Review: Antigoddess

Antigoddess
Goddess War, Book 1

Author: Kendare Blake
Pages: 333
Publisher: Tor Teen
Publication Date: September 10, 2013
Read: September 5
Source: Finished copy from publisher

Description from Goodreads:
The Goddess War begins in Antigoddess, the first installment of the new series by acclaimed author of Anna Dressed in Blood, Kendare Blake.

Old Gods never die…

Or so Athena thought. But then the feathers started sprouting beneath her skin, invading her lungs like a strange cancer, and Hermes showed up with a fever eating away his flesh. So much for living a quiet eternity in perpetual health.

Desperately seeking the cause of their slow, miserable deaths, Athena and Hermes travel the world, gathering allies and discovering enemies both new and old. Their search leads them to Cassandra—an ordinary girl who was once an extraordinary prophetess, protected and loved by a god.

These days, Cassandra doesn’t involve herself in the business of gods—in fact, she doesn’t even know they exist. But she could be the key in a war that is only just beginning.

Because Hera, the queen of the gods, has aligned herself with other of the ancient Olympians, who are killing off rivals in an attempt to prolong their own lives. But these anti-gods have become corrupted in their desperation to survive, horrific caricatures of their former glory. Athena will need every advantage she can get, because immortals don’t just flicker out.

Every one of them dies in their own way. Some choke on feathers. Others become monsters. All of them rage against their last breath.

The Goddess War is about to begin.

First Sentence: "The feathers were starting to be a nuisance."

Review:

I'm one of the few people who never got around to reading Kendare Blake's Anna Dressed in Blood, though I do have a copy and will read it...someday. Initially, it wasn't really on my radar, because horror isn't something I seek out, but the reviews convinced me. Antigoddess, however, was a topic that called my name and I was hopeless to resist that call, much like Odysseus and the sirens. Thankfully, Kendare Blake lived up to all the hype, and Antigoddess was a non-stop horrorshow and thrill ride.

Antigoddess is one of those books where the reader basically has no idea what is happening at any point. To predict the outcome, you'd basically need to be a prophetess like Cassandra. Sometimes, I hate this in books, especially in mysteries, but with Antigoddess it works. That feeling of being out of your element and out of control really plays into the mythology, the fact that these gods, even diminished are really beyond our ken. Though I don't mind predictable formulas (like romances and their inevitable HEAs), Antigodess was a refreshing change, because I had zero clue how it would end at any point, and have even less idea what will go down in book two.

I am all about Greek mythology, and, while Blake's interpretation might not exactly be canon, it's mindblowingly cool and creepy. So the Greek gods have basically continued existing and doing their things, blending in with humans or running around in non-populated places, whatever they want. But then, dun dun dun, they began to die. Obviously, they're not super thrilled about this because 1) they're supposed to be immortal and 2) they're dying in really nasty ways. Like Athena getting slowly smothered to death by owl feathers growing inside of her body. Anyway, Athena and Hermes are trying to figure out a way to stop dying, and so are some other gods (most importantly Hera and Poseidon) and they're all also at war. There are also so humans involved and it's all just nuts in the most awesome sort of way.

What really makes me squee about Blake's world building is how empowering it is for women. Yes, there were always female gods, and some of them are quite powerful, but, in Greek mythology, the dude's are still really running the show. In Antigoddess, though several male gods are present, it's the women who are running the show, specifically Athena and Hera. Hermes defers to Athena, for example, and Poseidon to Hera. In the original mythology, Hera is powerful, but mostly just gets to be cuckolded over and over, without any ability to prevent Zeus from sleeping around and then punishing the girl, who, often, Zeus even raped. Hera still may not come out of this smelling like roses, but at least she's imbued with agency. Within the human characters too, Cassandra and Andie are exceptionally strong. Blake writes female characters who kick serious ass and have brains to back that up.

Though I didn't emotionally bond with the characters, they're all fascinating and compelling, so that even the comparatively slow beginning didn't drag for me in the slightest. Also, good news for those who are sick of romance dominating plot, that is not the case here. There are some ships that you can board, but they take up relatively little page time. Also, for the record, I am definitely on a couple of those ships, and got to watch the one I wasn't on sink. Mwahahaha. *high fives Kendare*

The other thing I really want to note is how well Kendare writes. I'm not a visual reader, but Blake has a way of making things very visceral, and putting definite images in my head. Very few writers can do this for me, and I'm always so impressed when it happens. Her descriptions of the feathers seeding Athena's body especially will be haunting me for a while.

Kendare Blake's Antigoddess is a dark, creative roller coaster ride of a read. For readers who enjoy action-packed books or unique mythological retellings, particularly with a feminist bent, Antigoddess is a must.

Rating: 4/5

Favorite Quote: "'Everything born must die,' she repeated. 'But I sprang fully formed from our father's head. So that doesn't exactly count, now does it?'"

Review: The Waking Dark

The Waking Dark

Author: Robin Wasserman
Pages: 464
Publisher: Knopf Books for Young Readers
Publication Date: September 10, 2013
Read: September 7-8, 2013
Source: Gifted ARC by friend who went to ALA

Description from Goodreads:
They called it the killing day. Twelve people dead, all in the space of a few hours. Five murderers: neighbors, relatives, friends. All of them so normal. All of them seemingly harmless. All of them now dead by their own hand . . . except one. And that one has no answers to offer the shattered town. She doesn't even know why she killed—or whether she'll do it again.

Something is waking in the sleepy town of Oleander's, Kansas—something dark and hungry that lives in the flat earth and the open sky, in the vengeful hearts of upstanding citizens. As the town begins its descent into blood and madness, five survivors of the killing day are the only ones who can stop Oleander from destroying itself. Jule, the outsider at war with the world; West, the golden boy at war with himself; Daniel, desperate for a different life; Cass, who's not sure she deserves a life at all; and Ellie, who believes in sacrifice, fate, and in evil. Ellie, who always goes too far. They have nothing in common. They have nothing left to lose. And they have no way out. Which means they have no choice but to stand and fight, to face the darkness in their town—and in themselves.

First Sentence: "Later, after he'd trashed his bloody clothes, and stood under the cold shower long enough that the water circling the drain had gone from red to pink to clear, Daniel Ghent would wonder if some part of him had known what was to come—or should have."

Review:

I absolutely adored Robin Wasserman's The Book of Blood and Shadow, which blended horror, paranormal, historical and contemporary fiction into something dark and beautiful. As such, I had very high expectations for The Waking Dark, which were partly met but not wholly. The key thing to know about The Waking Dark is that it is a horror novel, pure and simple, though calling the novel simple is rather misleading.

The Book of Blood and Shadow began with blood and murders. The Waking Dark tops that, opening with twelve deaths in five outpourings of seemingly random violence, each witnessed by one teen who survived. For the most part, The Waking Dark follows these five teens: Daniel, Jule, Ellie, West, and Cass. Wasserman uses a third person narrative style that does occasionally drift to other characters temporarily, but 95% of the book is about these five.

The Waking Dark follows along a basic horror story arc. The murders occur, but then life settles a bit and normalcy seems to return, only not quite. Something dark lurks beneath the surface of the people of Oleander, Kansas. It's almost as if the id is taking over, people's basest and most secret desires taking control; instant gratification mattering more than social mores. Wasserman's tale is unrelentingly dark and creepy.

The large cast of characters is both a boon and a drawback. None of them quite get enough characterization for me to be wholly invested in them, a fact exacerbated by not ever getting to see them before the Killing Day, as the day of the opening comes to be known. However, the large cast is an intriguing one. Daniel's the son of a drunk, who calls himself the Preacher, and judged by the town for that. Jule, short for Juliet, is part of the infamous Prevette family, meth heads, meth makers, and meth dealers, and she's trying to figure out if she can be free of that taint. Ellie is driven by her faith in Christianity. West is a popular football player, trying to hide that he's in love with a boy. Cass is popular and smart, babysitting kids (and she hates kids) in order to save up enough money to escape Kansas for college. There aren't many YA books written about kids like these, except maybe those like Cass, so reading about them was refreshing.

The best aspect of The Waking Dark is Robin Wasserman's writing which is positively beautiful. That woman can turn a phrase. This raises The Waking Dark above the average horror offerings. She does use the horror to make commentaries on human nature, war, and faith. She manages to make the novel quite meaningful, though the plot is something straight out of a horror film, sort of like The Bible Belt Goes Bananas.

