Review: The Burning Sky

The Burning Sky
The Elemental Trilogy, Book 1

Author: Sherry Thomas
Pages: 464
Publisher: Balzer + Bray
Publication Date: September 17, 2013
Read: September 15
Source: ARC from YA Books Central

Description from Goodreads:
It all began with a ruined elixir and an accidental bolt of lightning…

Iolanthe Seabourne is the greatest elemental mage of her generation—or so she's being told. The one prophesied for years to be the savior of The Realm. It is her duty and destiny to face and defeat the Bane, the greatest mage tyrant the world has ever known. A suicide task for anyone let alone a sixteen-year-old girl with no training, facing a prophecy that foretells a fiery clash to the death.

Prince Titus of Elberon has sworn to protect Iolanthe at all costs but he's also a powerful mage committed to obliterating the Bane to avenge the death of his family—even if he must sacrifice both Iolanthe and himself to achieve his goal.

But Titus makes the terrifying mistake of falling in love with the girl who should have been only a means to an end. Now, with the servants of the Bane closing in, he must choose between his mission and her life.

First Sentence: "Just before the start of Summer Half, in April 1883, a very minor event took place at Eton College, that venerable and illustrious English public school for boys."

Review:

In my experience, YA novels written by romance novelists generally go one of two ways: awesomely or atrociously. Now, this may not be the case for most, but, personally, I go to a romance novel and a YA novel for totally different reasons, and I don't want a romance novel from my YA; romance can (perhaps should) be a part of that, but there should be more going on than that. Thankfully, Sherry Thomas has written an absolutely amazing YA novel, bursting with fabulous characters, action, delightful writing, and a swoon-worthy romance.

Where do I even begin with what I loved when there is so much? Okay, let's start at the beginning, where we meet our stubborn, hard-working, thoughtful heroine Iolanthe. She's practicing hard to do the lighting at a wedding ceremony with her elemental magic, all to protect the job of her guardian, though he's done little to deserve it. Then in he comes, ranting and raving and reminding me of Haymitch (his name is Haywood - coincidence?). He tells her not to perform at the wedding and ruins her light elixir. Consulting a magic text, she learns a thunderbolt (or more accurately lighting bolt) can save her elixir, so she discovers some powers she never knew she had just like that. No big deal. This alerts everyone, both good and bad, to the fact that she is a seriously kick butt elemental mage, and they all want her for something.

Enter Titus: spoiled Prince or hope of the Domain. Because of a prophecy, he knows that he needs this elemental mage to help him save everyone from the tyrannical, apparently immortal ruler of Antlantis. Titus believes in the prophecy and will risk everything, including both of their lives to fulfill it. Though he's very goal-oriented, I took to Titus immediately with his spell-casting and his weird hobby of reading ladies' magazines because he finds them comforting.

Now we're getting to the really good part, namely the one where one of my favorite tropes comes in, and this really isn't a spoiler I promise, since you will guess it in the tiny prologue. Basically, to hide out from the super terrifying bad guy, Iolanthe has to go undercover at a boys' school, because Titus, misguided, assumed the mage of prophecy would be a guy, so he had a male's disguise ready. Oops. Lucky for him, Iolanthe is brilliant and totally rocks at gender bending. Why do I love this so much? Because reasons. That may have to do with the fact that there's always an adorable lgbt subtext. Like, yeah, Titus is straight, but he's totally not bothered by all the rumors that he and his friend Fairfax are actually gay lovers, which is a quality I find charming in a guy. Also, it means the heroine isn't super gorgeous all the time or fretting over her looks, and he likes her none the less for that.

Okay, so, obviously, there's a romance here, and obviously I love it. They have a total hate to love thing going, which is my favorite. They also, true to that romantic arc at it's best, excel at bantering with one another. Thomas really makes you feel the chemistry between them, and I was essentially trying to reach into the book and make them kiss all the way through. Even better, the romance doesn't follow traditional lines, Iolanthe generally being the aggressor physically and Titus the more emotionally committed. In fact, Titus totally spends a lot of time daydreaming and doing the fantasy novel equivalent of doodling her name on his notebooks, and my goodness but it's precious. Oh, and, even better, he doesn't mind letting her save him sometimes.

Leaving the romance behind, I also want to praise Sherry Thomas for how powerful women are in The Burning Sky. On both the side of good and of evil, in the past and in the present, women have achieved both high rank and high power. So often, it's just the heroine who really takes a strong female role, the better to stand out, but the Inquisitor, Helgira, and even Lady Callista are certainly to be feared and admired, in their ways. For once, this is a fantasy world in which everything isn't intensely patriarchal, even more rare in a historically-based fantasy.

My only quibbles lie in the world building, which is a bit of a pop culture hodge-podge. While this didn't detract from my enjoyment one bit, it's a bit to process and might annoy other readers with similarities to other works. For example, I was strongly reminded of Avatar: The Last Airbender, Howl's Moving Castle, and Stardust (one of the cutest scenes of that movie - and maybe book, but I don't remember - gender swapped). On top of that, I found the interweaving of our culture's fairy tales into this fantasy world rather puzzling. I guess this must be an alternate universe then? I'm not quite sure, which is sort of my point. There's a lot happening and it's all fun, but I'm left feeling a bit shaky.

The Burning Sky kept me on the edge of my seat from start to finish. If you enjoy the fantasy works of Maria V. Snyder or Kristin Cashore, odds are you will appreciate Sherry Thomas' YA debut. The sequel cannot come quickly enough. In fact, I loved the romance and themes in here so much, I may even try her romance novels.

Me, to this book.

Rating: 4.5/5

Favorite Quote:

"'Did they believe you? All boys tell such tales about their wands.'
     He glanced up, his eyes first blank, then lit with mischief. 'Maybe they do, but I actually possess a superior wand—the finest of its kind no less. The sort of fireworks my wand can produce will leave any girl breathless.'
     They both burst out laughing."

Don't Take My Word for It:
Good Books and Good Wine's word: "it’s a total fricken boss" - 5 stars
Snuggly Oranges' word: "It hit all the right notes." - 4.5 stars
A Girl, a Boy and a Blog's word: "Thomas’ style was very difficult to read." - 3 stars

Review: Crown of Midnight

Crown of Midnight
Throne of Glass, Book 2

Author: Sarah J. Maas
Pages: 432
Publisher: Bloomsbury USA Childrens
Publication Date: August 27, 2013
Read: August 16-17, 2013
Source: Gifted - thanks to Alyssa of Books Take You Places

Description from Goodreads:
An assassin’s loyalties are always in doubt. But her heart never wavers.

After a year of hard labor in the Salt Mines of Endovier, eighteen-year-old assassin Celaena Sardothien has won the king's contest to become the new royal assassin. Yet Celaena is far from loyal to the crown – a secret she hides from even her most intimate confidantes.

Keeping up the deadly charade—while pretending to do the king's bidding—will test her in frightening new ways, especially when she's given a task that could jeopardize everything she's come to care for. And there are far more dangerous forces gathering on the horizon -- forces that threaten to destroy her entire world, and will surely force Celaena to make a choice.

Where do the assassin’s loyalties lie, and who is she most willing to fight for?

