Sadie Hawkins Sunday Review #3: Our Happy Hours

Watashitachi no Shiawase na Jikan
Alternate Title: Our Happy Hours

Author: Gong Ji-young
Illustrators: Sahara Mizu, Sumomo Yumeka
Volumes: 1
Source: Mangafox
Chosen by: Lynn

Description from Goodreads:
"I have something I don't want to lose"

"So much so that these terrible feelings have grown."

A pianist who attempted suicide 3 times, Juri, is taken to help her aunt at a prison where murderers who killed indiscriminately are sentenced to death. There, she meets a man named Yuu who took the lives of 3 people. A mother's antagonism--a brother's death... Together they embrace the violent rebellion in their hearts caused by the large, deep scars they carry. However, before long, they both embrace an earnest hope in their hearts. "I want to live"...

An adaptation of novel by South Korea's most popular female novelist, Gong Ji-Young.

Review:

You guys, I am so excited that Lynn put some manhwa on my to-read list for Sadie Hawkins Sunday. I love reading manga and manhwa, but I do not do it enough, because I mostly live from review copy to review copy. Also, this is totally a story I probably would have skipped left to my own devices, both because I'm not a fan of the cover art and because it sounds so depressing, and I'm still getting used to the idea I love depressing stories. Thanks, Lynn, for getting me to read something out of the usual, especially since I loved it!

Manhwa, for those who do not know, is the Korean equivalent of manga. Both manga and manhwa have a reputation for being melodramatic and crazy, which is perhaps rightly earned. I expected Our Happy Hours to fall into that category, but it is surprisingly melodrama-free. The subject is treated with the appropriate gravity, but nothing needless is added to up the emotional ante unnecessarily. The plot's not drawn out or over-complicated.

Juri tries to commit suicide for the third time. A former pianist, she now refuses to play and hates her mother, once a famous pianist. All Juri wants is to die, out of this life with untrustworthy people and nothing to live for. Her Aunt, the only good person in her life, is a nun, who works with death row inmates, trying to bring a bit of joy into their dreary lives while they went for the sentence to be carried out. She asks Juri to come speak with one of the inmates.

Unsurprisingly, Juri does not want to do so, but, given that she can do that or spend time in a mental institution, she agrees. Speaking with Yuu, a convicted murderer doomed to die, she opens up and is able to overcome her own mental blocks. She finds beauty in the world and connection. Though they come from completely opposite backgrounds (her: wealthy; him: a poor orphan, who had to prostitute himself), they have a lot in common and bond slowly. Their story is touching and tragic. Oh, the feels that I did not expect!

The writing, or at least the translation, was much stronger than usual, perhaps due to the fact that this is an adaptation of a novel. The art works quite well with the story, very shadowy. The conclusion does run a bit to the cheesy side, but everything else was perfect. Dark, emotional, and full of feels.

Rating: 4.5/5

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Up Next:
The next Sadie Hawkins Sunday book will be Modelland by Tyra Banks. Thanks for that, Stephanie Sinclair! :-p

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Bell Boy - The Who

An American Tragedy

Author: Theodore Dreiser
Narrator: Dan John Miller
Duration: 34 hours, 16 minutes
Publisher: Tantor Audio
Brief Summary:
Clyde Griffiths' parents are street preachers and from a young age, he resents their lifestyle. He hates being poor and being mocked by the people who walk past. He doesn't see that God is actually working any wonders in their lives. If so, wouldn't they be better? Unlike the rest of his family, Clyde is filled with ambition. He goes out, in his early teens, to get a job. Eventually, he gets work as a bell boy in the swankiest hotel in Kansas City, where the other bell boys introduce him to a lifestyle he never previously knew. This was the beginning of his descent into a life completely unlike that of his parents, one that would end in nothing but tragedy.

Review:
Just a warning to my dear readers. I do not believe I can discuss this book without spoilers, given the fact that it is really long and most of the parts I want to write about come later in the novel. With that said, you may want to not read this review if you don't want the book to be spoilered. The next couple paragraphs will be safe, since they will be a review of the audiobook version.

