Review: The Year of Shadows

The Year of Shadows

Author: Claire Legrand
Pages: 416
Publisher: Simon & Schuster Books for Young Readers
Publication Date: August 27, 2013
Read: August 11-14, 2013
Source: ARC from YA Books Central

Description from Goodreads:
Olivia Stellatella is having a rough year.

Her mother left, her neglectful father -- the maestro of a failing orchestra -- has moved her and her grandmother into his dark, broken-down concert hall to save money, and her only friend is Igor, an ornery stray cat.

Just when she thinks life couldn’t get any weirder, she meets four ghosts who haunt the hall. They need Olivia’s help -- if the hall is torn down, they’ll be stuck as ghosts forever, never able to move on.

Olivia has to do the impossible for her shadowy new friends: Save the concert hall. But helping the dead has powerful consequences for the living . . . and soon it’s not just the concert hall that needs saving.

First Sentence: "The year the ghosts came started like this."

Review:

First up, the disclaimer: yes, I know Claire Legrand and she's awesome, but that did not influence my opinion of the book in any way. Yadda, yadda, yadda. Though I've had Claire's debut novel, The Cavendish Home for Boys and Girls for over a year now, I've not managed to work it into my schedule, so I'm glad I've finally gotten to try her writing. Also, I'm pleased to say that I like her writing. Hurrah! Claire Legrand has written a beautiful, occasionally creepy story about a grumpy young girl who learns how to open up her heart and enjoy life again.

My second favorite aspect of The Year of Shadows is definitely the heroine. Olivia Stellatella is a delight, but which I mean she is a seriously grouchy, cynical kid. She may be young, but her life has been hard and it's getting more difficult by the time. First, her mom abandoned her, then her dad got completely caught up in trying to save the orchestra for which he conducts, and now her family (Olivia, The Maestro (Dad, though she never calls him that because he made mom leave), and Nonnie (grandma)) has moved into the concert hall, living in two little rooms and making do with the makeshift kitchen. Olivia hates that she's had to move here, worries that they won't have enough food to eat, and shops at the thrift shop. Even worse, she knows that, if the orchestra's ticket sales do not improve, it's done after this season, meaning they'll be even worse off because of The Economy. In other words, if this were a movie, Olivia would be played by either a young Winona Ryder or Christina Ricci.

Actually, that comparison is pretty accurate too. Much as I try to resist going too crazy with comparing books to other books or movies, I can't resist this time. There are a lot of parallels to Casper but with some of the creepiness of Beetlejuice, but, of course, with some magic totally unique to Legrand's vision. The ghosts are by turns horrifying and friendly. The shades pretty much reside in Creeptown, USA and Legrand's Limbo is haunting.

Now, let's go back. Remember how I mentioned that Olivia was my second favorite? Well, my favorite is Igor. He's this cat who adopts Olivia, though she might tell you it happened the other way round. Olivia fancies that he speaks to her, and imagines that his voice sounds very like Cary Grant. Igor's such a cat, with his helpful suggestions like this one: "I know what will make you feel better. Petting me. Better yet, asking for permission to pet me" (211). How can anyone not love a cat that just might talk like Cary Grant? Also, I credit Igor with getting the kids through everything and teaching Olivia how to love. He convinces her to give people another shot and nudges her in the right direction with his knowing cat ways.

Another aspect I adore is the music. In Claire Legrand's bio, it says that she "was a musician until she couldn't stop thinking about the stories in her head." Her love of music really shines in The Year of Shadows. Her descriptions of letting music wash over you are lyrical and moving. The dynamics of the band too are so apt, especially the depiction of the trumpet player. It's wonderful when authors can work in some of their real life passions, because that emotion seeps into those sections in a way that really shows.

The ghost story element is well done, especially for the intended audience. With each ghost, there's a little miniature story arc full of action and adventure, followed by a scavenger hunt of sorts, and what kid will not be all over that? I did have some minor quibbles with the way some of the logic worked, but, for the most part, I was able to sit back and enjoy the story.

Themes of family and friendship are also highly prevalent in The Year of Shadows. Though I think a lot of the right notes are struck here, I don't think they're held quite long enough or played with enough emotion. Legrand does a nice job establishing the friendship with Henry and Olivia, but their lunch table friend Joan comes and goes as is convenient in the story. Similarly, Henry never comes to any sort of realization about his bullying friend, though it seemed like that would be one of the impending plot points. With family too, resolutions seemed a bit too smooth and sudden, with the awkward moments skipped or glossed over. This might be a plus for younger readers, but I was hoping for those emotional wallops. Also, we're sort of left hanging on what's going to happen to Olivia next, and I'm wondering if she's going to be okay.

Claire Legrand's sophomore novel features lovely writing, both sassy and creepy ghosts, and a heartwarming tale of learning to let people in. The Year of Shadows is an excellent read for middle grade readers and for older readers who enjoy new twists on ghost mythologies.

Rating: 3.5/5

Favorite Quote: "The things that make you the most you can do that. When everything else is zoomy and hazy and doesn't make sense, you at least have that. Your hobbies. Your dreams. You at least have your sketches, or your trumpet-playing, or your homework in its neat, color-coded folders labeled HENRY PAGE, SEVENTH GRADER."

Review: Born of Illusion

Born of Illusion
Born of Illusion, Book 1

Author: Teri Brown
Pages: 384
Publisher: Balzer & Bray
Read: June 9, 2013
Source: YA Books Central for review

Description from Goodreads:
Anna Van Housen is thirteen the first time she breaks her mother out of jail. By sixteen she’s street smart and savvy, assisting her mother, the renowned medium Marguerite Van Housen, in her stage show and séances, and easily navigating the underground world of magicians, mediums and mentalists in 1920’s New York City. Handcuffs and sleight of hand illusions have never been much of a challenge for Anna. The real trick is keeping her true gifts secret from her opportunistic mother, who will stop at nothing to gain her ambition of becoming the most famous medium who ever lived. But when a strange, serious young man moves into the flat downstairs, introducing her to a secret society that studies people with gifts like hers, he threatens to reveal the secrets Anna has fought so hard to keep, forcing her to face the truth about her past. Could the stories her mother has told her really be true? Could she really be the illegitimate daughter of the greatest magician of all?

First Sentence: "The hair on the back of my neck prickles even before I spot him rounding the corner ahead."

Review:

One of the recent trends seems to be historical fiction set in the 1920s. Born of Illusion is the third one I've read in the last year with a focus on the occult during the prohibition era. The fact that Born of Illusion follows on the heels of The Diviners and In the Shadow of Blackbirds does not really diminish it for me, and, likely, it was already in the editing process before the first of those was released. It's a funny coincidence, though. Well, three books in and I am definitely a fan of this possible new trend, though I wouldn't mind seeing something set in the 1920s a bit more about prohibition or gangsters or crossdressing musicians, rather than seances and spiritualism.

Anna Van Housen joins the ranks of YA heroines with mother issues and missing fathers, also known as roughly a third of YA heroines. Her mother is a well-known medium, though Anna knows that's all just illusion. Anna's the one who creates much of the illusion in fact, and is a talented musician herself. Her mother claims that Anna's father is the illustrious Harry Houdini, but Anna's not sure, and really does not like having her talent explained away by inheritance, because she has worked hard. I love the way Anna refuses to fall into gender norms or allow anyone to diminish her based on her gender.

On top of her magician skills, Anna has a host of other abilities about which her mother knows nothing, because Anna doesn't trust her mother enough to tell her. When she touches people, Anna can sense their emotions. She also experiences visions of the future, usually of catastrophic events like the sinking of the Titanic, but now of her mom afraid and herself drowning. Her powers have been getting stronger and she doesn't know why. Both the spiritualism and magic tricks were well-handled and described.