Previous Book in Series:
1: Throne of Glass


First Sentence: "The shutters swinging in the storm winds were the only sign of entry"

Review:

My love for Throne of Glass is well known, but, after reading some reviews, I started wondering if the book was quite as good as I remembered. There were some fair criticisms, things I'd not even considered. In Crown of Midnight, Maas really hits those elements that were missing from the first, and ups the stakes to an incredible degree. This sequel is a must read for those who loved Throne of Glass and perhaps even for those who were on the fence.

One of the criticisms I'd seen was of Celaena being proclaimed a heartless assassin, but that not really ever being shown. Instead, she's going to balls and eating candy. Of course, I love that the assassin has a softer side, but I did agree retroactively that it would have been good to see more of her dark side. In Crown of Midnight, you get to see Celaena living up to her reputation, and, when this girl is on a killing spree, it's a thing of bload-soaked beauty. She may like frilly dresses, but she's also totally cool with being covered in blood. Being able to see all of the facets of Celaena really adds depths to her character.

The other main criticism of the first book that I agreed with was that the King, clearly the villain, didn't have much of a role. He just sort of cackled evilly every so often. In Crown of Midnight, we get to see more of him and learn about his plans, still only the very slightest understanding, but it's enough to make him one intensely creeptastic villain.

The plotting of the story becomes much more complex in Crown of Midnight. Actually, I was really surprised by the direction that the story has gone, very different from the more basic fantasy roots of the first. There are a number of twists, none of which I really saw coming, though I felt really dumb that I missed the biggie, since there were a lot of hints. The plot is full of twists and turns, and full of betrayals. I do have some quibbles with the world building, but they're minor enough I can't really draw a line to any one thing.

Of course, there's also the romance. The age of Dorian is over and now it's all about Chaol (as it should be). All I can really say about what happens here is that I approve wholeheartedly. This is why I love guys like Chaol, all cool and collected on the outside, but so much passion on the inside. *sighs happily*

Maas impressed me with her willingness to be cruel and heartless to the characters. To be honest, I really didn't get the impression from Throne of Glass that she would be willing to kill off characters, but I'm thrilled to be wrong. Oh, she's brutal. Mwahahaha. And, no, I won't tell you who dies, so have fun sitting on the edge of your seat the whole time. As you may know, I find killing off a beloved main character a mark of good fantasy.

Sarah J. Maas really proves her talent in Crown of Midnight, deftly avoiding any sort of second book syndrome. Instead, she greatly amps up the world building, plot and intensity. In my opinion, this series is a must read for fantasy fans. The third book is poised to be epic and heartbreaking, and I am so excited.

Rating: 4.5/5

Favorite Quote: (Warning: It's a bit SPOILERY, so read with caution)

 "'Who said anything about shame?' She gestured down to her naked body, even though it was covered with the blanket. 'Honestly, I'm surprised you're not strutting about, boasting to everyone. I certainly would be if I'd tumbled me."

Review: Shadowcry

Shadowcry
Wintercraft, Book 1

Author: Jenna Burtenshaw
Pages: 320
Publisher: Greenwillow
Read: June 19-22, 2013
Source: Library

Description from Goodreads:
The Night of Souls—when the veil between the living and the dead is thinnest—is only days away.

Albion is at war . . . and losing.

The wardens have descended, kidnapping innocent citizens for their army, but looking for one in particular.

And fifteen-year-old Kate Winters has just raised a blackbird from the dead.

As her home is torn apart by the wardens, Kate's discovery that she is one of the Skilled—the rare people who can cross the veil between life and death—makes her the most hunted person in all of Albion. Only she can unlock the secrets of Wintercraft, the ancient book of dangerous knowledge. Captured and taken to the graveyard city of Fume—with its secret tunnels and underground villages, and where her own parents met their deaths ten years ago—Kate must harness her extraordinary powers to save herself, her country, and the two men she cares for most. And she'll make a pact with a murderer to do it.

Those who wish to see the dark, be ready to pay your price.

First Sentence: "At the southern edge of a moonlit city, a woman stood over an open grave."

Review:

Jenna Burtenshaw's Shadowcry has been on my radar for quite some time, ever since a friend read it and loved it. With a review copy of book three in hand, I've embarked on the full series, always a risky venture, yet one that I can't resist. Obviously, I have will power issues. Shadowcry stands unique from the bulk of young adult fiction, but, thus far, isn't the ideal read for me personally.

As I say over and over again, what really makes me interested in a book are the characters. Whether I love them or not, I almost always need to connect to them in some way, to feel that they're in some measure real to really get involved in the book. World building and writing for their own sake get me only so far. Shadowcry definitely focuses more on those aspects than on character, so I had a lot of trouble maintaining interest, even though, objectively, I can appreciate a lot of what Burtenshaw has done here.

Shadowcry starts dramatically with Kate and her uncle Artemis preparing to flee before the Wardens, the men who killed her mother and father, arrive in town. They do not make it out of the bookshop Artemis owns in time however. Blackbirds, the precursors to the Wardens, have arrived, pecking madly and dying on the streets. The scene is eerie and horrifying.

The Wardens are looking for the Skilled, people with the ability to bridge the veil, the space between life and death. If one of these dead birds is touched by someone Skilled, the bird will return to life. In the process of rescuing Ethan, who works for Artemis, from the barrage of dying birds, Kate touches one and it comes back to life in her hands. The blackbird flaps up the chimney, alerting Silas, the head collector of the Skilled to her existence.

Kate and Ethan are on the run, pursued by Silas. They don't know who to trust, and have no idea what they can do. The concept of the Skilled is fascinating, and I like the complex nature of Silas' character. He is not entirely good or evil, and not entirely human either. Kate is a great heroine, too, full of fire and strength. She never crumples in the face of adversity, and constantly tries to rescue Ethan and Artemis. There's a definite sense in the book that the female characters are the strongest ones and that's awesome. Also, I know some folks are really sick of books dominated by romance, so, just fyi, there's absolutely no romance in Shadowcry.

Despite all that good stuff, my main reaction to Shadowcry was boredom. Since there wasn't any focus on character development really, I just wasn't all that engaged. Before I can care much about the world or the dramatic events, I need to care about the characters.

So far, the Wintercraft series has not proved the ideal read for me. I do think Shadowcry is a good book, but just not what I was hoping for or what works for me personally.

Rating: 2/5

Favorite Quote: Didn't have one

Review: A Darkness Strange and Lovely

A Darkness Strange and Lovely
Something Strange and Deadly, Book 2

Author: Susan Dennard
Pages: 416
Publisher: HarperTeen
Publication Date: July 23, 2013
Read: July 11
Source: Gifted - thanks, Jamie!!!

Description from Goodreads:
Following an all-out battle with the walking Dead, the Spirit Hunters have fled Philadelphia, leaving Eleanor alone to cope with the devastating aftermath. But there’s more trouble ahead—the evil necromancer Marcus has returned, and his diabolical advances have Eleanor escaping to Paris to seek the help of Joseph, Jie, and the infuriatingly handsome Daniel once again. When she arrives, however, she finds a whole new darkness lurking in this City of Light. As harrowing events unfold, Eleanor is forced to make a deadly decision that will mean life or death for everyone.

