpected characters make a surprising return in this stunning conclusion to Kelley Armstrong's New York Times bestselling Darkness Rising trilogy.

Previous Books in Series:
1: The Gathering
2: The Calling

First Sentence: "I was running through the forest."

Review:

As ever, Kelley Armstrong delivers an entertaining, fast-paced, paranormal novel. With The Rising, Armstrong wraps up the Darkness Rising trilogy, though likely not her young adult tales set in this universe. The Rising brims with actions and tough decisions for the teenage characters. This review is spoiler-free for the series.

Yet again, I'm really grateful to find romance not the central element of this series. Armstrong focuses primarily on the group dynamics and world building, instead. In The Rising, Maya and her friends face their biggest challenge yet: trying to escape to cabals. The stakes are very high, and Armstrong takes a pretty unique direction with it compared to a lot of evil corporation stories. The characters all have shades of grey to their natures, and it lends a dose of realism to the supernatural story.

Almost all of the characters in the Darkness Rising series are at least somewhat sympathetic and likable. Bad guys aren't always all bad, and the good guys have their dark sides. Maya is a powerful heroine, who takes care of herself and her friends, clearly the leader of their little pack. Daniel and Rafe, the two love interests, are both decent guys, strong and devoted to their friends. Sam, perhaps my personal favorite, is sarcastic and a bit mean, but the kind of person a group needs to have around to get things done. Hayley may be blonde, but there's more to her. Corey's the clown, around to lighten the mood in the tough moments. In addition to those guys, the Darkness Rising series also joins up with the Darkest Powers series, with the main characters of that series making an appearance.

While there is a love triangle, Armstrong does a nice job with it. Only at the very end is it completely certain which guy Maya will choose, for one thing. Even better, Maya never leads anyone on. She reacts honestly and openly to those around her, and never claims to love both guys equally. When she finds herself in that situation, she takes the time to think things through and make an informed decision.

The Rising does flag a bit towards the end, changing in both tone and pacing. It felt as though Armstrong realized she needed to wrap things up, and did so as quickly as possible. There's a bit more telling through that section, and my mind wandered a bit. Still, I do like where the series left off fairly well, and do want to know more about the characters and the world.

Though the Darkness Rising series is complete, readers have not seen the last of these kids and their world, and I am very glad of that. Kelley Armstrong is the author of consistently enjoyable novels, and I recommend them to anyone who enjoys paranormal stories full of action and a bit of romance.

Rating: 3.5/5

Favorite Quote: "She obviously didn't take his crap. Still, it would drive me crazy, constantly needing to remind my boyfriend that I could handle myself just fine."

Review: Siege and Storm

Siege and Storm
The Grisha, Book 2

Author: Leigh Bardugo
Pages: 448
Publisher: Henry Holt and Co.
Publication Date: June 4, 2013
Source: Publisher for review

Description from Goodreads:
Darkness never dies.

Hunted across the True Sea, haunted by the lives she took on the Fold, Alina must try to make a life with Mal in an unfamiliar land, all while keeping her identity as the Sun Summoner a secret. But she can't outrun her past or her destiny for long.

The Darkling has emerged from the Shadow Fold with a terrifying new power and a dangerous plan that will test the very boundaries of the natural world. With the help of a notorious privateer, Alina returns to the country she abandoned, determined to fight the forces gathering against Ravka. But as her power grows, Alina slips deeper into the Darkling's game of forbidden magic, and farther away from Mal. Somehow, she will have to choose between her country, her power, and the love she always thought would guide her--or risk losing everything to the oncoming storm.

Prior Book in Series:
1: Shadow and Bone

First Sentence: "The boy and girl had once dreamed of ships, long ago, before they'd ever seen the True Sea."

Review:

Shadow and Bone was one of my favorite reads of 2012, which means that I approached Siege and Storm with a combination of trepidation and flailing excitement. With time, I couldn't remember the specifics of what made Shadow and Bone such a good read for me, read nearly a year ago, during my trip to New York for BEA. Now I remember: Leigh Bardugo's writing is freaking outstanding in every respect.

Where Shadow and Bone followed much more typical fantasy plot lines, Leigh Bardugo really goes her own way in Siege and Storm. Generally, I have a fair sense for where a series is headed in the end, even if I don't know precisely the steps along the way. In Siege and Storm, I never knew where the characters would go next or where they would end up in the end, but whenever anything happened, I felt this rightness, and gaped slackjawed at the book, impressed yet again with Bardugo's ideas.