Anna's relationship with her mother plays a crucial role, as do her relationships with others. Since Anna and her mom have moved a lot, she's rarely had any friends, and Anna generally avoids contact so as not to read people's feelings. Now that they've moved to New York City, they're trying to build a home for themselves for once. At first, Anna's mother seems irredeemable, but I love that her character rounds out as the book progresses.

So, too, do the rest of the supporting cast members. Everyone initially is quite one note, but they become more robust as Anna opens herself up to the idea of being close to people. Her sketchy manager turns out to be surprisingly dependable. The crotchety old man downstairs becomes someone who always cares and helps out. The vapid blonde with an interest in seances and the much older, bored husband ends up a dear friend. Watching Anna overcome her first impressions of people is delightful, and such a great message; in my own life, I've often found that people are not what they seem at first glance.

Then, of course, there is romance. Anna has two options on her romantic horizons: party boy and wannabe Magician Owen or controlled, polite British Cole. What's great about this love triangle of sorts is that it's very low key. Anna basically has two very different sorts of crushes on two very different boys, and is trying to figure out which one she actually likes. She doesn't make lifelong plans or commitments, and thinks in terms of the present moment, which is great.

The weak point of the novel was definitely the mystery element. Anna's trying to figure out who means her harm, and the culprit is obvious. Or, at least, was to me. The evil dude is also rather generically evil, too, lacking in motivation, though perhaps this will be developed in later books. On top of that, the ending felt quite rushed, with the climactic scene cut off in the middle, the rest of the happenings explained to Anna after the fact. While this did make sense in context, it was still confusing and anticlimactic for the reader.

Though I initially thought Born of Illusion was a standalone, I'm okay with there being more books about Anna and will be eagerly awaiting Born of Deception. With a vibrant heroine, a cute romance, daring escapes and ghostly visitations, Born of Illusion is a fun and exciting read.

Rating: 3.5/5

Favorite Quote:

"'Are you ready for a good time, doll?'
     I smile. 'Only if you stop calling me doll. I am not, nor have I ever been, a doll.'"

Review: The Path of Names

The Path of Names

Author: Ari Goelman
Pages: 352
Publisher: Arthur A. Levine
Read: June 24-30, 2013
Source: Gifted - thanks Lindsay!

Description from Goodreads:
Mysteries, mazes, and magic combine in this smart, funny summer-camp fantasy -- like THE AMAZING ADVENTURES OF KAVALIER & CLAY for kids!

Dahlia Sherman loves magic, and Math Club, and Guitar Hero. She isn't so fond of nature walks, and Hebrew campfire songs, and mean girls her own age.

All of which makes a week at Jewish summer camp pretty much the worst idea ever.

But within minutes of arriving at camp, Dahlia realizes that it might not be as bad as she'd feared. First she sees two little girls walk right through the walls of her cabin. Then come the dreams -- frighteningly detailed visions of a young man being pursued through 1930s New York City. How are the dreams and the girls related? Why is Dahlia the only one who can see any of them? And what's up with the overgrown, strangely shaped hedge maze that none of the campers are allowed to touch? Dahlia's increasingly dangerous quest for answers will lead her right to the center of the maze -- but it will take all her courage, smarts, and sleight-of-hand skills to get her back out again.

First Sentence: "Dahlia stared out the car window and thought about Harry Houdini."

Review:

There's this old song called "Hello Muddah, Hello Faddah" about a young boy whose parents force him to go to camp. It's a funny, silly song, written like a letter to his parents. At first, he hates camp and is begging them to come and get him, but, by the end, he loves it. On the simplest level, this is the plot of Ari Goelman's The Path of Names.

Dahlia differs from the usual middle grade heroine. She's grumpy and antisocial, preferring math and practicing magic tricks to spending time with people. When her parents force her to go to a Jewish camp, she's pissed. She doesn't have any interest in Judaism and would prefer to be at math camp. Her parents promise to let her leave after a week if she completely hates it and she plans to, but instead she gets caught up and the weeks pass almost without her realizing. All it takes to make a girl love summer camp and befriend people is a couple of ghosts, possession, and a mystery, no big deal.

Immediately upon Dahlia's arrival in camp, she sees two girls run through a wall. Because of her love of magic, she suspects there's another aspiring magician in camp, but her search proves fruitless. When she realizes she's been seeing ghosts, though, Dahlia's hooked. She begins researching these two girls, only to discover that they disappeared 72 years before. They're also trying to warn her about something.

Oh, also, Dahlia's been possessed by a dead man's spirit and she's dreaming his memories. The Path of Names deals heavily with Jewish mysticism and themes. I really appreciated reading a novel set in a tradition outside of the Christian. Also, though religion is obviously a huge plot element, the book did not feel preachy in the slightest. Goelman gets into kabbalah a bit, and it's all pretty fascinating.

The Path of Names is told in third person, rotating through third person limited perspectives. Though most often focused on thirteen-year-old Dahlia, the perspective also goes to her older brother (16), a camp counselor, and David Schank (19), the young man possessing Dahlia. I feel like I say this a lot in my middle grade reviews, but this is really a story that works for all ages. Goelman's writing and plotting are sophisticated, and not written down to a younger audience.

In fact, I'm not a hundred percent sure how much the average kid would enjoy The Path of Names, with the discussions of math and Hebrew. I thought it was very well done and enjoyable myself, but the pace was a bit on the slower side. I imagine it's a better book for kids on the older side of the middle grade spectrum, as the reading level is fairly high.

If you've been looking for a middle grade novel set in a different culture or a cool ghost story, The Path of Names is an excellent choice. Goelmans writes well, and I'd certainly be willing to read more of his books in the future.

Rating: 3.5/5

Favorite Quote: "'Funny thing, how much weaker boys are than girls.'"

Sadie Hawkins Sunday Review #19: Death Watch

Death Watch
The Undertaken, Book 1

Author: Ari Berk
Pages: 544
Publisher: Simon & Schuster Books for Young Readers
Read: June 19-23, 2013
Source: Library
Recommended by: Kara of Great Imaginations

Description from Goodreads:
They say the dead should rest in peace. Not all the dead agree.One night, Silas Umber's father Amos doesn’t come home from work. Devastated, Silas learns that his father was no mere mortician but an Undertaker, charged with bringing The Peace to the dead trapped in the Shadowlands, the states of limbo binding spirits to earth. With Amos gone, Silas and his mother have no choice but to return to Lichport, the crumbling seaside town where Silas was born, and move in with Amos’s brother, Charles.

Even as Silas eagerly explores his father’s town and its many abandoned streets and overgrown cemeteries, he grows increasingly wary of his uncle. There is something not quite right going on in Charles Umber’s ornate, museum-like house—something, Silas is sure, that is connected to his father’s disappearance. When Silas’s search leads him to his father’s old office, he comes across a powerful artifact: the Death Watch, a four hundred year old Hadean clock that allows the owner to see the dead.

Death Watch in hand, Silas begins to unearth Lichport’s secret history—and discovers that he has taken on his father’s mantle as Lichport’s Undertaker. Now, Silas must embark on a dangerous path into the Shadowlands to embrace his destiny and discover the truth about his father—no matter the cost.

First Sentence: "He should have gone home."

Review:
Ari Berk's Death Watch is, without doubt, one of the most beautifully-written books I've had the pleasure of reading. His prose is lyrical, gothic, and drenched with meaning. The discussions of life, death, and family are thought-provoking and touching. For the prose alone, this book is a hundred percent worth reading. Berk has massive talent and, though I can't say this series, is perfect for me, I will be keeping an eye on his career.