First Sentence: "When Jie's letter came in the mail, I was so elated I forgot I had no hand."

Review:

I have been waiting for A Darkness Strange and Lovely since the moment I finished Something Strange and Deadly Susan Dennard captured my heart and my imagination in her debut, so I was eager to see what she would do with the next book. Happily, there is no second book syndrome here and ADSaL has all the elements that made SSaD such a delight.

Without a doubt, it's the narrative voice that makes Dennard's series stand out from the pack of paranormal offerings. Eleanor is so many things: clever, silly, practical, powerful, self-conscious, and infuriating. Her voice rings so clearly through this first person narrative, and she really doesn't sound like anyone but herself. Even when she's at her most irritating, when she digs herself a whole of lies so deep she can't see out because she's afraid no one will accept her, she's still her kooky, charming self. Also, the girl can eat, and I suspect she's a bit chunkier than the usual YA heroine, which is just another reason to love her.

Dennard really steps out of the box with Eleanor. She's no stereotype. She speaks her mind, eats anything she can get her hands on, and has far more power than her companions. In fact, her power scares everyone but herself. Actually, scratch that; it scares Eleanor a bit too. In the face of the most extraordinary circumstances, Eleanor is the kind of person who never stops trying, even when she only has one hand or everyone has turned their backs on her. Though she makes some really stupid choices, I still have so much respect and friendship in my heart for Eleanor.

The plot this time comes with a bit less zombie mayhem, and a bit more mystery. Eleanor sets off to join the Spirit Hunters in Paris, where a Marquis is hosting them. Paris is beset by les Morts, and the Spirit Hunters have yet to figure out who has been sacrificing people and raising their corpses. Dennard does a good job throwing out a red herring, and making things a little bit twisty without it being overwhelming.

Props, too, on romance remaining on the back burner, slowly simmering, but not to the boil stage yet. Though it's a good one, I think the time to unfold is necessary and will only make the moment when Daniel and Eleanor officially get together that much sweeter. Both of them still have some growing to do, and I like that Dennard gives them that time, rather than rushing them into some super intense forever love.

Dennard adds a couple of new cast members, most notably Laure and Oliver. Eleanor meets both on her passage to France, and I think I like them. They're definitely both interesting figures, and I want to know more about them. Clearly, Laure's going to be important in the third book, but, for now, there was a lot of time spent on her that doesn't seem to have accomplished much. Oliver's pretty awesome, and I like the dynamic he adds to the group, the tension. I am also thrilled that Oliver is not another love interest for Eleanor.

Readers who enjoyed Something Strange and Deadly will likely be pleased with Susan Dennard's sequel. Also, the moment ADSaL concludes, you're going to want book three something fierce, because it is going to be epic.

Rating: 4/5

Favorite Quote:

"'Do you want to know what my phantom hand is good for, Daniel?'
     'Please,' he said with a sneer.
     'This.' I slapped him across the cheek, so hard that even with my glove, the blow flamed up my arm."

Sadie Hawkins Sunday Review #20: Between the Devil and the Deep Blue Sea

Between the Devil and the Deep Blue Sea
Between, Book 1

Author: April Genevieve Tucholke
Pages: 368
Publisher: Dial Books for Young Readers
Read: June 23-27, 2013
Source: ARC from publisher for review
Recommended by: Ashleigh Paige of Birth of a New Witch

Description from Goodreads:
You stop fearing the devil when you’re holding his hand…

Nothing much exciting rolls through Violet White’s sleepy, seaside town…until River West comes along. River rents the guesthouse behind Violet’s crumbling estate, and as eerie, grim things start to happen, Violet begins to wonder about the boy living in her backyard. Is River just a crooked-smiling liar with pretty eyes and a mysterious past? Or could he be something more? Violet’s grandmother always warned her about the Devil, but she never said he could be a dark-haired boy who takes naps in the sun, who likes coffee, who kisses you in a cemetery...who makes you want to kiss back. Violet’s already so knee-deep in love, she can’t see straight. And that’s just how River likes it.

Blending faded decadence and the thrilling dread of gothic horror, April Genevieve Tucholke weaves a dreamy, twisting contemporary romance, as gorgeously told as it is terrifying—a debut to watch.

First Sentence: "'You stop fearing the Devil when you're holding his hand.'"

Review:
Sometimes I'm that guy. You know, the one who reads a book that trusted friends, ones I usually agree with, were super impressed by and ends up unenthused. The blurb for Devil (since I can't be bothered to type all of that out over and over) did give me pause, what with the focus on River coming to town. The whole thing suggests instalove, but early reviews were promising and an ARC arrived, so damn the blurb and full speed ahead! Well, turns out I should have listened to my first instincts, because both the romance and a plot twist bothered me. Be warned that this review contains spoilers, since that was the only way I could explain why I feel the way I do.

In no way do I think Devil is a bad book, and there was even a brief time where I thought a 3.5 rating was coming for it. Tucholke excels especially at the horror aspects. Pretty much everything that happens ranges from eerie to mindfuck to terrifying. The concept and execution of River's deal was done incredibly well. Tucholke also manages to pull off so many surprises, which upped the intensity. If you're really into horror, then I think Devil will probably be worth your time.

The other aspect that I really enjoyed was the atmosphere. As with most gothic novels, there's a sort of place out of time feel to it. Though set in the modern world, Violet's little town and her house seem caught in the past. The most popular town activity is watching old movies. Violet listens to her grandmother's music and wears her grandmother's clothing, as a way of connecting. Violet's been so alone since her grandmother Freddie died, unable to connect with her brother, who she loves but who also irritates her with the way he treats girls. Tucholke sets the scene well, with the spooky giant house, the sleepy town disconnected in some way from modernity, and the slower pace of life. Tucholke's writing fits the narrative well, though it isn't a style that especially speaks to me.

The characters all felt pretty flat to me too, though that could be due to Vi's impaired mental state. The only one I really connected to was Neely, who was for me the most likable in a flawed and strange bunch. The portrayal of Sunshine upset me especially, as she never actually DOES anything, except hook up with Luke, Violet's brother, even though she knows he's seeing another girl too. Sunshine gets called a 'whore,' beat up, terrified and all sorts of things, but the reader never gets a sense that there's anything more than that to her. She's shown as entirely vacuous and vain, living solely to hook up with any willing guy. All of the characters seem pretty similarly one note, but Sunshine was the most distressing.

One of the aspects I didn't care for, as it so often is, is the romance between River and Violet. Now, as the blurb suggests, Violet's instalove for him does have a reason behind it, so, though painful, that's legit. He can mess with her mind somehow and create these feelings in her, which speaks strongly to abusive relationships and could send a powerful message. Unfortunately, I didn't get a real sense of the change he wrought in her, since the book opens pretty much with his arrival, so I never really got a sense of Violet as a person, because I knew her so briefly before her every thought became suspect. I can see where Tucholke put in clues to the brainwashing effect, like how Vi's initial analysis of River's appearance differed greatly once her mind started clouding, but it wasn't quite enough to help me differentiate regular Vi from River's Vi.