Siege and Storm picks up where Shadow and Bone left off, with Mal and Alina on the run, trying to escape Ravka and the reach of the Darkling. To the surprise of no one, they do not get very far away before the Darkling appears, much to the excitement of fangirls everywhere. The Darkling has a plan: to find another amplifier for Alina, since Morozova's amplifiers can be worn together. Thus, they set off on a ship captained by a dashing privateer (aka a classy pirate) to hunt an ice dragon. I expected this to be a huge portion of the plot, but it ends fairly quickly, which I was sad about for approximately half a page, but then even cooler things happened. But, to find out what, you're going to have to read the book for yourself.

Now, when I read Shadow and Bone, I proudly proclaimed myself a big fan of the Darkling, never having forgiven Mal for his early behavior and not finding his chemistry with Alina nearly as captivating. Well, I have changed my allegiance. My favorite guy is now Sturmhond. You may be thinking, Bardugo added ANOTHER love interest? So lame and unnecessary! I understand if you are, but stop thinking that right now. Sturmhond, the privateer, is one of my favorite literary characters, and totally knocked the Darkling from my affections in one fell swoop. He has the swagger and humor of Captain Jack Sparrow, combined with a sober, calculating intellect. Every single line of his is perfection, either hilarious, swoon-inducing, or cleverly changing the subject. My love for him knows no bounds.

Alina continues to be an intriguing main character, alternatingly weak and drunk on power. When she doesn't use her powers, she's weak, wan and insecure, living in Mal's shadow. Almost more than fighting the Darkling or political factions, Alina battles herself. The amplifier and the connection to the Darkling have changed her from the girl she used to be, putting her sanity and her relationship with Mal potentially in jeopardy. The more she comes into her power of light, the more the darkness within her stands out in sharp relief. The choices she has to make are tough ones, and she has no ideal options.

Bardugo cements herself as a writing talent in Siege and Storm. Her plotting, writing and characters are all excellent, and the story moves along at a swift pace. Ruin and Rising, which is the perfect title for the third book by the way, is poised to be the strongest, most heartbreaking book in the trilogy, and I need it in my life as soon as possible.

Rating: 4.5/5

Favorite Quote: "'Tell me, priest,' I ordered, 'or I'll cut you open right here, and your followers can try to pray you back together.'"

Review: The Calling

The Calling
Darkness Rising, Book 2

Author: Kelley Armstrong
Pages: 326
Publisher: Harper
Source: YA Books Central for review

Description from Goodreads:
Maya Delaney's paw-print birthmark is the mark of what she truly is -a skin-walker. She can run faster, climb higher, and see better than nearly everyone else. Experiencing intense connections with the animals that roam the woods outside her home, Maya knows it's only a matter of time before she's able to Shift and become one of them. And she believes there may be others in her small town with surprising talents.

Now Maya and her friends have been forced to flee from their homes during a forest fire they suspect was deliberately set. Then they're kidnapped, and after a chilling helicopter crash, they find themselves in the Vancouver Island wilderness with nothing but their extraordinary abilities to help them get back home.

In THE CALLING, the sizzling second book in the Darkness Rising trilogy, New York Times bestselling author Kelley Armstrong pumps up the romance, danger, and suspense that left readers of THE GATHERING clamoring for more.

Previous Book in Series:
1: The Gathering

First Sentence: "I don't know who was more anxious—Daniel or Kenjii—but they weren't making this emergency helicopter evacuation any easier."

Review:

While I wouldn't necessarily rank Kelley Armstrong as one of my favorite authors, she is one author whose books I do always look forward to reading. They're just so much fun from beginning to end, with action and romance and humor. They're like Cheez-Its or potato chips, super tasty snack food that you just have to have and cannot get enough of. The Calling has pretty much convinced me that I like the Darkness Rising series even better than the Darkest Powers trilogy which preceded it, due to the awesome characters and constant action.

It's been about two years since I read The Gathering, so I was really afraid I would remember enough to be parse what was going on, but Armstrong does a nice job refreshing everything, so, while there are some things I don't remember, I've got what I need to know. So, if it's been some time since you read book one, no worries!

The Calling starts with a bang, as the book picks up where The Gathering left off, with the kids (Maya, Daniel, Rafe, Sam, Nicole, Hayley, and Corey) having just been rescued from a forest fire along with the mayor. Things quickly go from bad to worse, as the mayor collapses and suspicion turns to the helicopter pilot who's rescuing them and flying them in the wrong direction. They manage to subdue the helicopter pilot, but that, unfortunately, means no one's flying the helicopter, though they do have enough skill between them to not totally crash it. Until the helicopter pilot wakes up and does it for them. That opening scene is insanely action-packed. Can you say hooked?