The catalyst of Death Watch is the disappearance of Amos Umber, Silas' father. Silas and his mother are turned out of their home, for it belongs to his Uncle. With little recourse available to them, they agree to move back to Lichport, the hometown of both his parents and his own birthplace, to live with his Uncle. There, he must confront his father's disappearance and his destiny, and try to help Lichport in the process.

The world depicted in Death Watch feels both real and fantastical, modern and historical. Lichport feels like a place out of time, a town where the realm of the dead is closer than anywhere else. Ghosts roam the streets, inhabit houses, and attempt murders. Berk captures the eerieness perfectly, but also the magic. Ghosts are like people; they aren't all bad, and they come in all sorts of forms. In fact, some ghosts are even corporeal, lingering almost like zombies, simply unwilling to accept that they're dead. The world building is fantastic and rich, full of ghost lore. The family dynamics are like Lemony Snicket meets Hamlet, which basically means it's dark and messed up, but a bit fanciful. Actually, much of the story recalls Shakespeare or classic literature.

Where Death Watch came up short for me was in plotting and characterization. So far as the plot goes, I would have liked more of it. Death Watch is hefty at over 500 pages, and it felt long too. There's a lot of meandering to the plot, and, despite that, I felt like most of the actual plot elements were dealt with so swiftly as to be unsatisfying. Berk focuses more on the quiet reflection than on the active moments, like Silas having to separate from his ghostly girlfriend and the takedown of the villain.

Though I like Silas, I don't feel any strong emotions towards him, and I can't be bothered about anyone else in Death Watch. I felt a definite distance from him that never diminished. He also never really does much growing through the course of the book, and certainly the others don't. His troubled relationship with his mother is never really resolved or satisfactorily confronted. His brief courtship of the ghostly girl is told in such a way that it elicited no feels from me, though it is a tragic experience for him. He's a character I feel I should have liked, but the story focuses so much more on the writing and world building than on building up characters. Also, on a side note, this novel really doesn't strike me as young adult and, if anything, would fall more under the new adult umbrella, as Silas is over 18 and deals with issues of becoming an adult, like finding a profession and moving out of his parents' home.

Anyone who enjoys ghost stories or gothic literature will be doing themselves a disservice by not reading Death Watch.

Rating: 3/5

Favorite Quote:

"It was well past one a.m. and into that portion of evening where things went very quiet, as if the world was waiting for something to happen.
     But Silas was tired of living in a world where everyone and everything held its breath."

---

Up Next:

The next Sadie Hawkins Sunday book is Between the Devil and the Deep Blue Sea by April Genevieve Tucholke suggested by Ashleigh Paige of Birth of a New Witch. Thanks so much to Ashleigh for putting in a recommendation, even if I'm the black sheep on this one...

Want to tell me what to read? Fill out the following form with a suggestion! For more details, check this post.

Sadie Hawkins Sunday Review #15: Imaginary Girls

Imaginary Girls

Author: Nova Ren Suma
Pages: 348
Publisher: Dutton Juvenile
Read: May 20-June 2, 2013
Source: Library
Recommended by: Jenni of Alluring Reads

Description from Goodreads:
Chloe's older sister, Ruby, is the girl everyone looks to and longs for, who can't be captured or caged. When a night with Ruby's friends goes horribly wrong and Chloe discovers the dead body of her classmate London Hayes left floating in the reservoir, Chloe is sent away from town and away from Ruby.

But Ruby will do anything to get her sister back, and when Chloe returns to town two years later, deadly surprises await. As Chloe flirts with the truth that Ruby has hidden deeply away, the fragile line between life and death is redrawn by the complex bonds of sisterhood.

With palpable drama and delicious craft, Nova Ren Suma bursts onto the YA scene with the story that everyone will be talking about.

First Sentence: "Ruby said I'd never drown—not in deep ocean, not by shipwreck, not even by falling drunk into someone's bottomless backyard pool."

Review:
Nova Ren Suma has been on my absolutely-must-read list since her debut, but I've only just gotten around to reading one of her books. With any new author so beloved in the blogosphere, there's the fear that the books won't live up to the hype. Well, Nova Ren Suma did. Imaginary Girls wasn't what I expected, but it was so much better than that. Suma's debut is a gloriously dark magical realism mindfuck of a novel that kept me curious through every page.

On the surface, Imaginary Girls is a contemporary mystery, the story of two sisters, relatively calm and placid, like the surface of a reservoir. Underneath those waters, though, is another story, a whole town of issues, buried beneath the waters. Suma plumbs these depths, leaving the reader questioning what is real and what is insanity. Imaginary Girls walks the line between realistic fiction, magical realism and flat-out paranormal in such a way that I'm still not sure precisely how I should categorize it.

Chloe, the narrator, is hardly the heroine of her own story. She lives in the orbit of her older sister, Ruby, like everyone else in their town. Ruby is a sun, and everyone within the pull of her personality moves according to her whims. All the boys want her, all the girls want to be her, and she will never love anyone as much as she loves Chloe. Whatever Ruby wants, Ruby gets; no one can deny her anything, so long as they remain in their little town. Everything else is like our world, but Ruby exerts a pull that is truly out of this world.

When Ruby orders Chloe to swim across the reservoir and back at night, and to dive down at the center to grab a souvenir from Olive, the town underwater, Chloe does it. She believes Ruby's assertions that she can do it; Ruby will protect her from anything, absolutely anything. As she swims, cold water and fear engulf her, the sounds of the partiers watching her attempt this feat quieting behind her. Just when she feels she can't swim anymore, she encounters a boat with a dead girl inside, London, a girl from her class.

After this, her father, different from Ruby's, takes her away with him, away from Ruby's influence and their alcoholic mother, away from the reservoir, away from the tragedy. Ruby comes for her, though, finally, two years later. When Chloe arrives back in town, she learns something surprising: London's there and alive. Everyone says she swam across the reservoir that night and that London had gone away to rehab, not that she died. Needless to say, the mystery deepens.

Of course, Chloe could just be crazy, her mind splintering from the tragic events of that night. As in Ian McEwen's Atonement, this whole story could be some sort of creation of her own mind to explain what happened that night or her delusional dream in the institution where she's living out her life. In no way do I think Chloe's a reliable narrator, which adds layers to the already complicated narrative. Nothing is ever certain, which leaves the reader thinking and desperate to unravel the truth.

Suma's writing style is one that I would not ordinarily love, but it worked perfectly for this tale. There's a poetic element to it, and a sort of watery uncertainty, as through the truth is a moving target, bobbing on the ripples. The entirety of Imaginary Girls is dreamy and thought-provoking. Also, dark. Suma does not shy away from drug use, sex, violence, or other tough topics.

At its core, Imaginary Girls focuses on the relationship between Ruby and Chloe. The love between the two is powerful, but also a burden. It's so rare to find YA that focuses on sisterhood over romance, but Suma barely touches on romance. Boys matter so much less to both Ruby and Chloe than sisterhood does.

On a lot of levels, I'm still not sure what went down in this novel and that's really the beauty of it. If you liked your novels wrapped up in a bow with a moral and clear resolution, Imaginary Girls is not the read for you. However, if you love to open your mind up to new ideas and the puzzle of trying to figure out a mindfuck, go read this ASAP.

Rating: 4/5

Favorite Quote:

"She had two children who, since we had the same father, carried half my blood in their veins, just like Ruby did, the exact same amount, though I didn't feel connected to them in any real way.
     They were like any two people I might pass in the halls at school. One boy, one girl. You see them and wave. Maybe you have on the same color sweater and you're like, 'Hey. look. We're wearing the same color sweater.' But there's nothing else to be said beyond that, so you each keep moving. You know you'd barely give it a thought is you never see them again.
     This is how I know blood is meaningless; family connections are a lot like old gum—you don't have to keep chewing. You can always spit it out and stick it under the table. You can walk away.
     Ruby was my sister, but she was so much more than that."