SPOILERS BEGIN HERE
For a while there, though, once Vi realized what was going on, everything was great, in the sense that it was creepy and everyone knew that their relationship was unhealthy. I was totally on board with that. However, the kiss of death for the romance came when, mind clear, Violet still wants River. Girl, NO. She knows that he lied to her, that he messed with her mind, and that he nearly compelled her to have sex with him, but she still thinks she might be in love with him? THAT I am not okay with. At all. I mean, maybe it's going to be yet another twist of her mind being tampered with, but that would be a bit much.

During the point where I thought I was going to give Devil 3.5 stars, Vi was skeptical of River and trying to fight his affect on her. She also was learning just how much of a creep he was. River has killed people. Tons of them. I thought that was awesome, and I was looking forward to her taking him out. Well, turns out that River's innocent, at least of some of it. SURPRISE TWIST! An insane half-brother with similar powers has been stalking River and framing him for evil deeds in Vi's town! No. So much no to this. It's overly convenient for one thing and it comes across as a way to excuse River for the things he's done, which is, frankly, bullshit. Though some parts of Devil were fantastic, I just could not enjoy it personally. To me, River does not belong as a love interest but a villain, and everything felt forced in such a way as to not put him in that role.

As I said, early review of Devil have been really positive and there were things I liked, but, as a whole, I really do not see the appeal. Whatever made this magic for others was not there for me.

Rating: 1/5

Favorite Quote: "'I wish people would spread a Faustian rumor about me.' I leaned over and knocked Sunshine's hand out of Luke's hair. 'A Faustian myth,' I repeated. 'It's so much more interesting than just being that nouveau-poor blond girl who lives in a big house with nobody but her jackass brother with pecs bigger than his brain. Sunshine, if I ever disappear, please tell people that I ran after the Devil, trying to get my soul back.'"

---

Up Next:

The next Sadie Hawkins Sunday book will be Cold Steel by Kate Elliott, the final book in the Spiritwalker trilogy. Nafiza of Bibliophilic Monologues suggested I get my butt in gear and finish this series, and I'm thrilled to do so, because it has one of my favorite ships ever. Cat and Vai foreverrrrrrr.

Want to tell me what to read? Fill out the following form with a suggestion! For more details, check this post.

Sadie Hawkins Sunday Review #17: Cold Fire

Cold Fire
Spiritwalker, Book 2

Author: Kate Elliott
Pages: 652
Publisher: Orbit
Read: June 11-15, 2013
Source: Finished copy from publisher for review
Recommended by: Nafiza of Bibliophilic Monologues

Description from Goodreads:
They did the impossible, deposing the godlike being whose brutal rule had lasted a thousand years. Now Vin, the street urchin who has grown into the most powerful Mistborn in the land, and Elend Venture, the idealistic young nobleman who loves her, must build a healthy new society in the ashes of an empire.

They have barely begun when three separate armies attack. As the siege tightens, an ancient legend seems to offer a glimmer of hope. But even if it really exists, no one knows where to find the Well of Ascension or what manner of power it bestows.

It may just be that killing the Lord Ruler was the easy part. Surviving the aftermath of his fall is going to be the real challenge.

Previous Books in Series:
1: Cold Magic

First Sentence: "It was a cursed long and struggling walk hauling two heavy carpetbags stuffed with books across the city of Adurnam."

Review:
You know what I love? A series that just gets better and better as it goes along. Cold Magic had a rocky start, and took a couple hundred pages before I really started enjoying it. Cold Fire caught my interest right away, amping up to a finale that stomped on my heart and made me need to read book three posthaste. The Spiritwalker Trilogy boasts one of my favorite romances, and I'm going to need to fangirl about the feels.

Know that there's totally a lot more going on in Cold Fire than romance, but that I'm mostly going to blabber on about that, because, being totally honest here, THAT is what I care about most. BY FAR. I make no secret of the fact that I burn for hate to love romance arcs, and this one is SO well done. Gah. There's a very Pride & Prejudice sort of emotional arc that just makes me swoon. When they meet, Vai is dismissive of Catherine, which is all sorts of awkward, since they're forced to marry at the beginning of the first book. However, you find out that he's just sort of awkward and makes disdainful faces when he's uncomfortable, but that he actually really cares for her. Cat, on the other hand, does not forgive or trust easily, so she has little interest in Vai for most of Cold Magic.

In Cold Fire, my ship finally takes sail, and, oh my, was it ever glorious. There's also a sort of vaguely Tamora Pierce-ian element to the romance, wherein Cat has a dalliance with someone else. Even though I ship them so hard, I loved this, because in some ways it was needful. There's just something so freeing about the heroine making her own choices and being more informed. And, yes, technically it was adultery, but they were forced to wed, so that doesn't bother me in this instance.

Once Vai and Cat are together again, the sexual tension is something fierce. They have crazy amounts of chemistry, and Vai is being such a freaking sweetheart. He KNOWS she hooked up with someone else, and he's still so understanding even though she's technically his wife. He keeps feeding her all of this delicious fruit, and omg it's so hot I can't even. Plus, these two and their banter. Oy, it's fantastic. She's under a bit of a curse thing where she's not allowed to impart certain information, so she has to respond to certain questions with questions, which sort of becomes a flirty banter thing for them and I love it so much. Yes, I do realize I'm a bit incoherent, but GOD I LOVE THEM. Vai loves her for her spirit and strength and the fact that she can be so damn stubborn, and just LOVE.

Obviously, I would rate the romance a full five glorious stars, but, despite those feels, I still had to rate the book a four overall, because I feel like Elliott's still getting a hang of the pacing and plotting. Parts of the book do drag (like when Vai and Cat are not together duh), and it feels like not all that much is actually happening for a lot of the book. The plotting really does pick up towards the end, when Elliott decides to wreak havoc on my emotional state, but the rest felt like a really long way to get there, not that it was not worth it for Vai and Cat.

The world herein is quite lush, but I still don't entirely understand its underpinnings, though I vaguely remember it was some sort of alternate history spun off from Roman times, I think. What I love is how diverse the characters are, many of them mixed race. There are a lot of messages about cultural sensitivity, which is great.

While I think this series has some drawbacks, for me, it's ONE HUNDRED PERCENT worth the slow moments for the epic ship of Cat and Vai. I am all kinds of glad that I sort of neglected to read this review copy for a shameful amount of time, because I would have HATED waiting for book three to come out, because THAT ENDING.

Rating: 4/5

Favorite Quote:

"'Catherine, I promise you, no one will ever make you feel as good as I will.'
     As the djeli said, "Men act humble until they get what they want." Although obviously the djeli who said that hadn't met you. Anyway, wouldn't a person of scientific inclination say that to verify such a statement I would need to make a significant number of comparative tests with other subjects?'
     His eyes opened as at a shot. 'No!'
     'Then I could never actually know.'
     He pushed up onto one elbow, dislodging my head from its pleasant resting place, and brushed hair from my cheek. 'You can't possibly have any complaints.'
     'But I do.'
     His hand stilled. 'Name one.'
     'You're talking.'"