Anyway, they mostly survive, but now they have to Hatchet their way through the wilderness while trying to avoid the supposed rescuers out to capture them and do who knows what to them. Meanwhile, they're dealing with the reality of the fact that they all appear to have paranormal powers of some sort and wondering whether they can all really trust each other. I won't go into any details on that stuff, because you should enjoy the drama for yourself. I will say, though, that the romantic element is kept very minor in this book, which I thought was a nice respite from the whole love triangle thing.

Though The Calling was a complete and total blast to read, there were some elements of the plot that felt manufactured and overly convenient. Basically, they're running around and being chased at all turns, and they keep dropping off one at a time, sort of like And Then There Were None. Also, they were strangely mature about everything; every team member acknowledged that the survival of the group was worth the sacrifice of the one, and they were all eager to be sacrifices. This seemed a little ridiculous to me, especially given that some of them weren't even great friends. There's also a scene where Maya has this great idea to get into a truck with this creepy guy, bringing Sam with her. Yeah, she has a plan, but he's so obviously a freaking bad guy and the whole thing just made me headdesk.

Despite those drawbacks, The Calling is an awesome read, and I could hardly put it down. Even better, I love the way the ending set up The Rising, and I am very excited to read that one next.

Rating: 3.5/5

Favorite Quote: "I'd always thought of myself as an open-minded person. I had no patience with anyone who put down other kids because of their race, religion, or sexuality. But that's just one kind of open-mindedness. There's another kind, too, the kind that's willing to see people for who they really are and admit when you're wrong about them. That's the part I still had to work on."

Review: The Murmurings

The Murmurings

Author: Carly Anne West
Pages: 384
Publisher: Simon Pulse
Publication Date: March 5, 2013
Source: For review from Simon & Schuster via YA Books Central

Description from Goodreads:
A teen girl starts hearing the same voices that drove her sister to commit suicide in this creepy, suspenseful novel.

Everyone thinks Sophie’s sister, Nell, went crazy. After all, she heard strange voices that drove her to commit suicide. But Sophie doesn’t believe that Nell would take her own life, and she’s convinced that Nell’s doctor knows more than he’s letting on.

As Sophie starts to piece together Nell’s last days, every lead ends in a web of lies. And the deeper Sophie digs, the more danger she’s in—because now she’s hearing the same haunting whispers. Sophie’s starting to think she’s going crazy too. Or worse, that maybe she’s not….

First Sentence: "I'm supposed to wonder why Gregor Samsa is a cockroach."

Review:

It's pretty safe to say from the reviews that have already come out and from what my own expectations were that The Murmurings is not the book most readers will be expecting. The cover and the blurb suggest and incredibly eerie, horror-filled read, but that really isn't how West's debut is. In fact, The Murmurings is largely a slower-paced contemporary on the nature of insanity, with a bit of horror and paranormal towards the end.

The best part of The Murmurings is the writing. West achieves a sort of distance in Sophie's narration that perfectly suits her mental state and desire to keep herself apart from everyone. Below that frosty surface, you also get a sense of how open Sophie probably used to be. Both the contemplative and faster-paced scenes during the climax scenes are well-handled.

The concept of the murmurings creeps me out for sure. Sophie's sister Nell was put into a mental institution because she heard voices and saw weird things in the mirror. Nell ended up escaping with one of the orderlies, but then is found dead in a nearby town, hanging upside down. Sophie has started hearing the murmurs too, and Dr. Keller of Oakside, the mental hospital, keeps calling to talk to Sophie's mom. West sets up a seriously creepy concept and makes you curious to find out what's going on at Oakside.

The mental hospital has a sort of One Flew Over the Cuckoo's Nest Vibe. The workers are all horribly creepy and rude, obviously uninterested in the rehabilitation of the patients. They give out drugs to make the patients pliable and run painful experiments. It's like only Nurse Ratched works at this place. Other than the fact that it seems to be really easy for patients to sneak out of their rooms, the mental hospital was sufficiently creepy and upsetting.

Sadly, I feel like the paranormal elements could have been a bit better-explained. I'm still not entirely certain what was going on, especially why victims ended up hanging upside down in impossible positions. Creepy? Most definitely. However, it leaves me with a lot of questions. Of course, I suppose all of it could be in Sophie's mind as she sits, drugged, in the mental hospital...