---

Up Next:

The next Sadie Hawkins Sunday book will be The Summer Garden by Paullina Simons, after which I'll be finished with that series. Woo! Finishing a series doesn't happen every day. :) The series as a whole was suggested by Lisa V. Thanks, Lisa!

Want to tell me what to read? Fill out the following form with a suggestion! For more details, check this post.

Review + Giveaway: The Silence of Bonaventure Arrow

The Silence of Bonaventure Arrow

Author: Rita Leganski
Pages: 400
Publisher: Harper Paperbacks
Source: Publisher via TLC Book Tours

Description from Goodreads:
Bonaventure Arrow didn’t make a peep when he was born, and the doctor nearly took him for dead. But he was only listening, placing sound inside quiet and gaining his bearings. By the time he is five, he can hear flowers grow, a thousand shades of blue, and the miniature tempests that rage inside raindrops. One day, Bonaventure’s world is shaken by anguished voices he’s never heard before–voices that trace back to a note written by his mother, Dancy, and to a peculiar relic owned by his Grand-mère Letice. When Bonaventure removes the note and the relic from where they’ve been hidden, he opens two doors to the past and finds the key to a web of secrets that both hold his family together, and threaten to tear them apart. Set against the background of 1950s New Orleans and the fictional town of Bayou Cymbaline, The Silence of Bonaventure Arrow is rich with the character of a culture that overflows with conjured charms and sanctified spirits. It takes readers from a gumbo joint on Atchafaylaya Road to a sinister house in New Orleans to the interior of the Arrow family crypt. A magical debut novel about the lost art of listening and a wondrous little boy who brings healing to the souls of all who love him in this story of forgiveness and redemption.

First Sentence: "Bonaventure Arrow didn't make a peep when he was born, and the doctor nearly took him for dead."

Review:

Okay book, I'm pretty sure it was me and not you. Listen, I saw you and you were beautiful, and I wanted you right away. I couldn't resist your allure, your magical realism. I had to have you in my life. Now, though, I realize that I should have gotten to know you better first, before we committed to one another in any meaningful way. You really are beautiful inside and out, but just not in a way I can fully appreciate.

What I can say is that the writing in The Silence of Bonaventure Arrow is beautiful. Simply lovely. Leganski's writing style plays into the feeling of magical realism perfectly, and the way she puts together sentences has a magic all its own. Her debut proves her writing chops, and I would be willing to consider reading whatever her next novel is, solely on the strength of her prose.

The book's opening captured me immediately, reminding me a good deal of Fitzgerald's short story "The Curious Case of Benjamin Button" mixed with the southern charm of Sarah Addison Allen. The idea of a child, mute but intended for some big purpose, seems fraught with possibility. Unfortunately, the story then jumps back and spends almost the whole of the novel in the backstory of his mother and grandmothers. I never did find myself especially interested in any character but Bonaventure Arrow himself, and he didn't turn out to be much of a focus in the novel.

Bonaventure, in addition to being silent, has super hearing. He can hear everything, from falling stars to his father's ghost. Supposedly, this will allow him to do something quite special and live up to his saintly name. His counterpart of sorts, in the sense that they both have special abilities, is Trinidad, a much older black woman. She sees visions, Knowings, and practices hoodoo, which allows her to help people with natural herbs. Her hoodoo is remarkably similar to the effects of Vianne's chocolates in Chocolat. These elements are fantastic, but I don't feel like they served any actual purpose to the plot whatsoever. They seem merely to be there to make the setting more vibrant.

Actually, the only real plot seems to involve Bonaventure's father. William dies before Bonaventure's birth, shot by a mysterious, insane man. His mother and wife are trying to allay their guilt, the former by trying to figure out the identity of his killer. Meanwhile, William, in some sort of purgatory, watches over his family, and communicates with his son. The whole book seems mostly to be about him moving on to the next world. Rather than magical realism, this is much more of a ghost story.

What lost me, most heartily though, was all of the Christianity in the novel. No, it's not preachy, but it's incredibly boring. As I said, I couldn't be bothered about the backstory of the grandmothers, and their pasts are all wrapped up in their fervent religious beliefs. Every character isn't Christian, and it doesn't seem like Leganski's trying to say anything about it, but I just had no fucks to give about any of it. Like so much else in the novel, I just don't see why I had to sit through all of that when it doesn't seem to have had a big impact on the plot overall.

The Silence of Bonaventure Arrow is a gorgeously-written novel, but suffers from a weak plot that tries to do too many things without tying them together. I might read more Leganski someday, but this one did not work for me.

Rating: 2/5

Favorite Quote: "'It's part of reaching the age of reason. As you get older, you figure out a lot of things with your mind, and you get better and better at it. But one day you realize that some things can't be figured out at all, no matter how old you are or how much you use your mind, and then you just have to listen to your heart.'"

Giveaway:
Though TSoBA didn't work for me, you still might love it (and what better way to try than a free copy). Harper sent me two copies, so I'm passing one along to a reader (and one to a friend). US/CAN only. Fill out the Rafflecopter to enter.

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Joint Review Discussion: In the Shadow of Blackbirds

Lenore Appelhans did a joint review discussion of Beth Revis' Shades of Earth, and that was so much fun we had to do another. This one isn't dystopian, but we both loved it so much that we had to talk about it. We'll really dive into some of the main subjects. We endeavor to keep it at as non-spoilery as possible, but you might learn a few things. I gave In the Shadow of Blackbirds 4.5 stars.

Description from Goodreads:

In 1918, the world seems on the verge of apocalypse. Americans roam the streets in gauze masks to ward off the deadly Spanish influenza, and the government ships young men to the front lines of a brutal war, creating an atmosphere of fear and confusion. Sixteen-year-old Mary Shelley Black watches as desperate mourners flock to séances and spirit photographers for comfort, but she herself has never believed in ghosts. During her bleakest moment, however, she’s forced to rethink her entire way of looking at life and death, for her first love—a boy who died in battle—returns in spirit form. But what does he want from her?

Featuring haunting archival early-twentieth-century photographs, this is a tense, romantic story set in a past that is eerily like our own time.

Lenore and I are discussing 4 topics: Atmosphere, Romance, History, and Ghosts. The first two are over at Presenting Lenore, so pop over there to check those out, if you haven't been there already. Just keep reading to hear our thoughts on the history in the novel and the ghosty business.

History

Christina:

You may not know this, but I was actually a history major in undergrad. Though that was not my calling, I still get a serious author-crush on those who can do historical settings well, and I’ve got one on Cat Winters now. There are so many books set during WWI, but this isn’t like any of the ones I’ve read. Mary Shelley’s life is only peripherally affected by the war. Instead, she has to deal with the Spanish Flu, and all of the horrid superstitious attempts to cure the Spanish flu, like eating endless amounts of onion and burning sulphur. Yuck!

Lenore:
I knew that! Oh see, and I have a weird thing for historical plagues. Give me a book about an epidemic/pandemic and I’m all over it. However, I can’t really recall reading much fiction dealing with the Spanish Flu, so the onions were new to me.

Christina:
How macabre of you! I haven’t read any spanish flu fiction, either. I think the closest I’ve come to that in fiction is Twilight. Wasn’t Edward dying of the Spanish flu when he was turned in 1917? It scares me that I remember that. Anyway, this is so much better. Winters made me want to go research the reactions to the Spanish flu, but I suspect I will be too lazy. Still, she’s inspiring me to want to be better. Props!