As may be obvious, what I didn't care for was the plot. The whole thing just seems way too absurd to me. I feel like this could have been a great idea, but the explanation for how this madness came to the town strikes me as utterly ridiculous. Not buying into that, it's really just violence for violence's sake, which is all very well, but horror really isn't my genre of choice.

Horror fans, get thee to a bookstore, because Robin Wasserman's The Waking Dark is a creepy thrill ride full of death and blood from the first page to the very last ones. Even if you're not much for horror, The Waking Dark may be worth it for Wasserman's beautiful prose.

Rating: 3/5

Favorite Quote: "'I know you'd have more fun with Team Sinner. We win all the championships."

Review: Crown of Midnight

Crown of Midnight
Throne of Glass, Book 2

Author: Sarah J. Maas
Pages: 432
Publisher: Bloomsbury USA Childrens
Publication Date: August 27, 2013
Read: August 16-17, 2013
Source: Gifted - thanks to Alyssa of Books Take You Places

Description from Goodreads:
An assassin’s loyalties are always in doubt. But her heart never wavers.

After a year of hard labor in the Salt Mines of Endovier, eighteen-year-old assassin Celaena Sardothien has won the king's contest to become the new royal assassin. Yet Celaena is far from loyal to the crown – a secret she hides from even her most intimate confidantes.

Keeping up the deadly charade—while pretending to do the king's bidding—will test her in frightening new ways, especially when she's given a task that could jeopardize everything she's come to care for. And there are far more dangerous forces gathering on the horizon -- forces that threaten to destroy her entire world, and will surely force Celaena to make a choice.

Where do the assassin’s loyalties lie, and who is she most willing to fight for?

Previous Book in Series:
1: Throne of Glass


First Sentence: "The shutters swinging in the storm winds were the only sign of entry"

Review:

My love for Throne of Glass is well known, but, after reading some reviews, I started wondering if the book was quite as good as I remembered. There were some fair criticisms, things I'd not even considered. In Crown of Midnight, Maas really hits those elements that were missing from the first, and ups the stakes to an incredible degree. This sequel is a must read for those who loved Throne of Glass and perhaps even for those who were on the fence.

One of the criticisms I'd seen was of Celaena being proclaimed a heartless assassin, but that not really ever being shown. Instead, she's going to balls and eating candy. Of course, I love that the assassin has a softer side, but I did agree retroactively that it would have been good to see more of her dark side. In Crown of Midnight, you get to see Celaena living up to her reputation, and, when this girl is on a killing spree, it's a thing of bload-soaked beauty. She may like frilly dresses, but she's also totally cool with being covered in blood. Being able to see all of the facets of Celaena really adds depths to her character.

The other main criticism of the first book that I agreed with was that the King, clearly the villain, didn't have much of a role. He just sort of cackled evilly every so often. In Crown of Midnight, we get to see more of him and learn about his plans, still only the very slightest understanding, but it's enough to make him one intensely creeptastic villain.

The plotting of the story becomes much more complex in Crown of Midnight. Actually, I was really surprised by the direction that the story has gone, very different from the more basic fantasy roots of the first. There are a number of twists, none of which I really saw coming, though I felt really dumb that I missed the biggie, since there were a lot of hints. The plot is full of twists and turns, and full of betrayals. I do have some quibbles with the world building, but they're minor enough I can't really draw a line to any one thing.

Of course, there's also the romance. The age of Dorian is over and now it's all about Chaol (as it should be). All I can really say about what happens here is that I approve wholeheartedly. This is why I love guys like Chaol, all cool and collected on the outside, but so much passion on the inside. *sighs happily*

Maas impressed me with her willingness to be cruel and heartless to the characters. To be honest, I really didn't get the impression from Throne of Glass that she would be willing to kill off characters, but I'm thrilled to be wrong. Oh, she's brutal. Mwahahaha. And, no, I won't tell you who dies, so have fun sitting on the edge of your seat the whole time. As you may know, I find killing off a beloved main character a mark of good fantasy.

Sarah J. Maas really proves her talent in Crown of Midnight, deftly avoiding any sort of second book syndrome. Instead, she greatly amps up the world building, plot and intensity. In my opinion, this series is a must read for fantasy fans. The third book is poised to be epic and heartbreaking, and I am so excited.

Rating: 4.5/5

Favorite Quote: (Warning: It's a bit SPOILERY, so read with caution)

 "'Who said anything about shame?' She gestured down to her naked body, even though it was covered with the blanket. 'Honestly, I'm surprised you're not strutting about, boasting to everyone. I certainly would be if I'd tumbled me."

Review: Defiance

Defiance
Defiance, Book 1

Author: Stephanie Tyler
Pages: 325
Publisher: Carina Press
Read: June 7-9, 2013
Source: Publisher for review

Description from Goodreads:
Rebelling against her legacy as the MC's princess, Tru Tennyson escaped the ruthless, male-dominated culture of the Defiance motorcycle club. Three years later, her newfound freedom is ripped away, thanks to a massive hybrid storm that killed millions. Now, in the post-Chaos world of semi-darkness and near-total anarchy where gangs rule, she discovers the dangerous world of Defiance may be the one thing that can keep her safe.

Tru is at the MC's mercy when she's dragged back to her former home … and to the only man she's ever pictured a future with. Caspar is the bastard son of the club's leader, her safe haven when life got rough — and her onetime lover the night she left. When Tru refuses to trade sex for power and be claimed by a rival club leader, she also dares to announce she wants Caspar instead, throwing the MC into turmoil.

Tru's brazen revolt could start a gang war and destroy the club from within. Now both Tru and the MC must wait for Caspar's response … and the inevitable fallout.

First Sentence: "From his perch on top of the Harley Fat Boy, Caspar waited Silas out as he looked toward the front gates of the Defiance Motorcycle Club's headquarters."

Review:

To explain why I read a romance novel with a dude on a motorcycle on the cover, I'm going to need to talk a bit about BEA. On Wednesday, I went to the Harlequin High Tea, and had a really great conversation with one of their editors. She asked me what I liked to read and ended up pitching Defiance to me, and, when she told me that her background included the Feminist Press, I was curious. Getting a review request for the same title when I got back convinced me that I should fit it into my schedule. It really surprised me how much fun I had reading Defiance, even if I do have some significant issues with the treatment of women in the novel.

Defiance falls into that subcategory of dystopian/post-apocalyptic literature where, in the event of an apocalypse the role of women reverts to that of a possession, useful for sex, cooking and cleaning. While I hate how common this basic premise is, I do think there's a reason it crops up so much. I wish I could say I didn't find that a believable vision of humanity's response to an apocalypse, that all the progress society's made in valuing women wouldn't be erased, but I can't. Plus, in Defiance, it' s set within a Motorcycle Club, which, from what little I know, isn't exactly a woman-centered place to begin with, so everything would be played up more strongly there.

Motorcycle clubs don't interest me at all, perhaps because of the sorts of gender roles and idiotic machismo that can be found within these pages in spades. Plus, the general lack of education in most of these characters - what intelligence there is is generally of the street smarts variety. There's a lot of slang, and antiquated ideas that women are to be owned and protected. The lucky women in the club are bonded to a man, belong to him, his to command, fuck and beat as he desires. She's his bitch (this phrasing is used). I'm not going to lie: I hate this shit. It's not cool at all. Being some guy's possession isn't romantic, and I don't like seeing Tru enjoying that.

However, the general trend throughout the plot is Tru and Caspar trying to improve the MC (Motorcycle Club). They want to stop the abuse of women, and make it so that women can hold more positions within the MC. Still not exactly a feminist read, but I can live with positive progress being made. It also helps that Tru and Caspar are really supportive of one another, and both very honest. Caspar doesn't hide everything from Tru, and he obviously would never hurt her or force her to do anything she wasn't comfortable with.

You might be wondering why it's set in a MC. Well, supposedly Defiance, the MC, was prepared for an apocalypse, building underground tunnels, sun lamps, means of getting water and growing food, etc. I honestly don't know enough about MCs to say whether that's realistic, so I just rolled with it. In this world, it's largely the rough who have survived: the military, cops, criminals, bikers. Soft, sweet people had more trouble surviving the Chaos, a world where killing to survive might be a necessity. Tyler doesn't hesitate to include violence, and it's definitely a sufficiently dark vision of the future.