---

Up Next:

The next Sadie Hawkins Sunday book will be Finnikin of the Rock by Melina Marchetta, with the other books in the Lumatere Chronicles following as time permits. So freaking excited to read my first Marchetta ever. Let's hope I love it! Thanks to Steph of Cuddlebuggery and Lynn for requesting it!

Want to tell me what to read? Fill out the following form with a suggestion! For more details, check this post.

Review: The Apprentices

The Apprentices
The Apothecary, Book 2

Author: Maile Meloy
Pages: 432
Publisher: Putnam Juvenile
Read: June 4-6, 2013
Source: Publisher for review

Description from Goodreads:
Two years have passed since Janie Scott last saw Benjamin Burrows, the mysterious apothecary’s defiant son who stole her heart. On the other side of the world, Benjamin and his father are treating the sick and wounded in the war-torn jungles of Vietnam. But Benjamin has also been experimenting with a magical new formula that allows him to communicate with Janie across the globe. When Benjamin discovers that she's in trouble, he calls on their friend Pip for help. The three friends are thrown into a desperate chase around the world to find one another, while unraveling the mystery of what threatens them all.

Acclaimed author Maile Meloy seamlessly weaves together magic and adventure in this breathtaking sequel with stunning illustrations by Ian Schoenherr.

Previous Book in Series:
1: The Apothecary

First Sentence: "The space between the stone library of Grayson Academy and the red brick science building created a ferocious wind tunnel, in any decent wind."

Review:

Oh, the joys of an unsolicited ARC that turns out to be the sequel to a book you enjoyed. Prior to the arrival of this book on my doorstep, I had no idea that there would be a sequel to The Apothecary, nor did I have a specific hankering for one. However, since I did like the first, I was excited to discover what would transpire in this installment. Well, lucky me, The Apprentices is an even better read than The Apothecary, maturer in plot, writing and characterization.

Where The Apothecary was very much a middle grade novel, clearly skewing to a younger audience, The Apprentices could really have been published for either middle graders or young adults. Two years have passed since the ending of The Apothecary, bringing Janie from fourteen years old to sixteen. Janie, Benjamin, and Pip have all grown up in the gap between the two novels, still their charming selves but a bit wiser.

Despite the maturer tone, The Apprentices retains the  magic of The Apothecary. Once again, evil forces are at work, attempting to do evil things involving atomic bombs and it's up to the apothecary, his son Benjamin, and Benjamin's friends to save the day. Using a book called the Pharmacopoeia, they can create potions that make the improbable possible. For example, they can become birds, much like in The Sword in the Stone.

On top of that, The Apprentices is also historical fiction. In the first book, Janie's parents had moved to England to escape the Red Scare, as they worked in the entertainment industry. The Cold War is still going strong in The Apprentices. In fact, Meloy even touches on tensions in Vietnam, China and North Korea. I love how she weaves the historical elements in, without beating the reader over the head with them.

Meloy's characters are a lot of fun. Janie is brilliant and determined, more concerned with figuring out how to desalinate water than boys. Though she does have fond memories of Benjamin, who left her alone for two years, and another potential suitor in the handsom Raffaello, romance stuff really isn't at the top of her mind. In fact, Benjamin actually spends more of his time thinking about her, worrying that she might have found another boy in his absence. He, too, is incredibly clever, becoming the heir to his father in apothecral (this does not appear to be a word, but I shall make it so) talents.

Pip doesn't spend much time on screen (on page?) in The Apprentices, but he still manages to steal the show. Now a television star in England, he's got a posher accent than before, but he's still the same short, cheeky lad. Enlisted to go find and save Janie in America, he gets cheap passage on a cruise ship in exchange for keeping the daughters of the wealthy entertained. The contacts he makes turn out to be hilarious plot points. No one can resist Pip's exuberant charm.

If you enjoyed The Apothecary, you will not want to miss Meloy's follow up, which exceeds its predecessor, a rarity in sequels. There's action, a bit of romance, history and humor. The Apprentices is a great read for children, teens and adults alike.

Rating: 4/5

Favorite Quote: "'Your capacity to be bored is the stuff of legend.'"

Review: Invisibility

Invisibility

Author: Andrea Cremer & David Levithan
Pages: 358
Publisher: Philomel
Publication Date: May 7, 2013
Source: Publisher for review

Description from Goodreads:
Stephen has been invisible for practically his whole life — because of a curse his grandfather, a powerful cursecaster, bestowed on Stephen’s mother before Stephen was born. So when Elizabeth moves to Stephen’s NYC apartment building from Minnesota, no one is more surprised than he is that she can see him. A budding romance ensues, and when Stephen confides in Elizabeth about his predicament, the two of them decide to dive headfirst into the secret world of cursecasters and spellseekers to figure out a way to break the curse. But things don’t go as planned, especially when Stephen’s grandfather arrives in town, taking his anger out on everyone he sees. In the end, Elizabeth and Stephen must decide how big of a sacrifice they’re willing to make for Stephen to become visible — because the answer could mean the difference between life and death. At least for Elizabeth.

First Sentence: "I was born invisible."

Review:

Oh, expectations, you turncoats. Always there when I start out, and off who the fuck knows where as I suffer through an uninspired book. Before you start telling me I shouldn't have finished this book, believe me, I know that was an option. However, by the time I was sure I wouldn't like it, I was too far into the book to DNF. Once I've read twenty percent or so, it's happening, and that's all there is to it. Invisibility isn't necessarily a bad book, but it's certainly not what I was hoping for, and will likely only please those who have not yet tired of the standard paranormal romance formula and tropes. Warning: this review will contain some spoilers.

My mistake, and I will admit it was mine alone, was that I assumed Invisibility would be something like Levithan's Every Day. Admittedly, I have yet to read that book, but the premise blows my mind, and, based on friends' reviews and recommendation, I will love it. In that book, I understand that Levithan takes a sort of metaphysical and philosophical look at a unique way of existing, and uses that to reflect on sexuality and love. With Invisibility, I hoped for something similar. What I wanted was the tale of an invisible boy, born that way for no rhyme or reason, and how he comes to find meaning in his existence. Again, this was solely my mental creation. If you had similar hopes, quash them, because Invisibility is just a paranormal romance of magic and curses.

This is why I'm honest.

To give Cremer and Levithan their dues, the world building for the magic is unique, if strange. They did at least expend the effort to come up with something a bit out of the box. The curses, especially, are very cool, and some of them legitimately freaked me out, so that was well done. Unfortunately, their hearts weren't in that aspect of the book, so the world is uncovered and explained through a series of chapter-long infodumps. The teens go to an adult, ask for information, and receive and infodump. Then they go to another adult and repeat the process. It's a dulling way to receive information.

All of that could easily have been saved with well-done characters, though, since characters are where my true love lies as a reader anyway. Sadly, Stephen and Elizabeth are static, with no motivations except the ones given to them by their romance. Elizabeth does have a second motivation in protecting her mother and brother, but, when push comes to shove, she always chooses Stephen over them, so that hardly counts to me.