Lenore:

Confession time: I’ve never read Twilight, and though I did see the first movie (dubbed into German on TV here), I don’t remember the Spanish Flu. But I could see it. He is pale and sickly, haha.

In any case, the addition of the Spanish Flu here makes it a great read alike for other plague tales - my absolute favorite being Doomsday Book by Connie Willis.

The Ending

Christina:

One thing I love about the paranormal elements of In the Shadow of Blackbirds is how un-paranormal they feel. It comes off more like they either just exist, so they’re realistic, rather than paranormal, or like Mary Shelley’s lost her mind, perhaps because of all the onions. Do you have any thoughts on this, Lenore? Do you think the ghosts really exist or that Mary Shelley’s brain broke at the loss of her boyfriend?

Lenore:
Oh good question! I guess I’m so used to reading paranormal these days that I took Mary Shelley’s visions at face value. But I’m intrigued by the idea that too many onions can cause madness ;)

One element that supports the ghosts really existing in the story is the fact that Mary Shelley died for a few minutes and she was changed afterward. Like the compass always pointed at her. That’s some serious freakiness!

Christina:

Well, maybe it’s not the onions per se... Still, I love to consider whether things are actually happening or if the MC’s just going crazy. I enjoy reads that fuck with your mind, and, with something like this, the door is wide open for that.

True! I loved what she did with the compass, like it registered your amount of paranormalness. That’s a word now, by the way. I wonder if you could test Julius’s spirit-photographing abilities with the compass? There are some seriously freaky ghosty scenes in here. I hope they’re real, even if it would also be awesome for them to be all in her head...

Lenore:
I agree - it’s definitely open to interpretation. That makes great fodder for discussion. Recommend it to your next book club!

Remember, there's more discussion (and a GIVEAWAY) at Presenting Lenore!

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In the Shadow of Blackbirds, Cat Winters' debut novel comes out April 2 from Amulet Books! This one's definitely worth a preorder, folks! You can see my standard format review on Goodreads. 

Check back tomorrow for a giveaway of In the Shadow of Blackbirds, which is going to be the Book of the Month.

Review: Small Medium at Large

Small Medium at Large

Author: Joanne Levy
Pages: 208
Publisher: Bloomsbury USA Childrens
Source: Gifted by author (Thanks, Joanne!)

Description from Goodreads:
After she’s hit by lightning at a wedding, twelve-year-old Lilah Bloom develops a new talent: she can hear dead people. Among them, there’s her overopinionated Bubby Dora; a prissy fashion designer; and an approval-seeking clown who livens up a séance. With Bubby Dora leading the way, these and other sweetly imperfect ghosts haunt Lilah through seventh grade, and help her face her one big fear: talking to—and possibly going to the seventh-grade dance with—her crush, Andrew Finkel.

First Sentence: "Despite the suffocating mid-May hear and the nonbreathable fabric of my lavender polyester dress, it was shaping up to be a very good day."

Review:

GUYS, Small Medium at Large is every bit as frickin' adorable as the puntastic title implies, and I am so happy to be able to say that. I had extremely high hopes for Joanne Levy's debut, since we've bonded over Twitter, but experience has shown that just because I love an author, I won't necessarily be impressed by their novels. Thankfully, Joanne's was a little ray of middle grade sunshine that made me say "AWWWW" out loud multiple times.

From the very beginning, I knew I would love this, because Lilah has such a great, optimistic voice, perfect for a middle grade narrator. As the book begins, Lilah's the bridesmaid as her mother marries her new step-father, Stan. In most books, this would be where we hear about the evil step-parent or sadness over the divorce, but Lilah is nothing but supportive of her parents finding happiness. Even better, both of her parents are involved and loving.

While standing outside the reception hall, Lilah leans against a metal pole while trying to scrape some crud off her shoe and gets struck by lightning. She wakes up in the hospital with all three concerned parental units (mom and step-father having delayed their honeymoon), apparently no worse for the wear. Well, except that now she can hear her Bubby (her dead grandmother) talking to her.

Turns out, the lightning strike scrambled her brain and now she can hear dead people, but not see them, which is probably for the best. It's like The Sixth Sense, only hilarious and adorable instead of creepy. These sassy ghosts do what sassy ghosts do best: impart lots of advice of varying quantities of usefulness, and also ask for help of their own. Lilah, being the sweet, caring girl she is, takes this all relatively in stride and does her best to help everyone that comes her way, with the occasionally bumbling assistance of her best friend, and future band-mate, Alex.

What made this feel so essentially middle grade was Lilah's reaction to all of this. She has so much less skepticism in the face of the phenomenon and much less fear of other people's reactions. Where a teen or adult would keep this information on the down low, Lilah tells person after person, because she's honest and wants to help. An older person might devise a clever way around telling how they know what they do, but that's just not Lilah's style. It was adorable, especially one particular scene where Lilah tries to convince her crush, Andrew Finkle, that his dead father was speaking to her. Oh, also amusing was Lilah's inability to avoid responding to the ghosts, such that she ends up getting caught talking to herself a lot.

Lilah's interactions with others, both ghost and human alike, are where the book really shines. She takes such good care of her father, urging him (at Bubby's request) to start dating again. Her interactions with Andrew are totally accurate to middle school flirting in their sweet awkwardness. Bubby and Ms. Lafontaine stole the show with their sassy advice to Lilah, as well as their occasional shock at twelve-year-olds these days, who want to get kissed at the seventh grade dance (shocking!). 

If you love adorable middle grade stories or know some middle graders who do, Small Medium at Large is an excellent choice, sure to delight a younger reader even more than it did me.

Rating: 4.5/5

Favorite Quote: "'Andrew! Wait!' I yelled as a last chance. 'I know about your underwear!'"

Review: Paper Valentine

Paper Valentine

Author: Brenna Yovanoff
Pages: 368
Publisher: Razorbill
Publication Date: January 8, 2013
Source: Publisher for review

Description from Goodreads:
The city of Ludlow is gripped by the hottest July on record. The asphalt is melting, the birds are dying, petty crime is on the rise, and someone in Hannah Wagnor’s peaceful suburban community is killing girls.

For Hannah, the summer is a complicated one. Her best friend Lillian died six months ago, and Hannah just wants her life to go back to normal. But how can things be normal when Lillian’s ghost is haunting her bedroom, pushing her to investigate the mysterious string of murders? Hannah’s just trying to understand why her friend self-destructed, and where she fits now that Lillian isn’t there to save her a place among the social elite. And she must stop thinking about Finny Boone, the big, enigmatic delinquent whose main hobbies seem to include petty larceny and surprising acts of kindness.

With the entire city in a panic, Hannah soon finds herself drawn into a world of ghost girls and horrifying secrets. She realizes that only by confronting the Valentine Killer will she be able move on with her life—and it’s up to her to put together the pieces before he strikes again.

Paper Valentine is a hauntingly poetic tale of love and death by the New York Times bestselling author of The Replacement and The Space Between.

First Sentence: "My sister, Ariel, is sprawled upside down on the couch, pointing with the TV remote."

Review:
When I went to ALA in 2010, one of the numerous ARCs I picked up and took home, in a haze of disbelief that people would want to give me free books just because I was in training to be a librarian, was Yovanoff's debut novel The Replacement. The Penguin publicist I spoke to hyped it big time, I think because it was part of their Breathless Reads collection. Something I've learned about myself since is that I don't tend to be a huge fan of the most-hyped books put into those collections, though they do tend to do very well, they just are not my thing. Such was the case with The Replacement, which showed promise in the gothic tone and writing, but mostly fell flat. When I was sent a review copy of Paper Valentine, I really did not get that excited, but I did resolve to give Yovanoff another try, and I am so glad that I did, because she has grown a lot as a writer since her debut novel.