Tyler also uses a really interesting narrative technique. One character, Mathias, has a first person perspective, where the rest is written in third person limited. Mathias isn't one of the main characters, so it's a unique choice. Mathias also happens to be unable to speak, so it's ironic that he's the only one given voice in the novel. Also, I really like Mathias, so I'm hoping he'll be a main character in one of the later books.

The reason I kept reading and am rating this so highly despite my serious concerns about the portrayal of the women, which is definitely still as beneath men at the best of times, is that it was really fun to read. I was flipping pages really quickly and curious to find out where it was going. Even with everything, I'm definitely planning to read the next book in the series. Of course, I'll be hoping to see more empowerment of women as the series continues, and if I don't the ratings may suffer. For those who are less particular about relationship dynamics in  romance, Defiance will no doubt be a fun read for you.

Rating: 3/5

Favorite Quote: "'I don't like rules, especially the unwritten ones that say I need to let myself be controlled by my man.'"

Review: Sky on Fire

Sky on Fire
Monument 14, Book 2

Author: Emmy Laybourne
Pages: 288
Publisher: Feiwel & Friends
Publication Date: May 28, 2013
Read: May 18-19, 2013
Source: Publisher

Description from Goodreads:
The world hasn't ended...yet.

In this sequel to MONUMENT 14, the group of survivors, originally trapped together in a superstore by a series of escalating disasters, has split in two. Most of the kids are making a desperate run on their recently repaired school bus for the Denver airport where they hope to reunite with their parents, be evacuated to safety, and save their dying friend.

But the world outside is dark and filled with dangerous chemicals that turn people into bloodthirsty monsters, and not all the kids were willing to get on the bus. Left behind in a sanctuary that has already been disturbed once, the remaining kids try to rebuild the community they lost. But when the issues are life and death, love and hate, who can you really trust?

Previous Book in Series:
1: Monument 14

First Sentence: "To whoever finds this: here's a math problem for you."

Review:

If I reviewed this book with just one word, that word would be UGH. Honestly, I enjoyed Monument 14 when I read it last year. I'm not sure whether it's actually better than Sky on Fire or if, because of my monumental reading challenge, I was just happy to read something so fast-paced. Either way, Sky on Fire is just sad. I hate making such a pronouncement, but the quality of the writing, the flat characters, and the discomfiting portrayal of women combined to make this a horrid read for me.

Warning: There will be spoilers all up in this bitch.

On the plus side, Sky on Fire probably only took about an hour of reading time all told. It's just 210 pages, so it flies by. Its brevity is the big selling point. The other positive I can offer for Laybourne's series is that the world building does have promise. I like that the world really does seem pretty fucked, and that she's willing to kill off characters; I would like it more if she killed off all of them. The idea of an airborne toxin affecting different blood types in varying ways is interesting too. Unfortunately, a good idea didn't help much, since I hated the plot, writing and characters.

We'll start with the characters. I've read two books in this series now and have yet to see any character development. Things happen and the kids do change somewhat, but not for any discernible reason. Shit just happens. For example, Astrid, pregnant and the object of Dean's affections, tells him that it was nice of him to stay with her in the store, but that she won't have sex with him. Nothing really changes, but they have sex either that day or the next day and suddenly she likes him. Apparently this nerdy virgin who had no experience whatsoever before must have been a mind-blowing lay. *rolls eyes* So, yeah, Astrid changed, but there was nothing to explain why she supposedly likes Dean rather than Jake.

Or, how about this? At the end of the first book, we learned of Astrid's pregnancy. This was my first really bright red flag in the series, but I still wanted to give book two a try. How terrible is it to be a pregnant teenager? Pretty awful in most circumstances. How about if there are no doctors around to help with the birthing? That's definitely worse. And what if you're in the middle of an apocalypse? Worst time ever to have a kid. This is pretty much fact. Yet, somehow, both Jake and Astrid are OVERJOYED at the fact that they will be bringing spawn into the world. No. Yes, these kids are idiots, but, fuck, even they should realize that this is the worst fucking thing that could be happening.

Let's talk about the girls in this book. The way they are portrayed makes me very uncomfortable. The strongest girl in the book is Astrid, pregnant in the middle of the apocalypse. She does actually help save them. Yay! But she's also in the middle of an asinine love triangle and apparently wants to be with whichever guy had sex with her last. So . . . less cool. Then there's Sahalia, who does nothing but cry and have guys attempt to rape her. She's also thirteen. The younger ones serve no purpose to the plot. Oh, there's another girl who's used as a hostage. And another one who does save the group on the bus a couple of times, but then always runs off crying and I'm pretty sure gets left behind entirely, though they're going to go get her in book three. Still, they freaking fly off to fucking Canada and leave her. This is how much women matter.

The writing drove me bonkers. It's repetitive and redundant, like my description. The sentences are simple, especially in Alex's sections. The narration is split between brothers Dean and Alex, as they group has split into two. Alex's notes are monotonous. I don't know how something non-verbal can be monotonous, but this is. Simple sentences with few two or more syllable words. "We did this. We did that." down to mundane details that have nothing to do with the overall plot. Both brothers seem to be writing journals of some sort, but it's unclear when they're writing them. The bottoms of each page indicate the time or location of the entry, but they sometimes reference things the characters don't know yet, like they're being compiled much later. For example, Dean mentions that the smoke kept the toxins in the air from affecting them though they didn't know that yet. That's something they couldn't have learned until at least the last few chapters, but that was in the middle of the book.

Speaking of smoking, that plot element may have disgusted me more than the sexism. Apparently cigarette smoke clears the air of the dangerous elements. Yay! Children, cigarettes are good for you. Was this book endorsed by Marlboro or something? Ugh. There are so many other things that could have been used to clear the air, like incense or candles. It really had to be fucking cigarettes? This sends an awesome message to children.

In no way can I endorse this book. It's certainly not a good choice for a reader like me. I suspect Laybourne is trying to target reluctant readers, but easy-to-read writing can be better than this. However, if you can look past flat, unlikable characters and questionable messages, then maybe you'll like this series. Every book works for someone, right? All I know is that no force in the 'verse could make me read any more.

Rating: .5/5

Favorite Quote: "'I'm too damn old for this nonsense.'"

Audiobook Review: Maya's Notebook

Maya's Notebook

Author: Isabel Allende
Narrator: Maria Cabezas
Duration: 14 hrs 40 mins
Publisher: Harper Audio
Read: May 10-18, 2013
Source: Publisher for review

Description from Goodreads:
Neglected by her parents, 19-year-old Maya Nidal has grown up in Berkeley with her grandparents. Her grandmother Nini is a force of nature, a woman whose formidable strength helped her build a new life after emigrating from Chile in 1973. Popo, Maya's grandfather, is a gentle man whose solid, comforting presence helps calm the turbulence of Maya's adolescence.

When Popo dies of cancer, Maya goes completely off the rails, turning to drugs, alcohol, and petty crime in a downward spiral that eventually bottoms out in Las Vegas. Lost in a dangerous underworld, she is caught in the cross­hairs of warring forces. Her one chance for survival is Nini, who helps her escape to a remote island off the coast of Chile. Here Maya tries to make sense of the past, unravels mysterious truths about life and about her family, and embarks on her greatest adventure: The journey into her own soul.

Review:

Wow, so this was my first experience with Isabel Allende and it was not what I was expecting at all. I'm not sure what I was expecting exactly, just that it wasn't this. Also, just fyi, let's just put a big ol' trigger warning all over this book for pretty much every trigger ever.

Why Did I Read This Book?
I'd run out of audiobooks for review and selecting them on my own takes forever, and this showed up in a newsletter. I've been curious about Allende for a while, thus why I own several of her books (*side-eyes*), and this seemed as good a place to start as any. Plus, I've discovered that I generally love books about dark subject matter and this did sure sound dark.

What's the Story Here?
Nineteen year old Maya Nidal has been sent by her grandma to a small Chilean island to escape some tragic past and possibly pursuers. The story follows two timelines, Maya's past and her present, until the past catches up to where the book started. What unravels is a tale of how Maya made pretty much every wrong decision it was possible to make. Seriously, she does drugs, is an alcoholic, gets raped (this isn't a decision, but getting into a truck with a sketchy trucker after escaping from rehab may not have been the wisest course), joins the underworld and sells drugs so she can earn drugs, pisses off people in the underworld, and then, living on the street, prostitutes herself to obtain money for drugs. The point of the book is that the Chilean island, the name of which I don't know how to spell because audio, opens her up and lets her live again.