When two authors team up to write a novel in dual perspectives, I generally assume that they both take a perspective to write. Thus, I'm excited to read books composed in this way, because I love dual perspective done well, and it should be so easy for two separate authors to create two distinct perspectives. Somehow, though, I found that I had a lot of trouble distinguishing whether I was reading an Elizabeth chapter or a Stephen chapter until one of their names was said.

Perhaps, though, Elizabeth and Stephen are so indistinguishable because they lack individual interests and personalities. Very little effort is expended to make them feel like real people. Stephen, for example, has been on his own since his mother's death, but he apparently does nothing but order food to eat, angst, and people-watch. Though he has absolutely no one to talk to, he has no solitary hobbies to do while alone in his apartment. Um, Stephen, may I suggest the internet? I'm in my home alone right now, but, if I break from writing this review, I can go on Twitter and talk to any number of friends. Though no one can see him, he could make a network on the internet, where no one can see your physical form anyway, unless you choose to share a photo. Or, Stephen, how about reading? No wonder he's so miserable, since he doesn't ever do anything.

Then there's Elizabeth, who Cremer and Levithan really tried to make cool and nerdy. Her dream in life is to be a comic book writer and illustrator, both because doing just one is lame to her. Awesome, right? I should totally love this girl. And yet. For all her supposed love of comics, her interest in comic books has been added solely as a plot device by which she can realize her own special powers, which she has been secretly using to create the world in her comic book. When her brother, Laurie, introduces her to another comic book fan, she shows no interest in ever talking to him about them. When the group ends up going several times to a really bitching comic book shop with tons of special editions, Elizabeth never once stops to peruse the selection. Yeah, she's dealing with some serious stuff, but there is no universe where I would be able to walk through a bookstore without noting titles as I walked through or trailing my fingers along the spines. Don't try to connect to nerds with such a shallow attempt, because we do see through that.

The only characters I liked and cared about at all were Laurie, Elizabeth's brother, and Sean, a boy in the building Laurie is crushing on. After her parents' divorce, their mother moved the three of them to New York City to escape homophobia so severe that Laurie was hospitalized with multiple broken bones. The father basically blamed Laurie for provoking the attack, so the dad's obviously scum. Briefly, Laurie is a real plot point with a burgeoning romance, but we never get to find out how that's going for him, and he becomes just a pawn to be manipulated by the bad guy. Even then, Laurie's still more useful than Stephen. Laurie gets shit done.

Worst of all is the romance. First off, we have the invisible, personality-less boy and the pretending-to-be-a-nerd girl. Shock of shocks, she is the only person in the whole wide world who can see him! They touch and feel things. Their connection is made of magic and wondrousness and they fall in love in an unclear amount of time. However, their romance cannot have gone on for long, since she's still a ways from school starting and summer is not that long. Hello, instalove.

It gets better, though! Without establishing any real emotional connection between these two, which would be difficult, since they don't actually have personalities, they declare their love and begin arguing about who gets to die for the other one. Is anyone else sick of reading books about teens who are desperate to sacrifice themselves for someone they've only known for a month? Going back to what I mentioned earlier, Elizabeth is already willing to save Stephen's life over that of her brother's when forced to choose, though, obviously, she'll manage to save both. No, bitch, your brother comes first, not the invisible kid you've known for a month or less. Also, and here's where things really crossed the line, Cremer and Levithan never offer a convincing excuse for why Laurie can see Stephen, since her own powers don't explain shit. It was a convenient way to make them feel like they must have some mystical connection.

The ending did manage to surprise me just a bit, so I will give some credit for that. Cremer and Levithan didn't go for the obvious, easy ending that I'd predicted, so I will applaud them for finally stepping outside of the box, though I would have been grateful if it had happened 340 pages sooner.

If paranormal romances relying heavily on baseless instalove still work for you, by all means procure a copy of Invisibility. If, on the other hand, you were hoping for something deep and meaningful along the lines of Levithan's Every Day, you might want to spare yourself the disappointment. For some samples of the writing and further insights, you can check my status updates on Goodreads, which include a sampling of quotes.

Rating: 2/5

Favorite Quote: "'Lovebirds?' Laurie interjects. 'Can we put off the mating call for a sex? Methinks we have some bigger issues on the table.'"

Sadie Hawkins Sunday Review #12: Mistborn

Mistborn: The Final Empire
Mistborn, Book 1

Author: Brandon Sanderson
Pages: 541
Publisher: Tor Books
Source: Library
Recommended by: Dragana of Bookworm Dreams

Description from Goodreads:
Brandon Sanderson, fantasy's newest master tale spinner, author of the acclaimed debut Elantris, dares to turn a genre on its head by asking a simple question: What if the hero of prophecy fails? What kind of world results when the Dark Lord is in charge? The answer will be found in the Mistborn Trilogy, a saga of surprises and magical martial-arts action that begins in Mistborn.

For a thousand years the ash fell and no flowers bloomed. For a thousand years the Skaa slaved in misery and lived in fear. For a thousand years the Lord Ruler, the "Sliver of Infinity," reigned with absolute power and ultimate terror, divinely invincible. Then, when hope was so long lost that not even its memory remained, a terribly scarred, heart-broken half-Skaa rediscovered it in the depths of the Lord Ruler's most hellish prison. Kelsier "snapped" and found in himself the powers of a Mistborn. A brilliant thief and natural leader, he turned his talents to the ultimate caper, with the Lord Ruler himself as the mark.

Kelsier recruited the underworld's elite, the smartest and most trustworthy allomancers, each of whom shares one of his many powers, and all of whom relish a high-stakes challenge. Only then does he reveal his ultimate dream, not just the greatest heist in history, but the downfall of the divine despot.

But even with the best criminal crew ever assembled, Kel's plan looks more like the ultimate long shot, until luck brings a ragged girl named Vin into his life. Like him, she's a half-Skaa orphan, but she's lived a much harsher life. Vin has learned to expect betrayal from everyone she meets, and gotten it. She will have to learn to trust, if Kel is to help her master powers of which she never dreamed.

Readers of Elantris thought they'd discovered someone special in Brandon Sanderson. Mistborn proves they were right.

First Sentence: "Sometimes, I worry that I'm not the hero everyone thinks I am"

Review:
Holy shit balls of awesomesauce, I cannot even handle the feels of this book. Gah, my emotions are in a right state, okay, because this book is one of the very best I have ever read. It's not every epic fantasy novel that I can read in little more than a day without it feeling like torture. In fact, the torture was any time not spent reading. Brandon Sanderson does everything right here: the world building, the characters, the writing, and the plotting.

In epic fantasy, it is so rare to find a book that's good from the very beginning. There is just so much world building to be established, that it's sort of a given to have to sit through quite a lot of world building. This generally is totally worth it in the end, but makes the read a bit slow. Sanderson, however, manages to keep the pace quick from the very start. Rather than overwhelming the reader with the way this world works, he unravels the information bit by bit, following the arc of Vin's training, keeping everything manageable.

In my experience from The Way of Kings, I already knew that Sanderson is a marvelous writer, though I do think Mistborn: The Final Empire is much stronger. Sanderson devises such original magical systems, so unlike any I've read before, and he makes them come alive. He also has a real knack for description, one almost unparalleled by any author I've read. Not being a very visual reader, I often have difficulty picturing battle scenes, but Sanderson's burst off the page, leaving me breathless with worry. There's so much movement in Mistborn, but all of it was so well-described that I never felt lost or confused.