Ever since Lillian's death from anorexia, Hannah has been haunted by her best friend. Not by the memory of Lillian, no, but by her ghost. Lillian follows her around, giving her advice or criticizing her behavior, or both at the same time. Only Hannah can see Lillian, and, after six months of this, Hannah's pretty resigned to it, even though it can be an inconvenience and having ghost Lillian around isn't the same as having the real Lillian there.

Paper Valentine follows a lot of different plot lines, weaving them together expertly into a powerful novel. The first arc deals with friendship, with peer pressure, and with self-acceptance. Hannah and Lillian were incredibly close, best friends forever. They were also the most popular girls in school, making their own style and setting the trends. With Lillian gone, stuck with the rest of their group, now dominated by Angelie, Hannah's coming to realize that, much as she loved her, Lillian wasn't a very nice person all the time and that she could be a bad influence on Hannah. Watching Hannah come into her own as a person, both accepting the parts of herself wholly unlike Hannah and incorporating a bit of Hannah's advice made me so glad for her. Hannah needed a bit of Lillian's gumption, enough that she could tell off Angelie for being horrible and rude, but also needed to be Hannah-enough to not get too hung up on being popular.

Family, though a more minor thread certainly, still plays a crucial role in Paper Valentine. The parents are mostly absent, though the mother does ground Hannah for sneaking out and insist on meeting a boy before Hannah can go out with him. The relationship being dissected here is that of the two sisters, Hannah and Ariel. Though Ariel annoys her, understandably so, the two clearly have so much love for one another. Hannah can see how much Ariel tries to protect her and gets what Hannah is going through more than their mother and step-father do. I found their relationship touching, and loved that there was much more focus upon it than usual.

The book gets much creepier than just Lillian's ghost, however. Girls are being murdered, left in the park, heads bashed in, surrounded by the trappings of childhood, toys and candy. Next to each body is a paper heart. Needless to say Hannah will become wrapped up in the murders. Yovanoff does suspense and eerie settings very well, and there were some scenes that straight up freaked me out. What made Paper Valentine special, though, was how Hannah reacts when she finds herself in danger: she uses her brain and does not just collapse into a weeping heap waiting to be rescued. Unlike some heroines, she doesn't spend her doom-filled moments thinking of how much she loves some boy, but of ways to escape and of her sister and her dead best friend. As with when she fought back against bossy Angelie, Hannah held her own and refused to be cowed, and that just made me respect her and root for her so much.

Admittedly, I was quite skeptical of the romance at first, because I feared it was going straight down stereotype highway. See, Hannah has a secret crush on one of the bad boys. When we first see him, he's wearing a wife beater, even. He dyes his hair white-blonde with Clorox, has tattoos, and a missing pinkie. Early on, he shoplifts. I mean, not really swoon material. He never really does become the kind of guy I would swoon over, but Yovanoff makes him work, and I totally ended up shipping Hannah and Finny, who made me think a bit of Hanna and Caleb from Pretty Little Liars. Also, their romance reminded me a bit of Pushing the Limits too, only with less focus on romance, no pet names, and a murder mystery.

Yovanoff gives the reader a little bit of everything, and, after my lackluster first experience, I now plan to read The Space Between, her second novel, as well as whatever she has coming next. What a wonderful lesson in the importance of not writing an author off based on one book, especially a debut, because they have so much room to grow.

Rating: 4/5

Favorite Quote: "'It doesn't matter what you say,' she whispers. The words are icy, but her voice sounds almost sad, like she knows that whatever happens next is going to hurt. 'They're not going to believe you. No one ever believes teenage girls about things like whether or not the guy they're running around with is a killer. No one ever treats us like we know what we're talking about.'"

Review + Giveaway: King of the Dead

King of the Dead
Jeremiah Hunt, Book 2

Author: Joseph Nassise
Pages: 352
Publisher: Tor
Publication Date:November 27, 2012
Source: Publisher for review

Description from Goodreads:
Joseph Nassise shook up the urban fantasy genre with Eyes to See, a novel New York Times bestselling author Jonathan Maberry called “heartbreaking, deeply insightful, powerful and genuinely thrilling.” In a devil’s deal, Jeremiah Hunt sacrificed his human sight in exchange for the power to see the hidden world of ghosts and all of the darker spirits that prowl the streets. Hunt uncovered a world of murder and magic that took his daughter from him and nearly cost him his life, but that was only the beginning....

Now Hunt is on the run from the FBI, who have pegged him as a mass-murdering dark sorcerer. His flight from the law is diverted to New Orleans when his companion, a potent witch, has a horrific vision of the city under magical siege. When they arrive, they realize that the situation is more dire than they could have imagined: the world of the living faces a terrifying attack by forces from beyond the grave. King of the Dead, the second book in this groundbreaking series, promises more of Nassise’s electrifying writing that will enthrall readers looking for a supercharged, supernatural thrill.

Previous Books in Series:
1: Eyes to See (review|Goodreads)

First Sentence: "Life as an interstate fugitive isn't easy."

Review:

Sequels generally fail to live up to their predecessors. To be fair, they're under a lot of pressure. They need to refresh readers who read books out of order (a ghastly affair, I say) and to set up the following book, assuming there is one (which there usually is, duology's not being especially popular). Unfortunately, I feel like King of the Dead had some real issues, and was not as powerful as Eyes to See, however, the ending was jam packed and left me wanting more.

The first problem with King of the Dead I referenced above. Authors writing the second book of their series have two basic options: rehash the plot so that people who skipped book one won't be lost or launch straight in and hope that people are smart enough to go back to book one if they're confused. Nassise chose the former option, which might have been okay with me had I not read Eyes to See less than a week ago. With a strong knowledge of the plot, I could appreciate just how poorly the information dump was handled. One sentence, just a descriptive one about how inanimate objects take in emotions, he even reused verbatim in this book. If you're going to repeat the infodump, at least do me the favor of writing something new, especially since I wasn't a huge fan of that sentence in book one, which is why I recognized it.

Much as that annoyed me, though, it's a fairly common problem, and the repetition is dispensed with in a couple of chapters, so it's really not that big an issue. The larger problem was how the plot meandered for most of the book. Where Eyes to See started with a bang (Jeremiah performing an exorcism), this one only has a brief vision of Denise's to get us moving. Apparently, the vision means they need to go to New Orleans for some mission wholely unrelated to Hunt being wanted by the FBI. Alrighty then.

Thankfully, I do feel like the plot did come around to being a bit more overarching towards the end, bringing in a mysterious figure from book one. The last third or so of the book has a lot of action, death, and battle, so I got really into it at that point. There was one questionable moment in the battle's climax where I question Hunt's ability to take out the opponent, but hopefully the powers he uses then will be explained later on. Otherwise, not cool.

Hunt continues to be a delightfully odd hero, in that he's not especially heroic. He doesn't really want to save people and he's really not that useful a lot of the time. He gets them caught by doing something stupid, and he has to hide in the corner during battles, because he lacks any sort of fighting prowess. His most useful skills are his ghostsight and the fact that he's really good at the harmonica (soothes ghosts and three-headed dogs). Personally, I find this refreshing, because most people don't get to be the badass hero in their own lives.

King of the Dead had some issues, but I certainly recommend it with some reservations. Given the intense ending, I do plan to continue with the series myself and only hope that Nassise will ease the transition into book three and try to space out the action a bit better, like he did in Eyes to See.