If you're looking for a gruesome, terrifying, fast-paced read, you might want to look elsewhere, but, if you like atmospheric novels and can deal with a slower pace, I would recommend The Murmurings.

Rating: 3/5

Favorite Quote:

"He said there's a chance.
I say, What's the point?
He points to me."

Review + Giveaway: The Midnight Spell

The Midnight Spell

Authors: Rhiannon Frater & Kody Boye
Pages: 254 according to the Nook version
Publisher: self-published
Source: ecopy for blog tour hosted by Xpresso Book Tours

Description from Goodreads:
Best friends since kindergarten, Adam and Christy have always been the perpetual outsiders in their small town in Texas. The other kids call Adam gay and Christy a witch.

On both counts the bullies are right.

Their junior year in high school seems destined to be the same old same old until Christy decides to cast a love spell for Adam at the midnight hour. The next day an alluring and mysterious boy enrolls at school and sets hearts a flutter, including Adam’s. Meanwhile, Christy’s mad crush on the handsome football player Ian seems to be going nowhere fast and her witch puberty is making her life miserable.

When a great evil arrives in town that threatens everything they hold dear, the best friends realize that finding a boyfriend is the least of their worries. Soon Adam and Christy will have to battle a force of darkness that has killed in their town before, and will again.

First Sentence: "It all started with a spell."

Review:

As a book blogger, especially one who reads Giselle's reviews, it's hard to miss Rhiannon Frater. She apparently writes super awesome vampire and zombie books, but I haven't gotten around to those yet. When the tour came up for Frater's paranormal co-written with another author, I couldn't resist. Joining The Midnight Spell tour was a good choice. Frater and Boye's novel is light, humorous, and fun all the way through.

Like Sabrina, the Teenage Witch, Christy is approaching the age of her powers awakening. Christy desperately wants her full-blown witchy powers, and keeps trying to perform spells in hopes that they'll turn her powers on full blast. Her latest plan is a spell at midnight to bring her bestie Adam's perfect guy to town. Adam doesn't wholly believe in Christy's magical abilities, but he hopes, tired of being alone and picked on for his sexuality.

Adam and Christy both really stick out in their whitebread, small town. Christy's been called a witch since she was young, her tendency to wear dark clothing not really helping matters. Red-headed Adam has been picked on for being gay for years too, even though he hasn't actually come out. They're lucky to have each other, though, and their social butterfly friend, Drifter. I would have liked to see a bit more of Christy and Adam's friendship before the midnight spell kicked the plot into motion, but I love their bond, and that the story is told from the POV of a straight girl and her gay best friend.

The plot includes some paranormal mayhem, but definitely keeps more to the funny than the creepy, which is a nice change of pace from paranormal stories that take themselves super seriously. There are some paranormal creature reveals at the end that definitely made me chuckle. The focus, though, is really on the romances: Adam's with mysterious new hottie Mark and Christy's with her long-time crush Ian.

The one thing that cut down on my enjoyment a little bit was my indifference towards Mark and Christy. I don't dislike either of them, but I never got a real sense of them as people. I would have assumed that Boye and Frater each took one of the perspectives to write, but Christy and Adam read too similarly to me. I had a bit of trouble keeping whose section I was reading straight.

On the other hand, I loved the secondary characters. They are made of sass and awesomeness. Callie, Christy's cat familiar, and the broom really steal the show. They're also super dependable and a bit snarky. Yes, a broom can be kind of snarky. Oh, and both Adam and Christy have super caring, present parents, with the exception of Adam's dad who's gone months at a time for work but who obviously loves his family a lot. The three parents are all a hoot. Oh, also, there's Drifter, who I totally want to hook up with Christy, because he's way smarter and more interesting.

The Midnight Spell is a highly fun paranormal self-pub. The ARC version I read had very few errors, so I imagine the finished copy will be pretty spotless, so, if you're interested, feel no fear! I'm definitely looking forward to reading some of Frater's darker novels.

Rating: 3/5

Favorite Quote: "'You're never to come here again. You will never touch Adam. You will never so much as even look or talk to him, because if you do, I swear I will shoot you dead. And if you try anything at the school, I swear I will bring holy hell down upon you, because when you fuck with the cub, you mess with the fucking mama bear. Get out. Now.'"