Then there are the characters. I love them all. SO HARD. Kelsier is a serious BAMF, and he's full of swagger and cleverness, and always deeper than you think he is. Actually, that's true of every single character, I think. You suspect you know what they're capable of and then they do something to surprise you. The feels are insane. Right, Kelsier. Anyway, he is a Mistborn, which means that he can manipulate metal to give himself powers, and that's as much as I'm going to explain that, because just read the book. Kelsier has big plans, like overthrowing the immortal ruler of the empire.

The other main character is Vin, a skaa (essentially serfs) thief has a power she thinks of as Luck. She lives her life in fear, trusting no one, abandoned even by her brother. Kelsier finds Vin and teaches her what she is, and how to be a Mistborn. Watching this girl find friendship and love for the first time in her life gave me all of the happy feels. I love Kelsier and Vin's relationship, the way he mentors her is so touching. Also, it makes my heart so happy to see a female character not always being weaker than her male counterpart. Vin's still learning, but girl has some serious power. She grows so much through the course of Mistborn, but she's obviously not done yet.

The supporting cast is just as well-drawn as Kelsier and Vin. Every single member of Kelsier's crew, the one trying to overthrow the despotic Lord Ruler, is dear to me: the philosophizing Thug, Ham, the insouciant Breeze, the dialect-spouting Spook, the grumpy Clubs. Then there's Elend, the heir to the wealthiest noble family. Let's just say that he's the kind of guy who would rather read than dance at a party, and that I am kind of in love with him.

Top off all of that awesomeness, Sanderson also knocked me for a loop with that last two hundred pages. He set everything up so well that, once it happened, I knew it was just as it had to be, but I also hadn't believed he could possibly go there. Sanderson got me right in the feels, and oh my how I loved it. I never expected the way the book would end or that final twist, which is just what I needed after a stretch of predictable books.

Without a doubt, Mistborn is one of the finest epic fantasy novels out there. I say this confidently, even though I've still read relatively few. Every aspect of this book was well done, and I can't think of a single thing to criticize. Basically, I urge each and every one of you to read this book.

Rating: 5/5

Favorite Quote: "'My behavior is nonetheless, deplorable. Unfortunately, I'm quite prone to such bouts of deplorability—take for instance, my fondness for reading books at the dinner table.'"

---

Up Next:

The next Sadie Hawkins Sunday book will be Angelfall by Susan Ee, suggested by Cuddlebuggery. I've heard nothing but awesomeness about this one, so I'm sure I'll love it. Well, mostly sure. *crosses fingers*

Want to tell me what to read? Fill out the following form with a suggestion! For more details, check this post.

Review: Siege and Storm

Siege and Storm
The Grisha, Book 2

Author: Leigh Bardugo
Pages: 448
Publisher: Henry Holt and Co.
Publication Date: June 4, 2013
Source: Publisher for review

Description from Goodreads:
Darkness never dies.

Hunted across the True Sea, haunted by the lives she took on the Fold, Alina must try to make a life with Mal in an unfamiliar land, all while keeping her identity as the Sun Summoner a secret. But she can't outrun her past or her destiny for long.

The Darkling has emerged from the Shadow Fold with a terrifying new power and a dangerous plan that will test the very boundaries of the natural world. With the help of a notorious privateer, Alina returns to the country she abandoned, determined to fight the forces gathering against Ravka. But as her power grows, Alina slips deeper into the Darkling's game of forbidden magic, and farther away from Mal. Somehow, she will have to choose between her country, her power, and the love she always thought would guide her--or risk losing everything to the oncoming storm.

Prior Book in Series:
1: Shadow and Bone

First Sentence: "The boy and girl had once dreamed of ships, long ago, before they'd ever seen the True Sea."

Review:

Shadow and Bone was one of my favorite reads of 2012, which means that I approached Siege and Storm with a combination of trepidation and flailing excitement. With time, I couldn't remember the specifics of what made Shadow and Bone such a good read for me, read nearly a year ago, during my trip to New York for BEA. Now I remember: Leigh Bardugo's writing is freaking outstanding in every respect.

Where Shadow and Bone followed much more typical fantasy plot lines, Leigh Bardugo really goes her own way in Siege and Storm. Generally, I have a fair sense for where a series is headed in the end, even if I don't know precisely the steps along the way. In Siege and Storm, I never knew where the characters would go next or where they would end up in the end, but whenever anything happened, I felt this rightness, and gaped slackjawed at the book, impressed yet again with Bardugo's ideas.

Siege and Storm picks up where Shadow and Bone left off, with Mal and Alina on the run, trying to escape Ravka and the reach of the Darkling. To the surprise of no one, they do not get very far away before the Darkling appears, much to the excitement of fangirls everywhere. The Darkling has a plan: to find another amplifier for Alina, since Morozova's amplifiers can be worn together. Thus, they set off on a ship captained by a dashing privateer (aka a classy pirate) to hunt an ice dragon. I expected this to be a huge portion of the plot, but it ends fairly quickly, which I was sad about for approximately half a page, but then even cooler things happened. But, to find out what, you're going to have to read the book for yourself.

Now, when I read Shadow and Bone, I proudly proclaimed myself a big fan of the Darkling, never having forgiven Mal for his early behavior and not finding his chemistry with Alina nearly as captivating. Well, I have changed my allegiance. My favorite guy is now Sturmhond. You may be thinking, Bardugo added ANOTHER love interest? So lame and unnecessary! I understand if you are, but stop thinking that right now. Sturmhond, the privateer, is one of my favorite literary characters, and totally knocked the Darkling from my affections in one fell swoop. He has the swagger and humor of Captain Jack Sparrow, combined with a sober, calculating intellect. Every single line of his is perfection, either hilarious, swoon-inducing, or cleverly changing the subject. My love for him knows no bounds.

Alina continues to be an intriguing main character, alternatingly weak and drunk on power. When she doesn't use her powers, she's weak, wan and insecure, living in Mal's shadow. Almost more than fighting the Darkling or political factions, Alina battles herself. The amplifier and the connection to the Darkling have changed her from the girl she used to be, putting her sanity and her relationship with Mal potentially in jeopardy. The more she comes into her power of light, the more the darkness within her stands out in sharp relief. The choices she has to make are tough ones, and she has no ideal options.

Bardugo cements herself as a writing talent in Siege and Storm. Her plotting, writing and characters are all excellent, and the story moves along at a swift pace. Ruin and Rising, which is the perfect title for the third book by the way, is poised to be the strongest, most heartbreaking book in the trilogy, and I need it in my life as soon as possible.

Rating: 4.5/5

Favorite Quote: "'Tell me, priest,' I ordered, 'or I'll cut you open right here, and your followers can try to pray you back together.'"

Review: A Corner of White

A Corner of White
The Colors of Madeleine, Book 1

Author: Jaclyn Moriarty
Pages: 384
Publisher: Arthur A. Levine
Source: For review from YA Books Central

Description from Goodreads:
The first in a rousing, funny, genre-busting trilogy from bestseller Jaclyn Moriarty!