Rating: 3/5

Favorite Quote: "Under the best of circumstances, pissing off a woman was usually not a good idea. Doing so to one who could turn you into a cockroach was even worse."

Giveaway:
I'm offering up both Jeremiah Hunt books, Eyes to See (mass market paperback) and King of the Dead (hardback) to one reader in the US. Just leave your contact information in THIS FORM and leave a comment on either this review or the one for Eyes to See.  Open until December 26, because I don't want to fight the frantic Christmas hordes at the post office.

Review: Eyes to See

Eyes to See
Jeremiah Hunt, Book 1

Author: Joseph Nassise
Pages: 320
Publisher: Tor
Source: Publisher for review

Description from Goodreads:
In an urban fantasy that charts daring new territory in the field, Jeremiah Hunt has been broken by a malevolent force that has taken his young daughter and everything else of value in his life: his marriage, his career, his reputation. Desperate to reclaim what he has lost, Hunt finally turns to the supernatural for justice.

Abandoning all hope for a normal life, he enters the world of ghosts and even more dangerous entities from beyond the grave. Sacrificing his normal sight so that he can see the souls of the dead and the powers that stalk his worst nightmares, Hunt embarks upon a strange new career—a pariah among the living; a scourge among the dead; doomed to walk between the light of day and the deepest darkness beyond night.

His love for his departed daughter sustains him when all is most hopeless, but Hunt is cursed by something more evil than he can possibly imagine. As he descends into the maelstrom of his terrifying quest, he discovers that even his deepest fears are but prelude to yet darker deeds by a powerful entity from beyond the grave…that will not let him go until it has used him for its own nefarious purposes.

First Sentence: "I gave up my eyes in order to see more clearly."

Review:

Receiving an unsolicited review copy generally feels a bit terrifying, because there are a couple different ways that it can play out, several of them unfortunate. When I received King of the Dead, an unsolicited copy of the second book in a series I'd never even heard of, I was a bit concerned to say the least, as one of the issues with unsolicited books is squeezing them into an already fairly tight review schedule. Well, the publisher did contact me and offer me book one as well, if I didn't already have a copy, and, after looking at reviews, I accepted. Luckily, I enjoyed Eyes to See, and will not have to force myself through the sequel.

The opening chapters really snared me. Hunt lost his daughter Elizabeth, kidnapped away from him while she was playing the floor above. He never stopped searching for her or believing that she was still out there somewhere, waiting for him to find her. The experience completely changes him, taking him from some man that the reader only gets hints of into the man in this series. He now has the much more world-weary attitude that I've seen in other male-targeted paranormals.

So desperate was Jeremiah Hunt to locate his daughter that when he had a chance, however slim, that he might be able to locate her, he took it. As such, he sacrificed his eyesight, gaining instead a new kind of sight. He can no longer see anything in the light anymore, but has vision in the darkness, which is why he lives in a house with every window boarded up. With his new eyes, he can also see ghosts, and other paranormal creatures. Pretty much everything with his eyes was seriously fascinating to me, and, I thought, quite well thought out.

At the outset of the novel, Hunt has taken a job as an exorcist, something he does whenever he needs more money. He faces down a creepy poltergeist and establishes his snarky, people-hating tone here. I really like Jeremiah. He's sort of a mild guy, but still not a good person to mess with, mostly because he's resourceful and not quite as blind as everyone seems to think. Unlike most male protagonists in paranormal fantasy, he isn't much of a fighter; in physical confrontations, he generally comes off the worse for wear, which made him a much more unique character, I felt.

Of course, he quickly gets entangled into a murder investigation which ties in to Elizabeth's disappearance. Eyes to See clearly feels like the set up to a series, though it does wrap up nicely. I'll be really curious to see what direction Jeremiah goes in from here, as to whether the plot arc from this one will continue or if he will now wander around solving individual paranormal cases from book to book. Either could be great, I think, given Nassise's delightful writing style and strong characters.

For the most part, the narrative style worked quite well. The reader mostly gets Hunt's first person perspective. I found my attention waning a bit when the perspective shifted from him, however. Much as I might like Denise, I didn't feel that the one or two brief chapters from her third person limited perspective were entirely necessary. I felt that way even more so about the chapters from the killer's perspective, as well as from Stanton's. Has Nassise stuck to Hunt's past and present perspectives, I feel this might have been a stronger whole.

Fans of paranormal fantasy who don't want a focus on romance will delight in Nassise's Eyes to See. Though I haven't read them, so take this with a grain or cellar of salt, I suspect these might be a good read-a-like for The Dresden Files series. I shall be happily embarking on King of the Dead sometime within the next week.

Rating: 3.5/5

Favorite Quote:

"He was clearly nervous; his palm was damp with sweat, and it didn't take a genius to recognize that I unnerved him almost as much as did the events that had forced him to seek me out in the first place.
   Frankly, I didn't give a shit. Miss Congeniality, I was not."

Review: The Diviners

The Diviners
The Diviners, Book 1

Author: Libba Bray
Pages: 592
Publisher: Little, Brown Books for Young Readers
Source: Nabbed at BEA

Description from Goodreads:
Evie O'Neill has been exiled from her boring old hometown and shipped off to the bustling streets of New York City--and she is pos-i-toot-ly thrilled. New York is the city of speakeasies, shopping, and movie palaces! Soon enough, Evie is running with glamorous Ziegfield girls and rakish pickpockets. The only catch is Evie has to live with her Uncle Will, curator of The Museum of American Folklore, Superstition, and the Occult--also known as "The Museum of the Creepy Crawlies." When a rash of occult-based murders comes to light, Evie and her uncle are right in the thick of the investigation. And through it all, Evie has a secret: a mysterious power that could help catch the killer--if he doesn't catch her first.

First Sentence: "In the town house at a fashionable address on Manhattan's Upper East Side, every lamp blazes."

Review:

Woohoo, I finally finished The Diviners. This thrills me both because it's insanely original and good, and because it's so incredibly long and took me forever. Partially, this was because it was my secondary book, but still...oof. Libba Bray has firmly cemented herself in my mind as an Awesome Author, both for her hilarious personality and her talented writing. Though I didn't like A Great and Terrible Beauty when I first read it ages ago, I loved Beauty Queens and now this one. Libba Bray is one of those authors with the remarkable ability to do something entirely new and astounding every time.

Though The Diviners was pretty slow-going for me, I really did pos-i-tute-ly love it. The storytelling style Bray uses appealed to me entirely. She tells the story in third person, but with a sort of magical realism flair to it, sometimes following a character and sometimes trailing the wind. This fit the story like a glove, and really set up the precise tone needed to pull this tale off.

On the downside, I wasn't entirely sold on Bray's use of multiple perspectives. I love them usually, whether third or first person, but it felt forced here. Basically, most of the book was Evie, with a smattering of chapters from Memphis' perspective, and then random bits of chapters following other characters/things. For the most part, the narration that didn't follow Evie found my mind wandering off course just a bit. I just feel like Memphis didn't do enough to justify his having such a large chunk of narrative relative to his importance.

The paranormal plot line, though clearly not yet fully-fledged, still opening up like a bud to become a bloom, delighted me too. Diviners have abilities, sort of like X-Men, which you know is totally one of my favorite things. Evie can see a bit of the past when touching objects. Memphis can heal. The powers are different for each individual and all fascinating. As I said, this was not as big a part of the book as you might expect yet, but will clearly be more central to the next installment.

Another aspect that Libba Bray gets just right is the creep factor. If you're someone who's scared by books, she will no doubt have you cowering into your blankets. Thankfully, I'm not bothered by horror in books (though I can't stomach it in the slightest in films), so it didn't scare me. I could still admire, however, her ability to create suspense and an eerie scene. I suspect that the story is told the way that it is precisely so we can pop over to the victims' points of view.