Confession: For many years, I have judged audiobook listeners as people unwilling to actually read a book. I don't know why. Listening to a book takes way longer than reading it and certainly I would consider someone reading a book or play aloud to me as having 'read' it. I imagine my completely unfair prejudice stems from having disliked the first couple audiobooks I listened to (back in middle school when they were books on tape). After that, I didn't listen to any more until graduate school.

What I would like to announce officially is that audiobooks can be really amazing and can, in point of fact, be better, for some books, than reading it the traditional way would have been. Not having read An American Tragedy, I am still fairly certain this is one such book. Dreiser writes in a style that imitates speech in many instances and that, thus, lends itself well to the audiobook format.

The narrator, Dan John Miller, has a voice that, although it took me a little bit to get used to, fits well with the time period (the 1920s). Apparently, Miller is from Detroit and sings in a gothic country garage band. He also acted in Walk the Line as Luther Perkins. He does a great job of making most of the main characters' voices recognizable and speaks at a good pace. I heard a couple of weirdly pronounced words and some strange accents from some of the smaller characters. Otherwise, he did a great job, and I very much enjoyed his performance.

Now, to the novel itself. I feared that I would absolutely hate this novel, as the only thing I had ever heard about Dreiser was people talking about how completely terrible Sister Carrie is. Thankfully, when I started listening, I found myself really enjoying it, which is good, given that it's a 32 hour audiobook. The novel is composed of four books, all of which are rather different. The first 3/4 of the novel, I really enjoyed, but the last 1/4 was really rough going.

The opening book discusses Clyde's life in Kansas City, from his time with his parents street preaching through the tragic event that compelled him to leave (although he totally was not guilty of a crime in that case, so he should have gone to the police and explained and would have been fine). Learning about 1920s society was fun, such as work as a bell boy. I also really loved reading about how dumb Clyde was in his pursuit of a girl he was completely obsessed with. She didn't like him so much as she liked his pocketbook, and constantly had him buy her things. Poor Clyde just is not very smart.

After fleeing Kansas City, Clyde spends book two trying to figure out what to make of himself. He adopts an alias while he works in Chicago. He escapes life in the hotel industry when he happens across his wealthy uncle, Samuel Griffiths, and is offered a position in his collar factory. Clyde is convinced this will be his chance to enter high society (as high as it gets in Lycurgas, NY) and to advance in his career. When he arrives, though, he finds that his hopes were to high. Although his Uncle did give him a position, he has to start at the very bottom of the totem pole, and he is given no leg up in society. Eventually, he gets a promotion to a management position in a department and, once again, hopes that he will be accepted into society. When this doesn't follow, he begins an affair with one of the women he oversees, Roberta Alden, despite such behavior being strictly forbidden.

In book three (I think...the border between these two is less clear than the others), Clyde finally gets noticed by the upper glass girl he has had a crush on since he first saw her, during the one time he was invited to his Uncle's house for dinner. This Sondra Finchley notices how much he adores her and how attractive he is, and decides to exert her influence to bring him into society, while falling to his charms, despite her parent's warnings not to get too attached. Clyde begins deserting Roberta, now hoping to marry Sondra. About that time, Roberta informs him that she's pregnant. He tries to get her out of it (pills to miscarry, then to find a doctor to perform an abortion), but cannot. Driven to desperation and still determined to marry Sondra, he refuses to marry Roberta, as she insists, and begins to plan to murder her. He does, or doesn't, depending on your point of view (I'll leave some mystery); either way, Roberta ends up drowned in a lake and Clyde is soon tracked down.

The last quarter of the novel covers Clyde's trial, his time on death row (surprise!) and his death bed conversion to Christianity. Told you. Spoilers. But I really wanted to talk about this, because, while the most boring part of the novel, I suspect that this may be Dreiser's ultimate message, one of the evils of capital punishment and the glories of God's redemption. Also interesting was how he chose to end the novel, which is with a scene reminiscent of the beginning. Clyde's parents, his elder sister and her illegitimate son preaching on the street just as they did when he was a child. Does this forebode ill for his nephew?

In honor of the part of the novel, I most enjoyed, I chose a song that encapsulates Clyde's crazy bell boy years. If you're interested in reading this book, I definitely recommend the audiobook version!

"I've got a good job
And I'm newly born.
You should see me dressed up in my uniform.
I work in hotel, all gilt and flash."