Giveaway:
As part of the tour, I have one e-copy of The Midnight Spell to offer to a reader. Just fill out the Rafflecopter! 
a Rafflecopter giveaway

Joint Review Discussion: In the Shadow of Blackbirds

Lenore Appelhans did a joint review discussion of Beth Revis' Shades of Earth, and that was so much fun we had to do another. This one isn't dystopian, but we both loved it so much that we had to talk about it. We'll really dive into some of the main subjects. We endeavor to keep it at as non-spoilery as possible, but you might learn a few things. I gave In the Shadow of Blackbirds 4.5 stars.

Description from Goodreads:

In 1918, the world seems on the verge of apocalypse. Americans roam the streets in gauze masks to ward off the deadly Spanish influenza, and the government ships young men to the front lines of a brutal war, creating an atmosphere of fear and confusion. Sixteen-year-old Mary Shelley Black watches as desperate mourners flock to séances and spirit photographers for comfort, but she herself has never believed in ghosts. During her bleakest moment, however, she’s forced to rethink her entire way of looking at life and death, for her first love—a boy who died in battle—returns in spirit form. But what does he want from her?

Featuring haunting archival early-twentieth-century photographs, this is a tense, romantic story set in a past that is eerily like our own time.

Lenore and I are discussing 4 topics: Atmosphere, Romance, History, and Ghosts. The first two are over at Presenting Lenore, so pop over there to check those out, if you haven't been there already. Just keep reading to hear our thoughts on the history in the novel and the ghosty business.

History

Christina:

You may not know this, but I was actually a history major in undergrad. Though that was not my calling, I still get a serious author-crush on those who can do historical settings well, and I’ve got one on Cat Winters now. There are so many books set during WWI, but this isn’t like any of the ones I’ve read. Mary Shelley’s life is only peripherally affected by the war. Instead, she has to deal with the Spanish Flu, and all of the horrid superstitious attempts to cure the Spanish flu, like eating endless amounts of onion and burning sulphur. Yuck!

Lenore:
I knew that! Oh see, and I have a weird thing for historical plagues. Give me a book about an epidemic/pandemic and I’m all over it. However, I can’t really recall reading much fiction dealing with the Spanish Flu, so the onions were new to me.

Christina:
How macabre of you! I haven’t read any spanish flu fiction, either. I think the closest I’ve come to that in fiction is Twilight. Wasn’t Edward dying of the Spanish flu when he was turned in 1917? It scares me that I remember that. Anyway, this is so much better. Winters made me want to go research the reactions to the Spanish flu, but I suspect I will be too lazy. Still, she’s inspiring me to want to be better. Props!

Lenore:

Confession time: I’ve never read Twilight, and though I did see the first movie (dubbed into German on TV here), I don’t remember the Spanish Flu. But I could see it. He is pale and sickly, haha.

In any case, the addition of the Spanish Flu here makes it a great read alike for other plague tales - my absolute favorite being Doomsday Book by Connie Willis.

The Ending

Christina:

One thing I love about the paranormal elements of In the Shadow of Blackbirds is how un-paranormal they feel. It comes off more like they either just exist, so they’re realistic, rather than paranormal, or like Mary Shelley’s lost her mind, perhaps because of all the onions. Do you have any thoughts on this, Lenore? Do you think the ghosts really exist or that Mary Shelley’s brain broke at the loss of her boyfriend?

Lenore:
Oh good question! I guess I’m so used to reading paranormal these days that I took Mary Shelley’s visions at face value. But I’m intrigued by the idea that too many onions can cause madness ;)

One element that supports the ghosts really existing in the story is the fact that Mary Shelley died for a few minutes and she was changed afterward. Like the compass always pointed at her. That’s some serious freakiness!

Christina:

Well, maybe it’s not the onions per se... Still, I love to consider whether things are actually happening or if the MC’s just going crazy. I enjoy reads that fuck with your mind, and, with something like this, the door is wide open for that.

True! I loved what she did with the compass, like it registered your amount of paranormalness. That’s a word now, by the way. I wonder if you could test Julius’s spirit-photographing abilities with the compass? There are some seriously freaky ghosty scenes in here. I hope they’re real, even if it would also be awesome for them to be all in her head...

Lenore:
I agree - it’s definitely open to interpretation. That makes great fodder for discussion. Recommend it to your next book club!

Remember, there's more discussion (and a GIVEAWAY) at Presenting Lenore!

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In the Shadow of Blackbirds, Cat Winters' debut novel comes out April 2 from Amulet Books! This one's definitely worth a preorder, folks! You can see my standard format review on Goodreads. 

Check back tomorrow for a giveaway of In the Shadow of Blackbirds, which is going to be the Book of the Month.