On top of that, I loved Evie. She starts out as this shallow, selfish girl, who I definitely still loved, but grows into this even more loveable girl throughout. I say that, but her core doesn't really change at all. She lets more of her good qualities shine through, but she's not magically a good girl or something; she still loves to party, to drink, to manipulate people and to be the center of attention. Evie is straight up hilarious, and I like that, much as she's a party girl, she really doesn't seem all that bothered about boys. Romance doesn't seem to matter to her all that much, except in the matchmaking sense, determined to help her straight-laced friend Mabel land her crush.

I never quite felt the same liking for any of the other characters that I did for Evie. Jericho and Will I like, but I don't know enough about them to be super invested. Memphis really does seem like a marvelously nice guy, but he just bored me, and I'm really creeped out by pretty much every other character in his story line. My least favorite character, though, by far was Sam. Intellectually, I know he's sort of the more messed-up, male version of Evie, but, for whatever reason, I just cannot stand him. Maybe I just can't get over the fact that he stole from Evie when he first met or how freaking cocky he is.

While The Diviners was not a perfect read, I still declare myself awash in admiration for Libba Bray's talent. This book is so unlike anything else I've read and the writing is superb. For those with a bit of patience, you will not want to miss this one, as it is remarkable.

Rating: 4/5

Favorite Quote:

"'I thought you went to the library,' Uncle Will said.
   Evie cut her eyes at Will, who didn't look up from his book. 'Why do you think I'm so exhausted? If you'd like to know anything at all about this city in 1876, please raise your hand. No show of hands? Pos-i-tute-ly shocking.' Evie bunched a pillow into a corner of the settee and rested her face against it. 'There is a hideous invention called the Dewey Decimal System. And you have to look up your topic in books and newspapers. Pages upon pages upon pages . . . .
   Uncle Will frowned. 'Didn't they teach you how to go about research in that school of yours?''
   'No, but I can recite 'The Battle Hymn of the Republic' while making martinis.'
   'I weep for the future.'  
'There's where the martinis come in.'"

Maybe Sprout Wings - The Mountain Goats

Above

Author: Leah Bobet
Pages: 368
Publisher: Arthur A. Levine Books
Publication Date: April 1, 2012
Source: Library

Description from Goodreads:
Matthew has loved Ariel from the moment he found her in the tunnels, her bee’s wings falling away. They live in Safe, an underground refuge for those fleeing the city Above—like Whisper, who speaks to ghosts, and Jack Flash, who can shoot lightning from his fingers.

But one terrifying night, an old enemy invades Safe with an army of shadows, and only Matthew, Ariel, and a few friends escape Above. As Matthew unravels the mystery of Safe’s history and the shadows’ attack, he realizes he must find a way to remake his home—not just for himself, but for Ariel, who needs him more than ever before.

First Sentence: "My last supply duty before Sanctuary Night, I get home and Atticus is waiting."

Review:
What on this crazy, polluted planet did I just read? Seriously, I just finished reading this and I have no freaking clue. If this book were a person, it would likely end up in a straitjacket, trapped in the sorts of institutions many of its characters have been at one point or another. Mix together One Flew Over the Cuckoo's Nest and Dust Girl, and I think you've got something that roughly approximates Above.

The world depicted herein does have interesting features. For example, there are people with powers, like Jack and his lightning hands. Others are part animal, like Matthew and his scales. Some of these Freaks, those that aren't normal, have formed a community, hidden beneath the earth in tunnels, safe from the doctors and the institutions. They call their community Safe, and Atticus is their leader.

This basic premise could have made an outstanding book, but it didn't. The lack of explanation caused me to get stuck in questioning mode, unable to suspend disbelief. So far as I noticed, there was never once any sort of description of HOW society came to be this way. People don't just suddenly get born with lion feet for no reason. I'm not even asking for much. Just give me something! Really, I would have been a bit more positive towards the book had their been just a sentence telling me that these changes were the result of drugs, chemicals in the food, pollution, SOMETHING.

The character of Ariel, pictured on the book's cover, proved to be another insurmountable obstacle for me as a reader. While I can easily accept some of the curses (or so they call them) that the people of Safe possess, like wielding lightning or speaking with ghosts, I had major difficulty with the animal hybrids. Still, I could accept to some degree at least Atticus' claw hands and Matthew's dad's lion feet. Fine. Ariel, though, I could not fathom. You see, she is not precisely as pictured. She looks completely normal sometimes, entirely human. However, she can TURN INTO A BEE. Her ability differs from everyone else's greatly, and I couldn't deal with the whole conservation of matter issues. Sure, I've read books where I wasn't bothered by things like that (Harry Potter, for example), but this aspect just seemed out of place within Bobet's own world. Why was Ariel so unique?

Matthew is a meh main character, which is unfortunate, especially considering that I still found him to be the most interesting character. Everyone feels flat and I don't get a sense of any real emotion anywhere, even in the scenes that I know were meant to be gut-wrenching. Perhaps this stems from the way Bobet chose to tell the story, as Matthew's autobiography, thus creating a sense of removal from those moments?

Matthew has a momentous crush on Ariel, although it's never put into those terms. I will give the romance credit for not being remotely like any other YA romances. However, that does not make me ship them any more. Again, it's hard to root for them when I have no sense of who they really are. Ariel, especially, does not seem to much care for anyone and would probably be best off alone.

The writing teetered on the edge of dialect but, except for one brief section, remained normal enough that I didn't want to stab my eyes out with one of my stiletto heels. Her long (mostly about forty pages) chapters made my eyes cross. I was constantly flipping ahead to see how many pages of the chapter remained, and the answer was usually too many. Additionally, I did not care for the Tales told at the end of each chapter, a brief story of how some of the key characters came to be in Safe. The characters chosen seemed entirely arbitrary, with some important ones having been skipped and some we never even meet getting a section. Many of these didn't add to the book for me at all. I feel like it would have been stronger to integrate them into the rest of the text.

There were some ideas in Above that I really liked, some shining possibility from amidst the weirdness. I really wish that Bobet hadn't made this a paranormal. As an issues book set in a dystopian future with a crackdown on crazy people (like The Glimpse), this could have been so powerful. The paranormal elements detracted from the serious themes, like the abuse Ariel has suffered and the inhumane treatments perpetrated by the Whitecoats.

About all I can say having finished Above is that I didn't completely hate it. However, I have so little positive to say that I cannot even rate it a meh. Some readers surely exist who can appreciate Bobet's vision, but I am not that reader.

Favorite Quote:

"Jimmy was big and broad; all the better for keeping her papa away. Jimmy was seldom smiling; well, it mattered more when he smiled just for her. And Jimmy had a place down in the city, lock and key secure between her and the world, and nobody looking in or telling where she'd gone.
   This is the way the Tale goes, that it's good for a while. That there's someone to hold you at dusk and a quiet space to stay, someone to careful, careful drag you back from the nightmares and glittering cut-sharp edges of your smashed-up broken nerve.
   It good short of forever.
   It gets real bad. It gets bad in ways you know on you skin, and this time you picked it. You didn't look close enough, so this time it's just you to blame. So it's bad on back and shoes in hand to tiptoe late-night out the door, and no time for somewhere to run to; no time to wait for the real thing. There's only time to go.
   There's running and running 'til you can't outrun your skin."

"I thought of old friends
the one's who'd gone missing
Said all their names three times
Phantoms in the early dark
Canaries in the mines

Ghosts and clouds
And nameless things
Squint your eyes and hope real hard
Maybe sprout wings"

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