What Did I Think Was Missing?
Maya's emotional arc didn't really work for me. We're spared most of her struggle of recovery from addiction. There's some mention of it, but not enough. Recovering from addictions to crack and alcohol is a painful process and she doesn't seem to suffer all that much. In Chile, people regularly drink in front of her and it seems hardly to tempt her, though she does know better than to drink anything herself. From what I've heard, most alcoholics can't handle that. Seeing that she will be dealing with those unhealthy urges forever would have been a more powerful statement, I think. She just seemed to get over it all way too easily.

How are the Characters?
Mostly, they're all terrible people. The rest, like Maya, her grandmother, and Manuel, who Maya stays with in Chile, are on the border between likable and unlikable. I will say that Allende does give them all distinct personalities and they do feel like real people, so points for characterization. However, they're just not people I particularly want to get to know. This was sort of like listening to a radio drama of some super dark soap opera or something. On the one hand, you can't stop listening because you want to know what happens next, but it was also melodramatic like whoa.

And the Romance?
Lol, okay, so this part I did like. Maya's this girl who's been through pretty much everything life has to offer. She's seen and done a lot. Anyway, this guy, Daniel, comes to the island and she sees him and hearts pop out of her eyes like in an anime. The moment she sees him she's like "this is the man I'm going to marry," because her feelings on seeing him reminded of the story of how her grandma met her beloved grandpa. She instaloves all over Daniel, which would be irritating, except that it totally pans out like most actual teen instalove would: a big, huge, awkward dumping. After it happens, Maya's all "this is the worst thing that has ever happened to me," and I was all "trololol." This was basically the comic relief of the piece.

How was the Narration?
Maria Cabezas definitely makes a convincing Maya. She reads with just the slightest accent, like her time in Chile has rubbed off on her. Her voice conveys both Maya's gruffness and youth, and she was just really well-suited to the character. I'm glad I tried this on audio, because I would have DNFed the print really quickly.

Sum It Up with a GIF:

Rating: 2.5/5

Review: Mila 2.0

MILA 2.0
MILA 2.0, Book 1

Author: Debra Driza
Pages: 480
Publisher: Katherine Tegen
Publication Date: March 12, 2013
Source: Publisher for review

Description from Goodreads:
Mila 2.0 is the first book in an electrifying sci-fi thriller series about a teenage girl who discovers that she is an experiment in artificial intelligence.

Mila was never meant to learn the truth about her identity. She was a girl living with her mother in a small Minnesota town. She was supposed to forget her past —that she was built in a secret computer science lab and programmed to do things real people would never do.

Now she has no choice but to run—from the dangerous operatives who want her terminated because she knows too much and from a mysterious group that wants to capture her alive and unlock her advanced technology. However, what Mila’s becoming is beyond anyone’s imagination, including her own, and it just might save her life.

Mila 2.0 is Debra Driza’s bold debut and the first book in a Bourne Identity–style trilogy that combines heart-pounding action with a riveting exploration of what it really means to be human. Fans of I Am Number Four will love Mila for who she is and what she longs to be—and a cliffhanger ending will leave them breathlessly awaiting the sequel

First Sentence: "Beyond the eastern border of Greenwood Ranch, orange poured across the sky, edging the clouds like flames."

Review:

I'm not going to lie to you: my deep desire for MILA 2.0 was entirely superficial. I mean, can you blame me? Look at that cover! It's the cover that The Adoration of Jenna Fox was trying to be. As soon as I saw this cover, MILA 2.0 went to the top of my WANT WITH THE FIRE OF A THOUSAND SUNS pile. Still, I'd been burned before by books from this pile and was naturally hesitant. Well, lucky me, because MILA 2.0 turned out to be a fast-paced thrill ride.

MILA 2.0 is about a girl who discovers she's a robot. That premise pretty much can't fail to make me excited. I really like the way Mila's abilities are handled in here. Sure, there are things where I wasn't entirely sure about whether they would be possible, but it wasn't hard to suspend disbelief. Driza's not trying to heavy science fiction on her readers, so she gives you just enough information, without ever feeling the need to over-burden you with technical terms or infodumps. Obviously, this might be a disappointment for hardcore science fiction readers, but it was perfect for a person like me, who has a rather tenuous grasp on science.

Driza does a great job with her action scenes. They're clear and concise, easily distinguishing between commands issued from other people, from Mila's programming, or from Mila's own mind. Some of the robotic features could have been confusing, depending on formatting and handling in the text, but they're really well-integrated, and not used so often as to be annoying. The real focus of the plot is on the action, which is great. I love when a book knows what kind of a book it is and runs with it.

Mila makes such a great character and is one of the best robot/manufactured main characters I've read. Most authors feel the need to make the character read as robotic, giving them stilted ways of speaking and limited vocabularies. Driza did not fall into this trap. Mila acts like a completely normal person, which is precisely the point. Since Mila is nigh indistinguishable emotionally from a person, it highlights the question of whether she has humanity. What makes a human human? I'm not going to pretend this is an original theme or even treatment thereof, but it's well done, and way less preachy than most. Also, Mila is hardcore. She does some things in here that really took me by surprise. Let's just say she's willing to get her hands dirty.

The main weakness in MILA 2.0 lies in the more realistic side of the story. The opening where Mila thinks she's just a regular student moves a bit slowly. Though I did find her dramas with her friend Kaylee very believable and unfortunate, I would have liked to see that element pulled out as something she learned from. On top of that, there's a new boy in school (of course), who is immediately drawn to Mila (surprise!). They bond way too quickly. While I do understand her obsession with whom throughout the book, since he's the only real, positive link to her human self, his side of things does not make sense to me.

Though I'm not completely sold on what, admittedly little, romance there is in this first book, I'm looking forward to the developments in the next...I hope. There's a possible love triangle brewing, and I really hope so, because I'm rooting for Lucas, whether that's happening or not. I would love to see a romantic hero with a limp because of his club foot. All kinds of people can be hot! Also, he probably wouldn't feel the need to protect her, since he knows himself and his limitations so well.

MILA 2.0 is out today, so, if you enjoy fast-paced books with a lot of action and science fiction-y goodness, go out and find a copy! Now I just have to wait a full year to find out what happens next. C'est la vie.

Rating: 3.5/5

Favorite Quote: "'No two people ever view the world from exactly the same perspective, understand things the same way, human or not.'"

Review: Fade to Black

Fade to Black
Rojan Dizon, Book 1

Author: Francis Knight
Pages: 384
Publisher: Orbit
Source: Publisher

Description from Goodreads:
From the depths of a valley rises the city of Mahala.

It’s a city built upwards, not across—where streets are built upon streets, buildings upon buildings. A city that the Ministry rules from the sunlit summit, and where the forsaken lurk in the darkness of Under.

Rojan Dizon doesn’t mind staying in the shadows, because he’s got things to hide. Things like being a pain-mage, with the forbidden power to draw magic from pain. But he can’t hide for ever.

Because when Rojan stumbles upon the secrets lurking in the depths of the Pit, the fate of Mahala will depend on him using his magic. And unlucky for Rojan—this is going to hurt.

First Sentence: "I forced the door, nice and quiet, with my ever-so-slightly-illegal pulse pistol at the ready."

Review:

Alright, I have a lot of fairly unpleasant things to say about Fade to Black, so I want to stress first and foremost that I don't think this is a bad book. For some people, it's probably even an incredibly delightful book, but I am not one of those people. Francis Knight's Fade to Black is very much a "dude" book. Much as I don't like to subscribe to gendered reading, this book will have more appeal with men, largely due to the portrayal of women.

Let's start off with what I did like, because there was one thing. The world Knight created is dark, eerie, and fascinating. It's a dystopian world, which, while obviously not a utopia in the beginning, has even blacker secrets underneath. The idea of this world thrusting high up into the sky, where people commute by shaking bridges, creates a strong mental image. It's like nothing I've read before, though I've seen a couple of similar ones none were quite like Knight's.

Knight also had an interesting concept with the pain mages. I both did and didn't like this. The idea that they can convert the pain of themselves or others into magic is admittedly cool. I also thought the fact that the magic would corrupt the user was neat too, especially given the dark nature of the magic. Rojan's struggles against using his magic are compelling, and pretty much the one sign that he might not be an asshat of a man.