This is a tale of missing persons. Madeleine and her mother have run away from their former life, under mysterious circumstances, and settled in a rainy corner of Cambridge (in our world).

Elliot, on the other hand, is in search of his father, who disappeared on the night his uncle was found dead. The talk in the town of Bonfire (in the Kingdom of Cello) is that Elliot's dad may have killed his brother and run away with the Physics teacher. But Elliot refuses to believe it. And he is determined to find both his dad and the truth.

As Madeleine and Elliot move closer to unraveling their mysteries, they begin to exchange messages across worlds -- through an accidental gap that hasn't appeared in centuries. But even greater mysteries are unfolding on both sides of the gap: dangerous weather phenomena called "color storms;" a strange fascination with Isaac Newton; the myth of the "Butterfly Child," whose appearance could end the droughts of Cello; and some unexpected kisses...

First Sentence: "Madeleine Tully turned fourteen yesterday, but today she did not turn anything."

Review:

A Corner of White is one of those stories that either is going to work for you or it's not. I don't really see there being too much of a middle ground on that. Either Moriarty's world, storytelling and characters will entrance you or you'll be bored and confused. Now, sadly, I fell into that latter camp of readers, but I really don't want to tell anyone not to pick up this book, because I can see where it will work really well for other people.

The world building in A Corner of White is seriously kooky, and well-matched to the vary unique narrative style that Moriarty employs. The story concerns alternate universes, the world we know and a magical kingdom called Cello. A sort of hole opens up between the two allowing teens Elliot and Madeleine to communicate by means of parking meter (on her side) and broken TV (on his side in Cello). The story has a fairy tale vibe to it, and I could see A Corner of White pleasing readers who enjoyed Gail Carson Levine's Ella Enchanted, another very popular fairy tale that never worked for me personally. It's just not the kind of quirky that works for me personally.

My biggest problem is that I read primarily for characters. I can put up with a lot for vibrant characters, but I always felt very distanced from Madeleine, Elliot and the others. I think partly this stems from Moriarty's cinematic narrative style, in which she always sets the scene before focusing on the characters. Moriarty describes the characters over and over as she zooms in on them during scene changes. Other readers, though, really liked the characters, so I suspect this may have to do with how well the writing sits with you personally.

Without that connection to the characters, I was bored all the way through this 373 page book. My reading slowed down a lot because I found myself not wanting to go back to it. I just didn't care about the people involved, so I couldn't get invested in their goings on. At the end, a character might have died but I'm not sure and don't care enough to find out for sure. Every single time I picked this book up, I would go from alert to exhausted. Within seconds of beginning to read, I would be yawning up a storm.

As I said, I think this book will be very hit-or-miss with readers. If you're curious about it, give it a try. If Moriarty's writing makes you laugh and comes alive like the technicolor explosion that it is, then the book is for you. If, like me, you feel like maybe Moriarty was trying a bit too hard, then it might not be for you.

Rating: 2/5

Favorite Quote:

"Your guess is as good as mine.
     Well, no, I doubt that actually. My guess would probably be better than yours."

Review: Fade to Black

Fade to Black
Rojan Dizon, Book 1

Author: Francis Knight
Pages: 384
Publisher: Orbit
Source: Publisher

Description from Goodreads:
From the depths of a valley rises the city of Mahala.

It’s a city built upwards, not across—where streets are built upon streets, buildings upon buildings. A city that the Ministry rules from the sunlit summit, and where the forsaken lurk in the darkness of Under.

Rojan Dizon doesn’t mind staying in the shadows, because he’s got things to hide. Things like being a pain-mage, with the forbidden power to draw magic from pain. But he can’t hide for ever.

Because when Rojan stumbles upon the secrets lurking in the depths of the Pit, the fate of Mahala will depend on him using his magic. And unlucky for Rojan—this is going to hurt.

First Sentence: "I forced the door, nice and quiet, with my ever-so-slightly-illegal pulse pistol at the ready."

Review:

Alright, I have a lot of fairly unpleasant things to say about Fade to Black, so I want to stress first and foremost that I don't think this is a bad book. For some people, it's probably even an incredibly delightful book, but I am not one of those people. Francis Knight's Fade to Black is very much a "dude" book. Much as I don't like to subscribe to gendered reading, this book will have more appeal with men, largely due to the portrayal of women.

Let's start off with what I did like, because there was one thing. The world Knight created is dark, eerie, and fascinating. It's a dystopian world, which, while obviously not a utopia in the beginning, has even blacker secrets underneath. The idea of this world thrusting high up into the sky, where people commute by shaking bridges, creates a strong mental image. It's like nothing I've read before, though I've seen a couple of similar ones none were quite like Knight's.

Knight also had an interesting concept with the pain mages. I both did and didn't like this. The idea that they can convert the pain of themselves or others into magic is admittedly cool. I also thought the fact that the magic would corrupt the user was neat too, especially given the dark nature of the magic. Rojan's struggles against using his magic are compelling, and pretty much the one sign that he might not be an asshat of a man.

On the other hand, though, the pain mages thing also allowed Knight to get pretty gruesome. I'm not usually easily grossed out by fiction because I'm not a visual reader. Where horror or gore on a television screen freaks me out instantly, I can read gory horror novels without a problem. Knight revels in the painful stuff, perhaps she even had to, but it doesn't mean I have to like it. I could not handle the descriptions of Rojan breaking his hand and then continuing to abuse it all through the book. I feel sympathetic twinges in my own hands now even as I type this. Whiles she obviously has writing talent to make me feel this way, I still found the whole ordeal highly unpleasant.

As mentioned previously, my biggest issue with Fade to Black is Rojan Dizon and his sexism. I would say Fade to Black reads a bit like an old school noir, where women are solely seen as sexual objects. Rojan has a firm belief that any woman will sleep with him and regularly has a number of women at any one time, all of whom seem to have been unaware that that was the case, based on their reaction at the beginning of the book. If he wants to sleep around, fine, but don't lie to women about what you want from them. That's so not cool. His attitude and the way he thinks about every single woman he meets made me want to kick him in his manparts with steel-toed boots.

There is one powerful woman, the fighter Jake, the only female who seems strong enough to have any sway in the world. She's been dominating the underground fighting circuit. That sounds good, right? Well, not so much. Turns out she's the only woman who's not interested in him, so obviously it must be love. Insert eyeroll here. Then, later, we find out that the reason that Jake has no interest in Rojan or any of the other men is because she was sexually abused when she was younger, so the touch of a man turns her into a weak-willed, fearful creature just like every other woman. Fan-freaking-tastic. The strongest female character was actually a whore, who escaped from sexual abuse to open a whorehouse, which pretty much sums up what Knight thinks about women.

Fade to Black might be for you if you do not mind reading about men who are rampant sexists and enjoy gory descriptions, perhaps those who enjoy the exploits of James Bond. Sadly (or happily), that is not me.

Rating: 2/5

Favorite Quote: "'You and, and - everyone's cruel, life's cruel, and so is death and so am I, and I intend to find out just how cruel I can be. So fuck you, Rojan, fuck you.'"