On the other hand, though, the pain mages thing also allowed Knight to get pretty gruesome. I'm not usually easily grossed out by fiction because I'm not a visual reader. Where horror or gore on a television screen freaks me out instantly, I can read gory horror novels without a problem. Knight revels in the painful stuff, perhaps she even had to, but it doesn't mean I have to like it. I could not handle the descriptions of Rojan breaking his hand and then continuing to abuse it all through the book. I feel sympathetic twinges in my own hands now even as I type this. Whiles she obviously has writing talent to make me feel this way, I still found the whole ordeal highly unpleasant.

As mentioned previously, my biggest issue with Fade to Black is Rojan Dizon and his sexism. I would say Fade to Black reads a bit like an old school noir, where women are solely seen as sexual objects. Rojan has a firm belief that any woman will sleep with him and regularly has a number of women at any one time, all of whom seem to have been unaware that that was the case, based on their reaction at the beginning of the book. If he wants to sleep around, fine, but don't lie to women about what you want from them. That's so not cool. His attitude and the way he thinks about every single woman he meets made me want to kick him in his manparts with steel-toed boots.

There is one powerful woman, the fighter Jake, the only female who seems strong enough to have any sway in the world. She's been dominating the underground fighting circuit. That sounds good, right? Well, not so much. Turns out she's the only woman who's not interested in him, so obviously it must be love. Insert eyeroll here. Then, later, we find out that the reason that Jake has no interest in Rojan or any of the other men is because she was sexually abused when she was younger, so the touch of a man turns her into a weak-willed, fearful creature just like every other woman. Fan-freaking-tastic. The strongest female character was actually a whore, who escaped from sexual abuse to open a whorehouse, which pretty much sums up what Knight thinks about women.

Fade to Black might be for you if you do not mind reading about men who are rampant sexists and enjoy gory descriptions, perhaps those who enjoy the exploits of James Bond. Sadly (or happily), that is not me.

Rating: 2/5

Favorite Quote: "'You and, and - everyone's cruel, life's cruel, and so is death and so am I, and I intend to find out just how cruel I can be. So fuck you, Rojan, fuck you.'"

Review: Ice Forged

Ice Forged
Ascendant Kingdoms, Book 1

Author: Gail Z. Martin
Pages: 592
Publisher: Orbit
Publication Date: January 8, 2013
Source: Unsolicited copy from publisher for review

Description from Goodreads:
Condemned as a murderer for killing the man who dishonored his sister, Blaine "Mick" McFadden has spent the last six years in Velant, a penal colony in the frigid northern wastelands of Edgeland. Harsh military discipline and the oppressive magic of the governor's mages keep a fragile peace as colonists struggle against a hostile environment. But the supply ships from Dondareth have stopped coming, boding ill for the kingdom that banished the colonists.

Now, McFadden and the people of Velant decide their fate. They can remain in their icy prison, removed from the devastation of the outside world, but facing a subsistence-level existence, or they can return to the ruins of the kingdom that they once called home. Either way, destruction lies ahead...

First Sentence: "'This has to end.'"

Review:

Ice Forged starts off with a real bang, one that lead me, temporarily, to believe that I might have found a new epic fantasy series to love. What happens is that Blaine's father, a real...honestly, I don't have an epithet strong enough for this guy...rapes his daughter. For Blaine, this is the last straw, and refuses to tolerate anything more from his father who has always been abusive but just upped the ante. Blaine kills him, with no Hamlet-like qualms; he just goes for it. Unfortunately, this scene is the most engaged that I was for the entirety of the nearly 600 page book.

Don't get me wrong, I don't think this is a bad epic fantasy novel, and I would be willing to recommend it to the right sort of reader. As a reader, I prefer character-driven pieces, and this is even more true in a genre like epic fantasy, where I need to stay interested through 500+ pages. Martin's fantasy, however, focuses more on political machinations and world building than on character, so I found myself floundering.

The characters are nice basic foundations, but, without any character development, I couldn't develop more than a surface-level interest in them. They go places and they do things, but the book isn't really about them so much as it is about the fantasy world. If that's your thing, then awesome, but I stay through these journeys for the friendships within the fellowship or for that one romance you know won't bud until the last book but that you can see tendrils of from the beginning. Wonderful world building is crucial, of course, but character comes first with me, because, if I don't care about the main characters, why should I sit through thousands of pages to watch them complete their quest?

The world herein depicted has a lot of merit, especially with the treatment of magic. In this world, people and places have varying amounts of magic, but, basically, it's used to aid in pretty much everything, like growing crops, medicine, fighting, etc. Countries are at war and, no one's sure why, but something breaks the magic. The breaking alone has disastrous consequences, but people may not even be able to survive without all of those little bits of magic they used every day, which seemed so minor at the time but all add up to serious difficulties.

One thing I do not understand is why there are vampires, talishte, running around. Everything else in the world seems pretty standard high fantasy, and then BOOM vampires. They seem a bit out of place, and, honestly, I've had enough vampires at this point that I only want really good ones. For a while, capitalizing off of the most popular trend works, but, after a while, the trend sort of runs its course and readers are going to be pickier about that particular subgenre.

What it comes down to is what you like to get out of your epic fantasy. If you want powerful character arcs, touching interpersonal relationships or for the book to pass the Bechdel test, Ice Forged is not your book. If, however, you like to really delve into the layout of the kingdoms, both physically and politically, then have at it. I will not be reading any more of this series, unless I hear characterization becomes a priority in the next volume.

Rating: 2.5/5

Favorite Quote:

"The red-haired man scowled at Piran. 'You mock the gods?'
     Piran laughed again. 'I can't mock what isn't real.'"

Audiobook Review: One Breath Away

One Breath Away

Author: Heather Gudenkauf
Narrators: Joyce Bean, Susan Ericksen, Laural Merlington, Kate Rudd, Buck Schirner
Duration: 9 hrs, 20 mins
Publisher: Brilliance Audio
Source: Own

Description from Goodreads:
In the midst of a sudden spring snowstorm, an unknown man armed with a gun walks into an elementary school classroom. Outside the school, the town of Broken Branch watches and waits. Officer Meg Barrett holds the responsibility for the town's children in her hands. Will Thwaite, reluctantly entrusted with the care of his two grandchildren by the daughter who left home years earlier, stands by helplessly and wonders if he has failed his child again. Trapped in her classroom, Evelyn Oliver watches for an opportunity to rescue the children in her care. And thirteen-year-old Augie Baker, already struggling with the aftermath of a terrible accident that has brought her to Broken Branch, will risk her own safety to protect her little brother. As tension mounts with each passing minute, the hidden fears and grudges of the small town are revealed as the people of Broken Branch race to uncover the identity of the stranger who holds their children hostage.

Review:

For those of you who don't know, some audiobooks include a bit of music. Not all the way through or anything, but at the very beginning and end. One Breath Away actually has music at the opening and closing of each disc. The music has a creepy sound, and seems like theme music for some sort of crime drama program. This fits One Breath Away perfectly, because it definitely felt more like a made for television movie than a serious consideration of a gunman taking over a school.

The topic, of course, inherently involves a lot of drama, fear and creepiness. The fact that a man with a gun would decide that the best way to make whatever point he has to make is to enter a school and take some children as hostages really freaks me out, mostly because it doesn't necessarily have to do with the children at all; they are merely innocent victims of a madman. Basically, this subject matter has plenty of natural intensity and shock value without adding additional sob stories into the mix.

Gudenkauf tells this story using multiple third person limited narratives. The first is a mother, Holly, recuperating slowly in a hospital. In the meantime, her children, Augie and PJ have been sent to live with her estranged her father, while her mother sits at her bedside. How was she injured? In a grease fire, and she was injured to an insane degree. Not only that, but the fire was inadvertently caused by Augie, who never apologized before this incident.

The second perspective is Augie's. Because of the guilt over her accidentally wounding her mother, when the school gets locked down, Augie decides she won't leave without PJ. Her class escapes early on, but she decides to stay and look for PJ, who's in the classroom with the gunman. Holly's perspective existed solely to add an extra level of sadness to this story, which really was not necessary. Why not make her any other mother, waiting outside the school? No matter the family situation, any relatively caring mother will be frozen with fear until she finds out her kids are safe; other than pure melodrama value, there's no reason to have her be gravely injured, at risk of ruining her skin grafts. Maybe that wasn't Gudenkauf's intention, but it detracted from the believability of the book for me.

The third perspective, and the only male one, is Will, Holly's father. He and Holly have not talked since she left home as a teen, sick of the farm and of Iowa and of her dad who cared more about cows than his child. Will spends his time worrying about everyone, rightly so, but also stumbling into crucial information regarding the case and saving people. Again, this had a sort of cinematic feel to it, more than might necessarily be going down in real life. Oh, also, there was a crazy snow storm too.

Our fourth perspective is Meg, a police officer. Her daughter would have been in the school, but she left before the last day to spend the weekend with her father, from whom Meg is divorced. Both Meg and Holly have a very powerful feminist attitude towards sex, though they seem to look down on themselves for it a bit, which is unfortunate. Their lives parallel somewhat, but more could have been made of that.

Rounding out the story is Mrs. Oliver, the so-close-to-retiring teacher of the hostage class. She does try very hard for the kids, but I had trouble accepting that a no-nonsense teacher like she is described to be would confront the gunman in some of the highly stupid ways she does. The reader also gets a lot of back story on Mrs. Oliver that, I personally did not find useful to the plot or interesting.

The audiobook version should have made their characters come more alive for me, but, sadly, that was not the case. I really did not like any of the narrators voices, though Meg was better than the rest. For one thing, they all had a really annoying accent, which I guess must be an Iowan accent for authenticity, but, whatever it is, I would have been happier without it. The worst performance has to be the one for Augie, as the narrator used a really obnoxious trying-to-sound-like-a-child voice, which skewed too young for eighth grader Augie and made her sound incredibly dumb.

Looking at Goodreads, I can see that there are 3000 plus ratings for this, most of them four and five stars. Listening to an audio can be a very different experience, so, perhaps, had I read this I would have liked it more. I really cannot say. If you're curious, look at some other reviews or try the book yourself, preferably in print unless you love the Iowa accent, before writing it off.

Overall Rating: 2/5

Review: Girl, Stolen

Girl, Stolen

Author: April Henry
Pages: 220
Publisher: Walker Books
Source: Own

Description from Goodreads:
Sixteen-year-old Cheyenne Wilder is sleeping in the back of a car while her mom fills her prescription for antibiotics. Before Cheyenne realizes what's happening, their car is being stolen. Griffin hadn't meant to kidnap Cheyenne, but once his dad finds out that Cheyenne's father is the president of a powerful corporation, everything changes--now there's a reason to keep her. How will Cheyenne survive this nightmare? Because she's not only sick with pneumonia--she's also blind.

First Sentence: "Cheyenne heard the car door open."

Review:

In reading Girl, Stolen, I was reminded of two bits of pop culture: Excess Baggage and Wait Until Dark. The first film, a pretty terrible movie starring Alicia Silverstone and Benicio Del Toro, tells the story of a poor little rich girl who, in an effort to get daddy's attention, fakes a kidnapping by locking herself in a car's trunk, only to have that car actually stolen. Then she cooks up a romance and a scheme with her accidental captor. Wait Until Dark, quite differently focuses on a blind woman, played by Audrey Hepburn who some thugs suspect of having a doll stuffed with drugs. She has to try to escape this situation with her life. Put these two together and you've sort of got Girl, Stolen.

Of course, comparing a book to other stories really limits it, so I want to stress that there's more going on here; in making these comparisons, I do not intend to imply that Henry's story is entirely derivative by any means. Henry did a marvelous job telling this story, keeping everything suspenseful and scary, but not venturing into melodramatic territory in the slightest. She does not try to make anything more difficult than it already is for the sake of extra drama.

So much YA that I've read, usually in the paranormal genre, centers on a heroine, gifted with supernatural powers that enable her to do absolutely anything, yet she still ends up relying on other people to save her. Your powers or your weaknesses are only what you allow them to be. Cheyenne has been blind since an accident three years ago damaged her brain, leaving her with functioning eyes but a mind unable to read the messages. Now almost entirely blind, she relies on her cane or her seeing eye dog, Phantom.

On the day in question, Cheyenne's step-mom convinced Cheyenne the dog should stay home, since they were not going very far. While her step-mother went into the pharmacy to get the antibiotics to treat Cheyenne's pneumonia, Cheyenne rested in the backseat. Then the car got stolen. Griffin had no idea she was in the car, but, once he got home to his piece of shit father, she becomes even more useful to them than the jacked Escalade. Cheyenne's father runs Nike corporation, and she can be ransomed for a lot of money.

In this situation, I cannot imagine I would be capable of anything other than some snarky comebacks and some seriously menacing death glares. Cheyenne, sick with pneumonia, running a fever, tiny, and blind never stops planning escapes. She is such an incredibly powerful character, able to make the best of any situation, and to use her strengths to best advantage. Where some heroines have endless amounts of power and don't use it, Cheyenne makes the most out of everything she has. I respect her so much, and Henry for writing a heroine with a disability and not making her pitiable, but a figure of strength.

Girl, Stolen weighs in at only 220 pages, but packs an emotional punch. Dark, scary, and investigating whether Griffin is a redeemable figure, I was sucked into this novel and not let go until I finished the last page. If you're tired of young adult fiction focused on romance and whiny heroines, Girl, Stolen is the perfect break.

Rating: 4/5

Favorite Quote: "What she was left with was a blurred sliver of color and shapes that usually was more distracting than helpful. Now, if she wanted to see anything at all, she had to turn her head away from it. It seemed like a metaphor, but Cheyenne didn't know for what."

Review: Nobody But Us

Nobody But Us

Author: Kristin Halbrook
Pages: 272
Publisher: HarperTeen
Publication Date: January 29, 2013
Source: For review from YA Books Central

Description from Goodreads:
Bonnie and Clyde meets IF I STAY in this addictively heart-wrenching story of two desperate teenagers on the run from their pasts.

They’re young. They’re in love. They’re on the run.

Zoe wants to save Will as much as Will wants to save Zoe. When Will turns eighteen, they decide to run away together. But they never expected their escape to be so fraught with danger....

When the whole world is after you, sometimes it seems like you can’t run fast enough.

Nobody But Us, told in alternating perspectives from Will and Zoe, is an unflinching novel, in turns heartbreaking and hopeful, about survival, choices, and love...and how having love doesn’t always mean that you get a happy ending. Described as “beautiful, heartbreaking, and exhilarating” by Kody Keplinger, author of The DUFF, Nobody But Us will prove irresistible to fans of Nina Lacour, Jenny Han, and Sara Zarr.

First Sentence: "He comes down the road in his Camaro sliding left to right on the freshly oiled gravel and skidding to a stop in front of my house."

Review:
*Warning: This review will contain pretty monstrous spoilers for Nobody But Us, though will not spoil quite everything. To read the spoiler-free version, head over to YA Books Central.*

To be entirely fair, I was not sure if this book would be my thing. The teens on the run aspect didn't really appeal to me, but Nobody But Us was blurbed by two of my favorite authors (Courtney Summers and Kody Keplinger), as well as being compared to If I Stay by Gayle Forman, which I loved. I thought perhaps instead of being melodramatic, Nobody But Us might have the contemplative, deep, emotionally fraught style of If I Stay. Well, I've been wrong before. I really need to stop buying into this marketing that sells you one book by comparing it to another.

Starting with the good, Halbrook writes well, creating two different voices for Zoe and Will. They think differently and have wholly different vocabulary. Multiple points of view in first person are tricky, so I applaud her for doing that this well. The writing's a bit simpler than I personally tend to prefer, and includes the occasional odd word choice, like "vessel" to refer to a car, though that seems like something that my be caught before publication.

I would like to propose changing the tagline to "They're young. They're stupid. They're on the run." That pretty much sums up this book for me. Will, eighteen and finally free of the system where he's bounced from home to home and school to school, decides to take his girlfriend Zoe with him away from their shit-hole hometown and her abusive father. Fifteen-year-old Zoe needs a change, no doubt about that. Her father is a drunken monster, and should be in jail, but that does not mean that running away with Will is an awesome plan. In fact, it's pretty much the opposite of an awesome plan.

Still, teens don't necessarily have much wisdom about the way of the world and everything can seem very immediate. They're young and this seems like the best road open to them, so that's what they do. Fine. I will accept that. However, what I have trouble handling is how incredibly stupid they are about everything once they're on the road. How can neither of them ever have seen a crime drama, which would have kept them from doing a lot of the idiotic things they do?

Zoe's choices can be put down to a youthful naivete, I suppose, and a weakness of character that causes her to cling to the first person to offer to take care of her. Will, however, has a better idea of the law, having come up against it before. He knows enough to get her a fake ID that lists her age as eighteen, though they never actually use this once, and to expect that the cops will be looking for them. Yet, somehow, he expects that they will simply be able to disappear in Las Vegas with just her fake ID, where she can enroll in school and they can live together. Really? You KNOW they'll be looking for you, Will, but it doesn't occur to you that you would need a fake identity too? Or that an IDENTITY is more than a doctored license? How are you going to enroll her in school or do anything without records? What about your social security numbers? Birth certificates? Disappearing is not so easy in the modern age, especially when people know your car.

"Christina, stop being so judgmental of them for not knowing all of this stuff; I mean, they're just teens!" Maybe so, imaginary devil's advocate. Some teens might not know those things, so let's give them a pass on that, okay? Shouldn't they at least be bright enough not to draw attention to themselves as they make their escape? Will, especially, since Zoe seems to have no clue what's going on? Yet, every time they stop, they do something incredibly, mind-blowingly stupid. Being a teenager does not necessitate a complete lack of survival skills or self-awareness.

Here are some examples of how Zoe and Will continually do precisely the worst possible thing in every situation:

1. While eating at a diner, some cops come in for food. The teens freak out and basically make it very obvious that they're hiding something as they leave as quickly as they can. At least they don't skip out on the check, making this the high point in their intelligence.
2. Will spots a vehicle behind them on the highway that he believes might be a cop car, so he starts driving as fast as he can. Because the best thing to do when guilty and near cops is to make yourself guilty of something else so that they'll be sure to notice you. Yup. Great idea.
3. They stop at a gas station. Zoe goes in to get food while Will pumps gas. Some assholes start talking to Zoe and one touches her on the ass. Will punches him.
4. Zoe gets her period and, worried about Will's limited finances, decides they cannot afford the $12 box of tampons (Seriously, why are tampons so expensive? I have wondered this before myself.) and decides the best plan is to steal some from the box.
5. When Zoe gets caught stealing tampons and shaken by the irate store owner, Will hits him over the head with a bottle of wine.
6. When Will sees a news broadcast reporting the incident, he and Zoe run out of the dining establishment so fast they leave his wallet behind, causing the waitress and everyone else to look closely enough at them to put two and two together.
7. The list really does go on, but I think you've got the point.

Will and Zoe's relationship also made me seriously uncomfortable. Yet again, we have a girl in love with a guy she's afraid of a good deal of the time, and we're meant to see them as tragic, romantic figures. No, I don't think so. Zoe, physically abused by her father, is terrified every time Will gets into a fight on her behalf. The formula repeated over and over in this book: someone threatens or hits on Zoe, he punches the person, Zoe cries and shrinks away from him, he promises he'll never hurt her and that he'll keep his rage checked, repeat.

Worse, I have no doubt that, given time, he would end up hitting Zoe. Their interactions had warning bells chiming in my head all the way through. He thinks constantly about how much he wants to make her happy, but snaps at her any time she annoys him. He swears at her, even though he knows how much that upsets her. After some guys hit on her, he accuses her of flirting with them, blaming her, though she was only a victim of their rude behavior. When he does things like this, she accuses herself for his unhappiness, for their bad situation, even though she's clearly not at fault for any of it. Their relationship is incredibly unhealthy and I don't feel like Halbrook made her stance on that as a bad thing clear at all.

What I wanted and expected was an emotionally hard-hitting novel about the horrors of abuse, but instead I found a melodramatic mess that romanticizes what I see as an abusive relationship. The whole thing read like a Lifetime original movie. I imagine many people will enjoy this, given how popular books with similar themes have been recently, but I did not.

Rating: 1.5/5

Favorite Quote: "I've never actually owned a swimsuit. I've never set foot in a pool, and I don't know how to swim. I'd probably run screaming if I saw an ocean wave, but that doesn't mean I don't want to go and see what happens. It might be nice to discover something scary in a way I'd never known before. The heart-racing, in-love-with-the-risk kind of scary. Not the hide-away kind."

Audiobook Review: The Corpse Didn't Kick

The Corpse Didn't Kick: And Other Crime Fiction from the Legendary Magazine
Black Mask Stories, Book 9
 
Editor: Otto Penzler
Authors: Whitman Chambers, Milton K. Ozaki, Raymond Chandler, Norbert Davis, Ray Cummings, Steve Fisher, Frank Gruber  
Narrators: Bart Tinapp, Scott Brick, Eric Conger, Alan Winter, Carol Monda, Jeff Woodman
Duration: 6 hrs, 55 mins
Publisher: Highbridge Company
Source: Own

Description from Goodreads:
From its launch in 1920 until its demise in 1951, the magazine "Black Mask" published pulp crime fiction. The first hard-boiled detective stories appeared on its pages. Dashiell Hammett and Raymond Chandler, Erle Stanley Gardner and John D. MacDonald got their start in "Black Mask." The urban crime stories that appeared in "Black Mask" helped to shape American culture. Modern computer games, films, and television are rooted in the fiction popularized by "the seminal and venerated mystery pulp magazine" ("Booklist").Otto Penzler selected and wrote introductions to the best of the best, the darkest of these dark, vintage stories for the collection "The Black Lizard Big Book of Black Mask Stories." Now that collection is available for the first time on audio.Includes: "The Black Bottle" by Whitman Chambers; read by Bart Tinapp"The Corpse Didn't Kick" by Milton K. Ozaki; read by Bart Tinapp"Try the Girl" by Raymond Chandler; read by Scott Brick"Don't You Cry for Me" by Norbert Davis; read by Eric Conger"T. McGuirk Steals a Diamond" by Ray Cummings; read by Alan Winter"Wait for Me" by Steve Fisher; read by Carol Monda"Ask Me Another" by Frank Gruber; read by Jeff Woodman

Review:

In my continuing journey of listening to the most random collection of audiobooks that I can get my hands on, I listened to this anthology of short stories from some old crime magazine. As with any anthology, some stories were delightful and others made me want to skip ahead, though I didn't because then I couldn't have counted this book as read. Anyway, crime fiction isn't really my thing, but these had enough variety to keep me decently entertained.

The first two stories really did not resonate with me, largely, I think, due to the narrator, Bart Tinapp. He has what might be the perfect voice for narrating crime fiction: deep and gravelly. He could make a career in narrating profiles on missing children; he just has that kind of voice. While I do think his voice is perfect for the genre, to me, it was a bit too apt, if that makes any sense. Both stories came off feeling entirely stereotypical and I definitely felt the need to mock them as I listened. Also, his voices for women and southern accents irritated me endlessly. Speaking of accents, the one used for T. McGuirk in "T. McGuirk Steals a Diamond" grated on my ears incredibly harshly.

Some stories however proved much better, with the standouts for me having been "Wait for Me," the only story to be narrated by a woman, and "Ask Me Another," which centers around a man who claims to be the human encyclopedia. While several of the stories struck me as utterly predictable, others had surprising twist endings that were really quite clever.

As is to be expected with stories from the 1930s or thereabouts, there are occasionnal comments made about women or non-white individuals that made me distinctly uncomfortable. In one of the stories, though I cannot remember which, a girl gets murdered when a plot goes awry and the detective continually references her as a "poor fool." Had she been a man, I think he might have admired her daring scheme, but a woman is just a fool to aspire to that.

If you like old school crime fiction, track down these Black Mask anthologies, because I suspect they will bring you a lot of joy. While they're not perfect for me personally, I do think the collection was quite well done and will delight the target audience.

Overall Rating: 2.5/5

Audiobook Review: Carnival of Souls

Carnival of Souls
Carnival of Souls, Book 1

Author: Melissa Marr
Narrator: James Marsters
Duration: 8 hrs, 5 mins
Publisher: Harper Audio
Source: Harper Audio for review

Description from Goodreads:
In a city of daimons, rigid class lines separate the powerful from the power-hungry. And at the heart of The City is the Carnival of Souls, where both murder and pleasure are offered up for sale. Once in a generation, the carnival hosts a deadly competition that allows every daimon a chance to join the ruling elite. Without the competition, Aya and Kaleb would both face bleak futures--if for different reasons. For each of them, fighting to the death is the only way to try to live.

All Mallory knows of The City is that her father--and every other witch there--fled it for a life in exile in the human world. Instead of a typical teenage life full of friends and maybe even a little romance, Mallory scans quiet streets for threats, hides herself away, and trains to be lethal. She knows it's only a matter of time until a daimon finds her and her father, so she readies herself for the inevitable. While Mallory possesses little knowledge of The City, every inhabitant of The City knows of her. There are plans for Mallory, and soon she, too, will be drawn into the decadence and danger that is the Carnival of Souls.

From Melissa Marr, bestselling author of the Wicked Lovely series and "Graveminder," comes a brand-new tale of lush secrets, dark love, and the struggle to forge one's own destiny.

Review:
I've been a Melissa Marr fan since Wicked Lovely, though I admit that I've gotten way behind, having missed reading several of her more recent books. This one, though, I simply knew that I had to listen to, because James Martsters, so I made time. Melissa Marr's newest differs quite a bit from her Wicked Lovely series, but shares the dark romance and gritty world building that I enjoyed so much in those books.

Mallory has been raised knowing that daimons and witches exist, that her father, Adam, is a witch. Because of something he stole from the daimon ruler, she and Adam move constantly, and she's never had the chance to get close to anyone but him. What the reader knows and Mallory does not is that what Adam Stole is Mallory, the daughter of the daimon ruler, Marchosias. She is a daimon, but has been trained how to kill them, tutored on the use of firearms.

Witches and daimons do not get along. They fought wars over The City, and the daimons won, thanks to the leadership of Marchosias. The witches live hidden in the human world; the daimons live in the demon world, comprised of The City and the Untamed Lands. The City is dark, violent, sordid, and built around a rigid social hierarchy. In an effort to provide the slightest chance of social mobility to his citizens, Marchosias hosts a competition, wherein daimons can sign up to battle, the winner obtaining high rank and a position in the government. It's rather like The Hunger Games, only made up of a series of individual battles during a long span of time, and the battles do have the option of ending in forfeiture, though forfeiting, for those in the lower castes, ends in fates worse than death.

The story opens with Mallory, in the throes of her first real crush upon a boy named Kaleb. Reality strikes a blow when her dad announces that they have to move yet again. However, she runs into Kaleb unexpectedly before the move and they bond. What she does't know is that Kaleb is a Cur, the lowest of the daimons, and that he is fighting in the competition in pursuit of higher social status for himself and his pack mate. Even more, Kaleb has been contracted to murder Mallory, and he has been befriending her to that end. Their romance, while initially disgustingly saccharine recovers itself in Mallory's sane reactions to knowledge when she obtains it. Though I do feel bad for Kaleb's status and the life he's had to live, I still cannot like him because of how he behaves. Mallory, again, I sympathize with, but feel no real bond to because she's not had enough life experience or self-awareness to really have a personality yet.

I have to say that I was really confused at first when the story switched away from Mallory to other characters. The transition was awkward and, on audio, you always wonder if you've missed something, accidentally skipped a chapter somehow. Furthermore, all of the Melissa Marr novels I've read followed one particular character and I expected this to do the same. Anyway, Aya and Belias, the other two main character, ended up being my favorites and I'm so glad she included them, even if it did make the story a bit harder to follow.

Aya, a high caste woman, signed up to fight in the competition, the only woman ever to do so. That she did this is scandalous, both because women are for breeding and because, as a high caste woman, she already has high status. Her reasons are twofold: 1) she does not want to breed ever 2) she wants to be part of the government to improve life in the daimon world. Her situation is further complicated by her ex, Belias, who would have been her marriage partner and whom she does love (marriage without breeding is not an option for daimons), who enters the competition in a misguided attempt to save her and win her back. The tensions between these two delighted me. Aya, of course, I love because she doesn't want children and refuses to fall into gender roles. Holla!

Though the characterization could use work, I still highly enjoyed Carnival of Souls' plot and world building. I have hopes that the characters improve in the next book in the series.

Rating: 4/4

Narration:
I probably wouldn't have gotten around to reading this novel for a while had James Marsters not done the narration. Who doesn't want Spike to read to them for hours? Of course, I was expecting the British accent he used on Buffy, but he doesn't talk like that here. This turns out not to be a hardship, though, because James Marsters voice is marvelous to listen to in any incarnation, and I do mean any, since the Curs talk in annoying southern accents.

Marsters has serious talent for audio narration, and I sincerely hope he continues to narrate this series and other audiobooks. He really is, Spike fangirling aside, one of the best narrators I've had the good fortune to listen to thus far. He even does a good job with the voices of the girls, even though many professional audiobook narrators struggle with the voices of the opposite gender. His narration for Carnival of Souls was all that I hoped and more.

Rating: 5/5

Audio or Print?:
Did you not read all of that about how James Marsters is the freaking best? LISTEN TO THIS BOOK.

Overall Rating: 4.5/5

Review: The Calling

The Calling
Luther, Book 1

Author: Neil Cross
Pages: 324
Publisher: Touchstone
Source: Publisher for review

Description from Goodreads:
A brilliant crime novel and prequel to the acclaimed BBC series by the show’s creator and sole writer Meet Detective Chief Inspector John Luther. He’s a murder detective with an extraordinary case-clearance rate. He’s obsessive, instinctive, and intense. Nobody who ever stood at his side has a bad word to say about him. And yet there are rumors that Luther is bad—not corrupt, not on the take, but tormented. After years of chasing the most depraved criminals in London’s gritty underworld, he seethes with a hidden fury that at times he can barely control. Sometimes it sends him to the brink of madness, making him do things any other detective wouldn’t and shouldn’t do.

Luther: The Calling, the first in a new series of novels featuring DCI John Luther, takes us into Luther’s past and into his mind. It is the story of the serial killer case that tore his personal and professional relationships apart and propelled him over the precipice—beyond fury, beyond vengeance, all the way to the other side of the law. Is Luther a force for good or a man hell-bent on self-destruction? Edgar Award–winning writer Neil Cross has created one of the most compelling characters in modern crime fiction. Luther: The Calling is a compulsively readable novel by the writer hailed by The Guardian as “Britain’s own Stephen King.”

First Sentence: "John Luther, a big man with a big walk, crosses the hospital car park, glistening with night rain."

Review:
If you're a regular reader of this blog, you probably already know that mysteries just aren't really my thing. They can be good, but they're all so similar in their plot arc, and I just don't feel compelled to read many. As such, I usually reject review requests for mysteries. However, I made an exception for this one, because it's based on a BBC series, one I haven't seen actually, but still! The allure of British programming is irresistable to me!

The Calling is a prequel to the the British Series, which is supposedly wonderful. Though I know nothing about it, I can see this book setting up Luther as he must be in the show. His married life falls apart, so that he can be the typical single, gruff detective and free, presumably, for hookups and romantic entanglements later on in the show. Happy husbands are not generally assumed to make compelling television. In The Calling, he also steps outside the bounds of what is allowable for police work, possibly for the first time, another thing that I assume sets up the plot of the show.

My favorite aspects of the novel, though, were those that do not fit into the detective stereotype. While Luther's marriage breaks up in the typical way, through her frustration over his workaholic nature, he cares more than most of the hard-boiled detective types. John Luther is a romantic; he loves his wife wholly and completely, and neglects her during cases, because he simply cannot rest (literally) until the case is solved. His need to resolve cases seems almost pathological. On top of his deep love and respect for his wife, Luther also loves to read and is a rather quiet, nerdy guy outside of the office.

Of course, when he's working, Luther is, without a doubt, a freaking badass that you really do not want to be messing with. He will stop at nothing to catch the bad guy and save a life. I had the most trouble with these aspects because I really cannot imagine him getting away with most of the things that he does. Of course, vigilante justice is much more entertaining than the way 'justice' would really work, with trials and evil men going free, but it just didn't seem believable to me at times.

This book is pretty graphic, so the faint of heart, those who like their mysteries to be of the cozy variety, should pass this one buy with a quickness. Also, even if you like graphic violence in your books, I want to warn that there are brutal scenes of animal violence (even worse than Origin) and crimes perpetrated against children. If you have young children, you might not want to read this, unless you're really good at not imagining fictional circumstances happening to your own kids.

All in all, The Calling did follow along with pretty standard mystery tropes, but I did enjoy it a bit more than usual. If you like dark, gritty mysteries, this should please you.

Rating: 3.5/5

Favorite Quote:

"She says, 'You're home.'
   He ignores the redundancy. It's just one of those things people say to each other. Most words people say to each other don't mean what they seem to. Spoken words carry they're real meaning like rats carry infected fleas."